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Saturday, 26 January 2008

The Devil Wears Prada

Hell On Heels

A coming of age tale for all fashionistas. Anne Hathaway ( Becoming Jane, Brokeback Mountain ) stars as Andy (Andrea) Sachs, a ‘plain Jane’ student fresh from college who has a dream to become a journalist in New York. Having applied for numerous positions, she ends up at a publishing house HR department, being offered interviews for a computer magazine and 'Runway' - THE fashion magazine of New York.

After an 'interesting' interview Andy is taken on as the second assistant to the editor in chief, however she soon learns that not only is she in for a very bumpy ride, she won't be using her journalistic skills. So starts the seamlessly impossible task of keeping Amanda Priestley's ( Meryl Streep ) world ticking over like clockwork. With the inevitable hickups Andy soon decides that she needs to swap the plain image for a more elegant and glamorous style if she is to gain the respect of her boss and peers.

So commences the life that every PA dreads, being at the constant beck and call of the most demanding boss (EVER). Andy knows nothing about fashion and has never even read 'Runway' magazine, but firmly believes that a year working for Amanda Priestley will land her any journalistic position she could want.... if she can stick it out.

With all the demands put upon her professionally something has got to give and it's Andy's boyfriend Nathe and her friends.

Eventually, Andy starts to become more efficient than Emily ( Emily Blunt ) the first assistant to Amanda Priestley and following an unfortunate stream of events replaces Emily as Amanda's assistant at the Paris fashion week. So comes the crunch for Andy, does she stay working for Amanda or does she pursue her dream of becoming a serious journalist..... and what about Nathe?

Not quite on the lines of Ugly Betty, this is more of a Working Girl ( Melanie Griffith ) movie for the new millennium. With a fantastic performance by virtual newcomer Emily Blunt, the movie has the right level of high and low moments mixed in with downright hilarity.
Great to curl up on the sofa with... and don't forget your chocs.


DO you remember your first job? How you flounced in thinking you knew everything, only to learn in a few, crushing moments that you actually knew nothing? In this delicious send-up of the fashion industry, poor old Anne Hathaway embarks on the steepest of learning curves after landing a job working for the ultimate boss from hell. And The Devil Wears Prada could be the year’s best satire, the kind of film to make you laugh and cringe at the same time.


Hathaway, best known for The Princess Diaries, plays recent graduate Andy whose first job is working as a PA for the editor of style magazine Runway. It’s the kind of job a million girls would kill for – and the job almost ends up killing Andy thanks to the impossible demands of her iron-fisted boss Miranda (Meryl Streep).

Unfortunately, the poor girl doesn’t know her Dolces from her Gabbanas while her clothes look as if they’ve come from a thrift store. Giving her frumpy outfit the once over, fellow employee Nigel (Stanley Tucci) caustically remarks, “Are we doing a before-and-after piece?”

AdvertisementYou can’t help but wince as the poor girl is systematically belittled by Miranda’s acidic putdowns while her fellow assistant Emily (Emily Blunt) is only interested in becoming a size zero (“When I feel like I’m about to faint, I eat a cube of cheese”).

Streep is simply awesome as the dragon in Gucci, but manages to imbue her character with tragedy as, later in the film, it emerges the terrible price she’s paid for her success. Comedy doesn’t get much blacker – or more brilliant – than this.


Meryl Streep ... Miranda Priestly
Anne Hathaway ... Andy Sachs
Emily Blunt ... Emily
Stanley Tucci ... Nigel
Simon Baker ... Christian Thompson
Adrian Grenier ... Nate
Tracie Thoms ... Lily
Rich Sommer ... Doug
Daniel Sunjata ... James Holt
David Marshall Grant ... Richard Sachs
James Naughton ... Stephen
Tibor Feldman ... Irv Ravitz
Rebecca Mader ... Jocelyn
Jimena Hoyos ... Lucia
Gisele Bündchen ... Serena

Moulin Rouge

Set in the late 1890s this is the tale of a young poet called Christian who travels to Paris to make his fortune in the Moulin Rouge. He meets with the alcohol addicted Toulouse-Lautrec who introduces Christian to a seedy underground world full of drugs, sex and musical theatre. The innocent Christian is thrown into a passionate but doomed affair with Satine, the star of the show...

With "Strictly Ballroom" and "William Shakespeare’s Romeo + Juliet", Australian director Baz Luhrmann conquered the world with his brash, inventive exuberance. He completes his hat-trick with "Moulin Rouge", a feast for the senses that merges fin-de-siècle decadence with music ripped straight from today’s record charts.

Combining old-style Hollywood glamour, Orphean myth and boulevard farce, "Moulin Rouge" tells the story of Christian (Ewan McGregor), a young writer in Paris who begins a doomed romance with the city’s most famous courtesan, Satine (Nicole Kidman). Satine is the star of the eponymous nightspot, whose future depends on her marrying a wealthy patron (Richard Roxburgh). In a plot twist borrowed from "La Bohème" (which Luhrmann filmed for Australian television in 1993), she is also suffering from tuberculosis.

Stunningly conceived if dramatically weak, Luhrmann’s latest caused a stir at Cannes with its use of contemporary pop tunes (Elton John’s Your Song, Nirvana’s Smells Like Teen Spirit) that add an anachronistic spin to the period setting. Add flashy editing, lush production design and spectacular dance routines and the result is something akin to an extended music video - a resemblance reinforced by Kylie Minogue’s fleeting appearance as the Absinthe Fairy.

McGregor reveals a fine tenor voice as the lovestruck lead, but it’s Kidman who steals the movie with a devastating display of sultry allure. Watching her commit herself body and soul to Luhrmann’s bizarre vision makes it easy to overlook the film’s structural deficiencies and its tendency to sacrifice emotional resonance for stylistic bombast.





Nicole Kidman ... Satine
Ewan McGregor ... Christian
John Leguizamo ... Toulouse-Lautrec
Jim Broadbent ... Harold Zidler
Richard Roxburgh ... The Duke
Garry McDonald ... The Doctor
Jacek Koman ... The Unconscious Argentinean
Matthew Whittet ... Satie
Kerry Walker ... Marie
Caroline O'Connor ... Nini Legs In The Air
Christine Anu ... Arabia
Natalie Jackson Mendoza ... China Doll (as Natalie Mendoza)
Lara Mulcahy ... Môme Fromage
David Wenham ... Audrey
Kylie Minogue ... The Green Fairy

Just Like Heaven

Just Like Heaven is a “rom com” in the vain of Ghost and City of Angels. It is an unusual romance with a supernatural feel! Directed by Mark Waters (Mean Girls, Freaky Friday), it stars Reese Witherspoon (Vanity Fair & Walk the Line) who plays Elizabeth a hard working career doctor who has little time for a social life or for that matter any life at all. All she dreams of is securing a senior doctors position at the hospital she works at. Her married with kids sister Abby (Dina Waters) is (as all good sister would) trying to set Elizabeth up on a blind dates to try and get her to try and get some substance to her life.

It’s the end of Elizabeth’s shift, she’s been on duty for 26 hours and she’s off to her sisters for a blind date dinner. She meets her boss on her way out and is given the news that she’s been waiting for… she’s got the job! In jubilation she gets on her way to her sisters and just as she calls her sister letting her know she will be late... there’s a horrible accident.

Enter David Abbott (Mark Ruffalo - Collateral, Rumour Has It) a lonely singleton who is looking for an apartment to rent when, as fate would have it, a leaflet advertising Elizabeth’s apartment lands at his feet! He loves the apartment and rents it straight away. You then begin to realise that there has been a loss in David’s life that he’s never quite gotten over.

One evening just a David is getting himself a drink he turns around and comes face to face with Elizabeth! Things are not quite as they should be as she tells him that he’s in the wrong house. She suddenly disappears not to be seen again for a few days. During this time Elizabeth is convinced that David is mad and has broken into her apartment. Each time she disappears without a trace, which then leads David to believe that he has a ghost problem! They then start to battle about who stays and who goes. Elizabeth starts to realise that she is not flesh and blood and that she can’t remember things about her life.

The two then start spending increasing amounts of time together with Elizabeth hitting upon things that reminder her of who she was and her old life. The culmination of which is that her body is not actually dead, but she’s been in a coma for the last 3 months after the accident and that she’s in the hospital that she used to work in.

They go and visit her comatosed self, hoping that spirit and flesh will somehow bond back together again and that things will be fine. This doesn’t work and before long Elizabeth’s sister arrives with her children for their daily visit. It is revealed that the doctors do not anticipate that she will come out of the coma and that the machines should be turned off. With this news David and Elizabeth frantically try and come up with solutions to the problem of Elizabeth dying. Some mad cap antics then ensue which result in Elizabeth’s body being taken off of life support despite their best efforts!!

I will leave the story telling there, as I wouldn’t want to spoil the ending for you! Needless to say it is a little predictable, but then it wouldn’t be a rom com without a happy ending! Good soundtrack too with The Cure coming up on the closing titles. Look out for the alternative ending on the deleted scenes section.



Reese Witherspoon ... Dr. Elizabeth Masterson
Mark Ruffalo ... David Abbott
Donal Logue ... Jack Houriskey
Dina Spybey ... Abby Brody (as Dina Waters)
Ben Shenkman ... Dr. Brett Rushton
Jon Heder ... Darryl
Ivana Milicevic ... Katrina
Caroline Aaron ... Grace
Rosalind Chao ... Fran
Ron Canada ... Dr. Walsh
Willie Garson ... Maitre D'
Gabrielle Made ... Nurse Maria
William Caploe ... Nurse Bill
Shulie Cowen ... Nurse Jenny
Billy Beck ... Mr. Clarke

Talladega Nights: The Ballad of Ricky Bobby

Let me tell you about a movie I love. Untamed, inventive and hysterically funny, Talladega Nights: The Ballad of Ricky Bobby

is a guaranteed audience pleaser, a work of comic genius from Anchorman star Will Ferrell. A superstar NASCAR racer with an avaricious bleached-blonde wife, obnoxious sons named Walker and Texas ranger, and a best friend and teammate ( John C. Reilly) who’s even dumber than he is, Ricky Bobby (Ferrell) lives the high life until a disastrous encounter with a flamboyant French Formula One driver ( Sacha Baron Cohen) shatters his confidence and ruins his life. Can Ricky claw his way back to success? See for yourself and laugh till your sides ache. “Ricky is a typical sports movie character,” claims Ferrell. “He came from simple beginnings and, as a boy, enjoyed the need for speed. His motto became ‘If you ain’t first, you’re last’ - something his daddy taught him early in life. That meant either winning or wrecking, a go-for-broke attitude that eventually would lead to his downfall.” As on Anchorman, director Adam McKayand star Ferrell planned to shoot as many improvisational variations on their scripted scenes as time would allow. “In a typical film comedy, you may do a scene as written 90% of the time,” explains Ferrell. “And you might do a take or two for fun off script. In our films, we pretty much do one take that is from the script and take off from there. A lot of actors aren’t used to working in that style and sometimes view improvisation as a burden. But once everyone gets into the flow of it, it becomes a really fun process.” “I think how Adam and Will work is brilliant,” says Baron Cohen. “Will is such an amazing improviser. He has the ability to take any scene in a totally different direction. He’s so earnest and always so in character that it is incredibly easy to improvise with him.” Two actors who were surprisingly adept at improvisation were John C. Reilly and former model Leslie Bibb, a current regular on the popular television series Crossing Jordan. “We had actually offered John a part in Anchorman, but he couldn’t take it because he had committed to working with Martin Scorsese on The Aviator,” recalls McKay. “He was so funny, he blew us away. So when we wrote this film, we knew we had to find a role for him. He is incredible, a revelation. We were amazed at how well he did with improvisation.” Preparation to film the movie required Ferrell, Reilly and Baron Cohen to learn the driving fundamentals for sleek stock cars that are capable of reaching speeds of almost 200 miles per hour on the track. Along with McKay, the trio enrolled in a (hopefully) no-crash course at Lowe’s Motor Speedway to learn how to race a car on the track. With instructors from the Richard Petty Driving Experience, these Hollywood novices quickly found themselves behind the wheel of a powerful NASCAR race car. “The first thing they do is have you ride shotgun with a real NASCAR driver at about 180 miles an hour around the track. It was one of the most unpleasant experiences of my life," admits Baron Cohen. After the ride along, the actors were then required to get behind the wheel themselves. “We did about eight or nine laps following a pace car,” says Ferrell. “They taught us how to take a line on the track, how to approach curves. I think I was going about 135 miles an hour. You kinda’ get hooked right away.” It was Reilly, however, who ultimately won the right to be called “the world’s fastest actor,” according to Ferrell. “I think John got up to 143 miles an hour. Throughout, the three of us had only one goal: to beat Britney Spears, who had once gone 112 miles an hour. Fortunately, we all did.” Perhaps the most affecting real-life moment for the actors came when Ferrell, Baron Cohen and Reilly were introduced as their characters to a Talladega crowd of 200,000 screaming fans. When Ricky Bobby and Cal Naughton, Jr. were announced, the crowd went wild. But when Frenchman Jean Girard hit the stage, there was a collective - and deafening - boo. “Adam said he was worried I would get depressed after the whole stadium booed me,” says Baron Cohen, “but I wasn’t surprised. It reminded me of the last time I went to Alabama, when I was playing a gay Austrian character for my show and was booed by 90,000 drunken men at the Alabama-Mississippi football game. The only way I got out alive was by switching clothes with the sound man!” Perfectly cast and brilliantly played, full of surprises and memorable comic moments, Talladega Nights: The Ballad of Ricky Bobby is silly and spirited and please, do yourself a favour and add this to your list right away.

From the team that brought us Anchorman, here's another goofy comedy that pokes gentle fun at just about everything. Set in the world of stock car racing, it's charming and often funny, but it also drags badly and never makes much of its characters.
Ricky Bobby (Ferrell), born in what looks like a yee-haw Dukes of Hazzard episode, has always wanted to go fast. So it's natural that, with a lucky break or two, he becomes a Nascar champion with his best buddy (Reilly) at his side. He marries a sexy fan (Bibb), has a couple of kids, keeps his sponsor (Germann) happy. Then, of course, it all goes wrong and he's forced to reconnect with his parents (Lynch and Cole), rediscover his passion and face his arch-nemesis, the French ponce Jean Girard (Cohen).
The film takes off with a flurry of corny gags that amusingly poke fun at everyday things like, for example, what age we imagine Jesus to be when we say grace. The script is packed with hilariously telling bits of comedy, such as Ricky's sons being named Walker and Texas Ranger ("If we'd wanted wusses, we'd have named them Dr Quinn and Medicine Woman"). Essentially, everyone in this film is slow-witted, homophobic and racist.
Fortunately, the film is so relentlessly stupid that we can't take it seriously. Which makes the story's earnest moralising deeply pointless. And very dull. Even the sharp cast can't quite rescue the film once it falls into a gloomy funk. Ferrell creates his usual likeable goombah, although he's pricklier than usual. Reilly is terrific as the loyal but thoughtless guy who genuinely hasn't a clue. Cohen steals the film as wonderfully slithery Eurotrash.
The racing scenes are especially well-filmed--exciting and energetic, with lots of fabulous crashes. And the warped, absurd moments continually catch us off guard. You can't help but love Ricky's assistant's (Adams) rousing inspirational speech at the end. Or the 1980s power rock song score. Or the ridiculous closing credit scenes. But you also wish the writers had given us something to grab hold of.

Gary Cole ... Reese Bobby
Jane Lynch ... Lucy Bobby
Jason Davis ... Waffle House Manager
Jake Johnson ... 5-year-old Ricky
Lorrie Bess Crumley ... Schoolteacher
Luke Bigham ... 10-Year-Old Ricky
Austin Crim ... 10-Year-Old Cal (as Austin Crimm)
Michael Clarke Duncan ... Lucius Washington
Will Ferrell ... Ricky Bobby
John C. Reilly ... Cal Naughton, Jr.
Adam McKay ... Terry Cheveaux
David Koechner ... Herschell
Ian Roberts ... Kyle
Jack McBrayer ... Glenn
John D. King ... ESPN Reporter



Severance

Probably the funniest British Comedy Horror since Shawn of the Dead, Christopher Smith’s latest film since Creep is guaranteed to have you wincing and laughing in equal measures. Think ‘The Office’ crossed with ‘Deliverance’.

The tale of an office team-building in the Hungarian countryside that goes horribly wrong thanks largely to the incompetence of the office manager Tim McInnerny who first gets the group kicked off the luxury coach and then sets up camp in an abandoned shack; and to a group of insane former soldiers intent on killing anyone who crosses their path – and in particular any members of the ‘Palisades Defence’ group, a dubious business that doesn’t have lots of fans in the former Eastern Bloc.

Although a horror, Severance uses the banter between the office workers to inject real humour into the situation. Office boss Tim McInnerny, Laura Harris, Andy Nyman and Danny Dyer have perfect comedy chemistry. While they have the usual office tension, they are forced to work with each other like never before in order to survive. The humour is very black (the best moment has to be when Dyer attempts to fit a severed leg into a mini-bar!), but this all helps the audience to connect with characters and puts this film head and shoulders above others in the genre.

One of the best British films of all time and one of the funniest films you will ever see – well worth a watch.. or two, or three… a perfect movie. 10 out of 10.


A motley group of employees from an international weapons company find themselves hilariously at the business end of their own products in Christopher Smith's razor-sharp comedy horror film "Severance."

With a winning combination of laughs and genuine shocks, the film, which screened in the Piazza Grande at the Locarno International Film Festival, opens Aug. 25 in the U.K. via Pathe. Boxoffice should be lively. Magnolia Pictures, which snapped up U.S. rights at May's Festival de Cannes Market, should have great success with the audience that enjoyed the British horror spoof "Shaun of the Dead."

In a gory prologue played for laughs, a doughy middle-age man and two Nordic beauties are seen being chased in thick woods by a masked madman who clearly is armed and dangerous. Unaware of this, the cocky sales team from Palisades Defense, an unscrupulous but hugely profitable multinational supplier of high-tech killing machines, arrives in the forest for a week of team building.

They are headed for a luxurious new spa built by their employer somewhere near Transylvania, but a fallen tree across the road halts their coach in the middle of nowhere and the grouchy mittel-European driver refuses to drive off-track to the lodge. When the group's boss, Richard (Tim McInnerny), gets all officious about it, the angry driver dumps them to walk the rest of the way with their luggage.

Having opened the picture high, director Smith and co-writer James Moran raise the stakes with the canny use of horror film conventions turned on their head as the group -- five men and two women -- stroll insouciantly into the trees.

They stumble across a building that obviously is not new and appears to have been abandoned. But it has the Palisades logo so Richard declares it must be their employer's way of fostering resourcefulness. Eager-beaver Gordon (Andy Nyman) finds a ready-made pie, and the conversation over dinner includes various theories about the frightening history of the place.

These are shown in very clever flashbacks including a nifty Nesferatu-style vampire sequence and a Ross Meyers-style sex romp. Things at the table turn grisly, however, when the pie turns out to contain a human tooth.

With high style and great invention, the film then embarks on a terror trail with the only question being which team member gets whacked first. The pleasing twist is that instead of a group of bland teenagers heading for the chop, the individuals here are right out of "The Office."

Besides toady Richard and go-getting accountant Gordon, there's Richard's independent-minded assistant Billy (Babou Ceesay); hardnosed sales executive Harris (Toby Stephens); no-nonsense supervisor Maggie (Laura Harris); talkative Jill (Claudie Blakley), the only one who has doubts about the arms business; and chirpy Steve (Danny Dyer), who is seriously stoned on some magic mushrooms he bought from a street seller on the way from the airport.

Smith and Moran have great fun establishing each character and a large measure of the amusement is in the manner that they each meet their fate. Many of the faces are familiar -- McInnerny from "Notting Hill" and "Blackadder," Dyer from Nick Love's films including "The Business," Stephens from "Die Another Day," Canadian Harris from "The Faculty" and "24," Blakley from "Pride & Prejudice" -- and they all play it straight, which adds to the comedy.

Movie buffs will enjoy the many references to other films. The closing credits include a tip of the hat to "The Deer Hunter" and "Dr. Strangelove," which is an accomplishment on its own.

It's odd to say of a horror film, but "Severance" has such energy and high spirits that it leaves you with a wide smile.
Toby Stephens ... Harris
Claudie Blakley ... Jill
Andy Nyman ... Gordon
Babou Ceesay ... Billy
Tim McInnerny ... Richard
Laura Harris ... Maggie
Danny Dyer ... Steve
David Gilliam ... George
Juli Drajkó ... Olga
Judit Viktor ... Nadia
Sándor Boros ... Coach Driver
Levente Törköly ... Lodge Killer
János Oláh ... Flamethrower Killer
Attila Ferencz ... Head-squish Killer
Bela Kasi ... Headbutt Killer

Sweet Home Alabama

Reese Witherspoon is Melanie Carmichael, a New York fashion designer with a perfect life - beautiful, successful and newly engaged to the city's most eligible bachelor Andrew. All would be perfect if not for her past life with Jake, the redneck husband she married in high school who refuses to give her a divorce.
When the too-good-to-be-true son of Mayor Kate Hennings sweeps her off her feet by proposing in New York's most romantic store, Tiffany's, Melanie goes back to her roots to track down her estranged husband and fix the only obstacle in her path to her future happiness. Initially frustrated by her old memories Melanie slowly warms to and accepts her past as a necessary part of her future.

Torn between her childhood sweetheart and a glittering future Melanie Carmicheal's uncertain fairytale is full of touching moments and laugh-out-loud comedy.


Trash or cash? That's the choice our heroine is forced to make in the uneventful yet improbably charming romantic comedy Sweet Home Alabama. The movie should be a pleasant diversion for the core female demographic targeted by these films, but others will find it too heavy on the romance, and too light on the comedy.
Melanie (Reese Witherspoon, Legally Blonde) is a hip, up-and-coming fashion designer living in Manhattan. She's dating a JFK Jr. clone named Andrew (Patrick Dempsey, Scream 3) and, in a scene that will make girlfriends cry and boyfriends run for the exits, he proposes marriage to her in Tiffany's after hours. Andrew is the son of the Mayor of The Big Apple (Candice Bergen, Miss Congeniality) and a politico himself, so his romance with Melanie is fodder for the tabloids that needs to be carefully spun if the voters are to approve.
It would seem that Melanie has it all - beauty, fame, money, and an impending marriage to Prince Charming - but there's one last thing she needs to do before she can start flipping the pages on her fairy tale. So Melanie heads for Podunk, Alabama to track down Jake (Josh Lucas, A Beautiful Mind), the childhood friend who she married years ago in a moment of drunken abandonment, and ask for a divorce. Although at first Jake seems to want to part ways just as badly as Melanie, he keeps being elusive with the signature she needs to make the divorce paperwork complete. So, she has no choice but to stay in town until she can get his John Hancock.
This implausible but occasionally jocular set-up forces her to deal with the past and look up the family and friends she hasn't seen since she left them behind for the big city. It also forces her to get to know her husband a little bit better, and maybe fall in love with him for real this time. Unfortunately, what follows is a surprisingly humorless and unimaginative stretch of film that takes up the majority of its running time.
Alabama wants to force-feed us several hard to swallow plot points during this period. One of these is that Andrew stays in New York and barely bothers to monitor what the hell his betrothed is mysteriously doing down South. Another has everyone remembering Melanie and welcoming her back, although it is made painfully obvious that she treats these people like (to use their vernacular) a cow pie stuck to the bottom of her boot. The townspeople also repeatedly make references to Jake's new career, but one distraction after another keeps Melanie from asking what they're talking about.
Director Andy Tennant (Anna and the King) keeps throwing one cliched bit character after another at you, and some of them are good for a quick laugh. But, like a guy on a raft drinking salt water to quench his thirst, the desperate measure only briefly makes the problems go away. For supporting caricatures, Tennant insists on giving us the gay fashion designer best friend, the nice girl who got pregnant too early, the Barney Fife country bumpkin cop, and other similar golden oldies.
As far as main characters are concerned, the script likes to employ surprise as a substitute for development. The movie keeps leading us to believe a character is a certain way, only to suddenly pull back the curtain to reveal - voila! - their true selves. So, when somebody who has been nice for most of the movie lets loose with a surprising tirade aimed at the Southerners, we're supposed to cheer the resulting comeuppance. When Jake's career is finally uncovered, we're expected to think that he wasn't the right man before, but he might be now. And when Melanie makes her big decision at the end, we're supposed to fall in love with her and forget that she outed her gay friend, insulted half the town, cheated on her boyfriend, and appears to be so indecisive that any kind of long-term relationship would seem doomed to last any longer then the end credits.
But here's the kicker - somehow, Tennant manages to put together a soaring final half-hour that almost redeems the whole movie. It begins at the point when the Yankees start arriving in Alabama, and will keep you laughing steadily until the charming, good-hearted end. What this results in is one of those movies that make you walk out of the theater with a smile on your face and a spring in your step. Then, as you put your key into the ignition of your car a few minutes later, the thought hits you: "Wait a minute - that movie wasn't really that good."
I would have to attribute this strong final reel to the emergence of Fred Ward (Enough) as Melanie's "The South shall rise again!" dad. Relegated to the role of wallpaper for most of the film, he finally gets to step forward with some gags involving the re-creation of a Civil War battle, and it's the best part of the movie. The film also starts to capitalize on the "Fish Out of Water" theme by bringing Bergen's Mayor and Dempsey's Andrew down South. Up until this point, the movie should have been contrasting Reese Witherspoon (who plays uptight and spoiled better than anyone this side of Parker Posey) and her white-trash surroundings to mine more material than Don Rickles could in the lobby of a Jenny Craig. But Witherspoon's Melanie doesn't hold on to her New York ways nearly long enough; her regression is too immediate to create very many "Green Acres" moments, and that point is just accentuated when the Yankees arrive and begin the stream of jokes that should have been there earlier. Bergen flying up in a cranky old recliner or the locals making fun of Dempsey's fashions is good stuff, but it's too little too late.
I do have to give credit to the film, however, for refraining from the romantic comedy convention of revealing one guy as the "jerk" at the end of the movie. This is usually done to manipulate the audience into agreeing with the choice the female lead makes when faced with two men, and usually we find out that one of them is cheating on her, or dating her for her money, etc. Here, we get two men who are equally charming and suitable for the girl, and there is some genuine mystery as to which one she'll choose. It even takes the risk that you won't agree with the guy she chooses - I know I didn't.
The failure of Alabama isn't the fault of the actors, who all do commendable jobs with the roles they are assigned. Witherspoon is one of the finest young actresses working today, and it's unfortunate that she didn't find something more worthy of her efforts, but she still manages to inject enough perky enthusiasm to make the film a lot better then it could have been with a lesser lead. Witherspoon possesses the kind of comedic timing that just can't be taught, on display when she reacts to a dog diving into a lake and not coming up for air, or leads a supposed news reporter around a house pretending it's hers. It's just a shame they didn't put more moments of such levity in the film.
The actor who might gain the most from the film, however, is Lucas. With his good looks and disarming smile, the actor comes across as a Brad-Pitt type with more brains. Lucas has been in some great films before (Session 9, The Deep End, You Can Count on Me), but his contribution hasn't been as recognizable as it is here. The script calls for Jake to be hick, hooligan and hero all rolled into one, and the actor skillfully pulls it off.
Sweet Home Alabama could have been a lot of things. It has moments when it's romantic, when it's funny, when it makes good humor out of the things that still separates the North from the South, and when it shows a knack for good-natured, breezy fun. But it never harnesses any of this long enough to result in anything substantial. The lyrics to the old Skynyrd song may say that, "I miss Alabamy once again/And I think it's a sin", but to miss this Alabamy would probably be a good idea.

Reese Witherspoon ... Melanie Smooter
Josh Lucas ... Jake Perry
Patrick Dempsey ... Andrew Hennings
Candice Bergen ... Mayor Kate Hennings
Mary Kay Place ... Pearl Smooter
Fred Ward ... Earl Smooter
Jean Smart ... Stella Kay Perry
Ethan Embry ... Bobby Ray
Melanie Lynskey ... Lurlynn
Courtney Gains ... Sheriff Wade
Mary Lynn Rajskub ... Dorothea
Rhona Mitra ... Tabatha Wadmore-Smith
Nathan Lee Graham ... Frederick Montana
Sean Bridgers ... Eldon
Fleet Cooper ... Clinton

Borat Cultural learnings of America For Make Benefit Glorious Nation of Kazakhstan

Kazakhstani TV talking head Borat (Cohen) is dispatched to the United States to report on the greatest country in the world. With a documentary crew in tow, Borat becomes more interested in locating and marrying Pamela Anderson.

Prank humor is the cousin of playground ridicule, and you have to be a little sadistic to get a kick out of crank phone calls and hidden-camera ambushes. A friendly exception is "Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan."

At times this twisted travelogue is painful to watch, but it's not like the pain that a bully inflicts on the innocent. Here, the bullies are the victims: Americans who cloak racism, sexism and homophobia in fake affability.

"Borat" is a serious work of social criticism. But it's also the funniest movie I've ever seen.

Borat is the alter-ego of Sacha Baron Cohen, a British comedian who is probably best known to American audiences for his TV character Ali G. Like Ali, Borat is a blissfully ignorant journalist. From his native Kazakhstan, which is depicted as a backwater of boorish anti-Semites, he and his stoic producer (Ken Davitian) are dispatched to America.

Officially, Borat is on a mission to spread good will and learn the American way of life. His real motive: to meet, abduct and marry Pamela Anderson, the woman of his lascivious daydreams.

With his cheap suit, bushy mustache and broad grin, Borat is kin to the "wild and crazy guys" from the old "Saturday Night Live" skit — which may explain why the Kazakh government has denounced the character as a crude stereotype. Yet, like Andy Kaufman, Cohen is a cagey provocateur whose intent is not so much to spoof the old Soviet Bloc as to introduce Americans to themselves.

The film's road trip is a series of vignettes in which the quick-witted Cohen and his camera crew, led by director Larry Charles, are the only ones who know it's an act. Often we cringe at how readily people slap Borat a high five for his most outrageously crude remarks.

The cherry atop the cream pie that he's lobbing at our collective kisser is an etiquette lesson at a very proper Southern dinner party, to which Borat invites a black prostitute. I never laughed louder in my life — until the scene in which Borat and his portly producer duke it out at a swank hotel. In the middle of a business conference. In the nude.

"Borat" will be described as politically incorrect, yet the character has such a native understanding of American values that with a tweak of the immigration laws, he could run for president. Until then, we're crowning Cohen the new king of comedy.



Sacha Baron Cohen ... Borat Sagdiyev
Ken Davitian ... Azamat Bagatov
Luenell ... Luenell

The Assassination of Jesse James by the Coward Robert Ford

Based on the 1983 novel by Ron Hansen, THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD captivatingly depicts the final few months of the legendary Jesse James's life. He was 34, and his days of ruthless robbing had dwindled, yet his fearsome reputation continued to swell. With an abundance of nickel-books retelling his brutal gun-slinging adventures, James had become a symbolic hero for many Americans, and a dazzling tabloid icon for the 19th-century media. A particular young man seduced by the wonderment of James, the shifty Robert Ford, wormed his way in as a James groupie, in the hopes of snagging a coveted spot alongside his brother Charley as one of the bandit's cronies. Ford, fiercely insecure and painfully aware that he would never be taken seriously by James (who, ever-plagued by paranoia and scepticism, found Ford’s earnest obsession a bit unsettling), grew increasingly angry with his idol, leading to a destructive path that ultimately ended in the anticlimactic death of Jesse James--and brought the treacherous Robert Ford the notoriety he had always wanted.



Brad Pitt ... Jesse James
Mary-Louise Parker ... Zee James
Brooklynn Proulx ... Mary James
Dustin Bollinger ... Tim James
Casey Affleck ... Robert Ford
Sam Rockwell ... Charley Ford
Jeremy Renner ... Wood Hite
Sam Shepard ... Frank James
Garret Dillahunt ... Ed Miller
Paul Schneider ... Dick Liddil
Joel McNichol ... Express Messenger
James Defelice ... Baggagemaster
J.C. Roberts ... Engineer
Darrell Orydzuk ... Ukranian Train Passenger
Jonathan Erich Drachenberg ... Young Train Passenger

KLAXXON And The Academy, KLAXXON at the Oscars

THE NOMINEES 2008


Best Motion Picture of the Year.

Best Writing, Screenplay Based on Material Previously Produced or Published.

Best Performance by an Actress in a Supporting Role

Best Achievement in Cinematography

Best Achievement in Cinematography

Best Achievement in Costume Design



Juno

Best Motion Picture of the Year

Best Performance by an Actress in a Leading Role

Best Achievement in Directing

Best Writing, Screenplay Written Directly for the Screen


The Bourne Ultimatum

Best Achievement in Editing

Best Achievement in Sound

Best Achievement in Sound Editing



No Country For Old Men

Best Motion Picture of the Year

Best Performance by an Actor in a Supporting Role

Best Achievement in Directing

Best Writing, Screenplay Based on Material Previously Produced or Published

Best Achievement in Cinematography

Best Achievement in Editing

Best Achievement in Sound

Best Achievement in Sound Editing



Surf's Up

Best Animated Feature Film of the Year



Transformers

Best Achievement in Sound

Best Achievement in Sound Editing

Best Achievement in Visual Effects



American Gangster

Best Performance by an Actress in a Supporting Role

Best Achievement in Art Direction



Ratatouille

Best Writing, Screenplay Written Directly for the Screen

Best Achievement in Music Written for Motion Pictures, Original Score

Best Achievement in Sound

Best Animated Feature Film of the Year



The Assassination of Jesse James by the Coward Robert Ford

Best Performance by an Actor in a Supporting Role

Best Achievement in Cinematography

Rise The Blood Hunter

Female reporter Sadie Blake (Lucy Liu) wakes up in a morgue to find herself a member of the undead, the victim of a brutal vampire ritual.

Trying desperately to fight off her thirst, Sadie prowls the dark city streets, armed with a crossbow and hell-bent on slaying the twisted vampires that made her this way. With an all star cast featuring Carla Gugino, Michael Chiklis and James D'arcy, prepare for a bloody descent into a terrifying underworld.

Stylish but sluggish, Rise: Blood Hunter casts Lucy Liu as Sadie Blake - an inquisitive reporter whose latest story brings her face-to-face with an underground society of vampires. After said creatures feast on her and leave her for dead, Sadie - having been turned into a vampire herself - embarks on a campaign of revenge against those responsible for her blood-thirsty fate (including James D'Arcy's Bishop and Carla Gugino's Eve). There's also a subplot revolving around a grizzled cop (Michael Chiklis's Clyde Rawlins) whose daughter was killed by the aforementioned vampires, though his path doesn't cross with Sadie's until the film's third act. Though Rise: Blood Hunter takes an awfully long time to get going - Sadie's transformation doesn't occur until around the half-hour mark - writer/director Sebastian Gutierrez does a nice job of peppering the proceedings with a number of individually compelling moments (Sadie's first attempt at eating human flesh is particularly well done). There's little doubt, however, that things pick up tremendously once the film morphs into a flat-out revenge movie - particularly as Gutierrez places the emphasis on the increasingly sinister nature of D'Arcy's central villain (he even gives Sadie the old "we're not so very different, you and I" line!) Liu's unexpectedly strong performance proves instrumental in the film's ultimate success, and there's little doubt that Rise: Blood Hunter is a far more effective piece of work than one might've expected



Robert Forster ... Lloyd
Cameron Richardson ... Collette
Lucy Liu ... Sadie Blake
Allan Rich ... Harrison
Samantha Shelton ... LA Weekly Editor
Kevin Wheatley ... Ethan Mills
Margo Harshman ... Tricia Rawlins
Cameron Goodman ... Kaitlin
Holt McCallany ... Rourke
James D'Arcy ... Bishop
Carla Gugino ... Eve
Michael Chiklis ... Clyde Rawlins
Paul Cassell ... Detective Easton
Mako ... Poe
Sam Cooper ... Coroner's Assistant

Terminator 3 Rise of the machines


A decade has passed since John Connor helped Judgement Day and save mankind from mass destruction.

Now, 25, Connor lives "off the grid"--no home, no credit cards, no cell phone and no job. Connor has no record of his existence. There is no way he can be traced by Skynet--the highly developed network of machines that once tried to kill him and wage war on humanity. Until, out of the shadows of the future steps the T-X, Skynet's most sophisticated cyborg killing machine yet. Sent back through time to complete the job left unfinished by her predecessor, namely the T-1000, the determined T-X is a machine that is as relentless, as is her human guise beautiful. Now Connor's only hope for survival is to annex with the Terminator, T-101, his mysterious former assassin. Together they must triumph over the technologically superior T-X and forestall the looming threat of Judgement Day--or face the apocalypse and the fall of civilization as we know it. Terminator 3 is the summer movie of 2003 that hard-core action fans have been awaiting. It's not ponderous and incomplete like The Matrix Reloaded. It's not steeped in characterization and modern-day mythology like Hulk. And it's not vapid and flashy like Charlie's Angels: Full Throttle and Bad Boys 2. Instead, it's a relatively straightforward science fiction adventure film - just what movie-goers expect from a third outing with Arnold Schwarzenegger's cybernetic alter-ego.
The movie is not weighted down by plot, but it does have a recognizable storyline featuring legitimate characters and a few nice (but minor) twists. Some degree of attention is helpful - Terminator 3 is not an intellectual challenge, but neither is it vacuous. The film has plenty of action sequences, some of which are spectacular. Director Jonathan Mostow has wisely not relied too much on computer graphics for these. A fair amount of stunt work was required, and the computer components are incorporated seamlessly. Additionally, Mostow does not play the game of cutting every second or so, and the music never upstages the visuals. Terminator 3 gets the most bang for its buck by letting the camera linger on the spectacle, and allowing tension, not flashiness, to be its hallmark.
It's 10 years after Terminator 2: Judgment Day, and, in the decade since we last entered this universe, Sarah Connor has died of leukemia and her son, John (Nick Stahl), has become a recluse. Even though he and his mother supposedly averted the nuclear war that would devastate the planet and allow the machines to take over, a part of him doubts that the future is secure. That uncertainty bears fruit when an unstoppable Termanatrix, the T-X (Kristanna Loken), enters the early 21st century on a mission to kill John and one of his lieutenants, Kate Brewster (Claire Danes). Following the T-X through the portal is the reliable, obsolete T-101 (Arnold Schwarzenegger), sent to protect John and Kate. Eventually, the human targets end up on the run from the T-X. Their goal is the same as it was in Terminator 2: avert a nuclear catastrophe. But this time, the odds are even more heavily stacked against them and time is not on their side.
If you take a step back and examine Terminator 3 from a distance, it bears all the characteristics of a road movie. Strip away the action sequences and the science fiction/time travel veneer, and that's what's left. But, since the average road movie is terminally boring, Mostow provides plenty of pyrotechnics along the way. Terminator 3 is a closer cousin to Terminator 2 than it is to the original. Like the first sequel, this movie is more concerned with elevating the pulse than stimulating the mind. There was plenty of action in The Terminator, but that movie was founded on ideas and paradoxes. In Terminator 2 and Terminator 3, the thought-provoking skeleton is still in place, but a much greater importance has been placed on the visceral impact.
Arnold Schwarzenegger effortlessly slides into the role that made him a superstar. Depending on where his political aspirations take him, this could either be a comeback or farewell. Either way, this performance reminds us why, for all of his acting limitations, no one was a bigger action star during the '80s (not even Stallone). Schwarzenegger has charisma and screen presence. Watching him here, it's hard to believe that he's in his 50s. And, after several duds (the most recent of which was Collateral Damage), it's nice to see him finally back in form.
Kristanna Loken plays Terminator 3's version of Robert Patrick's Terminator 2 villain, with a few new enhancements added. Like Patrick, Loken brings an icy cool to the part. The difference is, of course, that Loken has a lot more sex appeal than Patrick. Nick Stahl replaces Edward Furlong as John Connor. Stahl is a capable actor (note his work in In the Bedroom) and more than able to make us sympathetic to John's plight. Claire Danes provides the female muscle power (essentially replacing Linda Hamilton), while injecting a little romance
Terminator 3 has a number of impressive action sequences, including one that features two crashing helicopters and another in which the T-101 and T-X go at it, one-on-one. But none is more impressive than the crane chase, where the world's largest crane goes crashing through everything in its path in an out-of-control attempt to (literally) run down John and Kate. (When Warner Brothers became skittish about budgetary issues, Schwarzenegger chipped in $1.6 million to allow the sequence to be finished.) It's hard to say which is the summer's best chase: this one or the equally spectacular one in The Matrix Reloaded.
Will there be a Terminator 4? The ending allows for one, and parts of the story have yet to be told. But, from an action standpoint, is there any way that way that a fourth picture could be anything other than a re-hash of its predecessors? And can the franchise succeed without its star (who, barring a failure to gain political office, will not be interested)? Those are questions for the future. However, considering how well Terminator 3 is likely to fare at the box office, the future won't be that far away. It has taken a long time to get Terminator 3 to the screen, and, while the production doesn't rock the action motion picture industry to its foundation, it's a credible and entertaining movie, and was worth the wait.



Arnold Schwarzenegger ... Terminator
Nick Stahl ... John Connor
Claire Danes ... Kate Brewster
Kristanna Loken ... T-X
David Andrews ... Robert Brewster
Mark Famiglietti ... Scott Petersen
Earl Boen ... Dr. Peter Silberman
Moira Harris ... Betsy
Chopper Bernet ... Chief Engineer
Christopher Lawford ... Brewster's Aide (as Chris Lawford)
Carolyn Hennesy ... Rich Woman
Jay Acovone ... Cop - Westside Street
M.C. Gainey ... Roadhouse Bouncer
Susan Merson ... Roadhouse Clubgoer #1
Elizabeth Morehead ... Roadhouse Clubgoer #1

Jackie Brown

Jackie Brown is an air hostess who supplements her income by carrying large amounts of cash between Mexico and the US for a gun dealer. After being arrested at the airport she can only gain her freedom by shopping the gun dealer but she knows that if she does that he will kill her. However, she has a plan to escape and with a large chunk of the money...
Jackie Brown is Tarantino's first screenplay adapted from a novel, Elmore Leonard's Rum Punch, which lays out a pretty standard swindle story. Jackie Brown (Pam Grier, in an Oscar-worthy performance) concocts an elaborate plan to steal a million bucks from both the bad guys and the cops. She's an airline stewardess smuggling cash for Ordell Robbie (Samuel L. Jackson) and his dim partner Louis (Robert De Niro). Melanie (Bridget Fonda) is Ordell's simple surfer-chick girlfriend. Michael Keaton plays a cop who thinks he has Jackie on his side, and Robert Forster (excellent in a brilliant comeback role) plays Max Cherry, the bail bondsman who falls hard for Jackie (he plays "Didn't I Blow Your Mind This Time" by the Delphonics over and over to remind him of her).
Tarantino's style is suited to Leonard's -- he takes the novel and makes it into a Quentin Tarantino movie. As a director, he loves to keep his audience a little in the dark so that they'll work a little and meet him halfway. The most inspired sequence is a Rashomon-type three-way in which we see "the switch" three times in a row from three different points of view. Like Leonard, he has a gift for great-sounding dialogue, but he saturates Jackie Brown with it, and there's not enough plot to keep us interested. On the other hand, Tarantino's inexperience in adaptation shows. The movie is very long (2 hours and 40 minutes), and quite a lot of it is expositional and unnecessary. It's a thriller with a standard plot, and it needs to move a little faster. However, when Grier and Forester are on screen, the movie sparkles. These are unquestionably Tarantino's greatest characters, and the actors eat them up with verve. The movie also makes great use of Los Angeles. For once it looks like a real city and not just a sterilized movie set.
DVD Details: In 1999, I chose Pulp Fiction as the movie of the decade. Two years later, I still regard it as a masterpiece and would still call it the movie of the '90s on a technical level, but I believe now that Jackie Brown is Tarantino's greatest and most accomplished film. (Similarly, I don't deny the greatness of Orson Welles' Citizen Kane, even though my favorite of his films is Chimes at Midnight.) I gave Jackie Brown a lukewarm review in 1997, but seeing it twice more I find that it's more of a slow burn in contrast to Pulp Fiction's sudden flare-up. It takes longer to sink in. Before, his characters spoke crackling dialogue and we loved listening to them. But here they have real soul. The lovely scenes between Grier and Forster especially sparkle and hum. The DVD comes with a huge, wonderful gallery of trailers for most of Pam Grier and Robert Forster¹s films, deleted scenes, Siskel & Ebert¹s TV review, short documentaries, and much more.




Pam Grier ... Jackie Brown
Samuel L. Jackson ... Ordell Robbie
Robert Forster ... Max Cherry
Bridget Fonda ... Melanie Ralston
Michael Keaton ... Ray Nicolette
Robert De Niro ... Louis Gara
Michael Bowen ... Mark Dargus
Chris Tucker ... Beaumont Livingston
Lisa Gay Hamilton ... Sheronda
Tommy 'Tiny' Lister ... Winston (as Tommy 'Tiny' Lister Jr.)
Hattie Winston ... Simone
Sid Haig ... Judge
Aimee Graham ... Amy - Billingsley Sales Girl
Ellis Williams ... Cockatoo Bartender (as Ellis E. Williams)
Tangie Ambrose ... Billingsley Sales Girl #2

beowulf

Hugely enjoyable, smartly written and stunningly animated fantasy epic, even if they haven't quite got the eyes right.

What's it all about?
Directed by Robert Zemeckis using motion-capture animation and adapted from the epic poem by Neil Gaiman and Roger Avary, Beowulf stars Ray Winstone as the Viking warrior Beowulf, who answers the call of King Hrothgar (Anthony Hopkins), to rid his kingdom of the hideous monster, Grendel (Crispin Glover). However, once Grendel is slain, Beowulf enters into a mysterious contract with the creature's mother (Angelina Jolie), who promises him the entire kingdom.

Sure enough, Beowulf inherits Hrothgar's throne, but his contract comes back to bite him years later in the form of a terrifying dragon that threatens to destroy the kingdom.

The Good
The script is excellent, throwing up several interesting themes as well as some amusingly bawdy dialogue. The voice cast are good too, particularly Hopkins and Glover, although Malkovich and Jolie adopt baffling accents that are practically impenetrable.

The film was designed to be seen in IMAX 3-D and as such, the effects are fantastic, using sweeping cameras that fully exploit the 3-D landscape. The climactic battle with the dragon, for example, is thrillingly rendered and unlike anything else you'll see this year.

The Great
The film is surprisingly raunchy in places, containing several scenes of almost-nudity, including one heaving cleavage shot that would put the Carry On films to shame. It's also impressively bloodthirsty, notably in a scene where Beowulf bursts out of a sea monster's eye.

The only problem with the film is that the motion-capture animators haven't quite got the eyes right, with the result that all the characters have the same oddly vacant expression. Similarly, while the majority of the characters strongly resemble the actors playing them, Beowulf seems to have been modelled on Sean Bean rather than Ray Winstone.

Ray Winstone ... Beowulf / Golden Man / Dragon
Robin Wright Penn ... Wealthow
Anthony Hopkins ... Hrothgar
John Bilezikjian ... Musician #2
Brice Martin ... Musician #4 (as Brice H. Martin)
Sonje Fortag ... Gitte
Sharisse Baker-Bernard ... Hild
Charlotte Salt ... Estrith
Julene Renee ... Cille
Greg Ellis ... Garmund
Rik Young ... Eofor
Sebastian Roché ... Wulfgar
Leslie Harter Zemeckis ... Yrsa (as Leslie Zemeckis)
John Malkovich ... Unferth
Woody Schultz ... Aesher

Alien

There are only two things you need to know about Ridley Scott's slasher-movie-in-space masterpiece: firstly, it's one of the greatest sci-fi movies ever made. And secondly, it's a completely different beast from James Cameron's pumped up Vietnam-in-space sequel.

"BARELY DIFFERENT"

Released to celebrate Alien's 24th birthday, this version of the film about a creature killing the crew of a spaceship one by one is barely different from the original. A director's "cut" in the literal sense of the term, this trims a minute off the original movie's running time.

While restoring a few deleted scenes such as Ripley (Sigourney Weaver) and Dallas (Tom Skerritt) arguing about the ship's quarantine procedures, Scott also throws in a few sequences in the medical lab, and the moment Ripley discovers the cocooned remains of her former crewmates.

But what really makes this worthwhile is the chance to see Scott's imposing vision in all its 70mm glory. The digitally remastered print is also accompanied by an eardrum-perforating new stereo mix.

"JAWS PLUMMETING TO THE FLOOR"

As the hull of the Nostromo sails across the cinema screen, or the crew enter the wreckage of the gigantic alien vessel that houses a cargo of deadly eggs, the scale of Scott's film can't fail to leave jaws plummeting to the floor.

Cameron's sequel may have surpassed Scott's film in terms of balls-to-the-wall action, but it's the original that lays down the seeds of the Alien mythology, obsessively toying with themes of birth, motherhood and sex in quite outrageous ways.

At the same time it reworks the sexual anxiety of the slasher movie with startling efficiency. Tick off the Freudian nightmares that include the phallic-shaped xenomorph, the android Ash (Ian Holm) erupting in a creamy white mess, or the womb-like control room of the ship's onboard computer (appropriately named 'Mother'). And then there's the scene in which Ash tries to kill Ripley by stuffing a rolled up porn mag down her throat.

"INTELLIGENT, ADULT AND UNSETTLING"

Scott has always claimed it's nothing more than a dumb monster movie, but Alien is clearly much more than that. Arriving only two years after the family friendly space operatics of Star Wars (1977), this is a seminal example of science fiction cinema at its most intelligent, adult and unsettling.







Tom Skerritt ... Dallas
Sigourney Weaver ... Ripley
Veronica Cartwright ... Lambert
Harry Dean Stanton ... Brett
John Hurt ... Kane
Ian Holm ... Ash
Yaphet Kotto ... Parker
Bolaji Badejo ... Alien
Helen Horton ... Mother (voice)

The Walker

Escorting the elegantly coifed but desperately lonely wives and widows of Washington's powerful elite is the favoured pastime of Carter Page III (Woody Harrelson).However the opulent world of the political upper crust and a passion for the good things in life entrench him in a secret world of betrayal and murder.

Woody Harrelson escorts Lauren Bacall and Kristin Scott Thomas down the red carpet in this murder mystery thriller from Paul Schrader
Returning to some of its writer-director's familiar obsessions The Walker finds Paul Schrader on fine form. Woody Harrelson takes the eponymous role as Carter Page III, a 'walker' in Washington DC who spends his evenings escorting the city's aging dames to social events their husbands are too busy to attend. A gossipy, bitchy queen from a renowned Virginia family, Carter finally finds a backbone when his friend Lynn (Scott Thomas), the wife of a liberal senator, is implicated in the murder of her secret lover. Refusing to name names to the ambitious District Attorney (Hope) assigned to the case, Carter covers up Lynn's presence at the murder scene. Then pays the price as he's caught between disloyalty and dishonesty. An arid companion piece to Schrader's American Gigolo (1980), The Walker lets that film's repressed homosexuality out of the closet while offering an askance commentary on political corruption in Washington. Raising his game to play a complex, highly-unsympathetic role, Harrelson excels, even making us care about the fate of his snippy, snide protagonist (no mean feat). It's a performance with just a hint of Marlon Brando about it - something that's only enhanced by Harrelson's dodgy dentures - and it allows him to more than hold his own among the impressive supporting cast of grande dame femmes: Scott Thomas, Lily Tomlin and Lauren Bacall.



Woody Harrelson ... Carter Page III
Kristin Scott Thomas ... Lynn Lockner
Lauren Bacall ... Natalie Van Miter
Ned Beatty ... Jack Delorean
Moritz Bleibtreu ... Emek Yoglu
Mary Beth Hurt ... Chrissie Morgan
Lily Tomlin ... Abigail Delorean
Willem Dafoe ... Senator Larry Lockner
William Hope ... Mungo Tenant
Geff Francis ... Detective Dixon
Steven Hartley ... Robbie Kononsberg
Garrick Hagon ... John Krebs
Michael J. Reynolds ... Ethan Withal
Allen Lidkey ... Andrew Salesperson
Stewart Alexander ... Edgar

Atonement

The fallout from an unthinking act of adolescent treachery on a stifling summer's day splinters the aristocratic Tallis family forever. Keira Knightley and James McAvoy deliver the sort of performances that have got Oscar written all over them as the doomed lovers in director Joe Wright's sumptuous adaptation of Ian McEwan's dark novel. A masterclass in emotional storytelling.

England 1935. It's the hottest day of the year and the cut-glass Tallis family are convening at their Gothic country pile.
Thirteen-year-old Briony (Saoirse Ronan) is keen to dragoon her reluctant cousins into performing her first self-written play.
Her elder sister Cecilia (Knightley) drifts through the shimmering heat-haze lethargically awaiting the arrival of the family's aristocratic guests.
However, the air of dull dread as war looms is shattered when the wilful Briony spots her half-naked sister and the housekeeper's son Robbie (McAvoy) by the fountain.
Misreading the situation from afar, Briony's wild imagination sets in train a series of catastrophic events that will see Robbie accused of a terrible crime he did not commit.
To reveal much more of the plot would seriously damage the enjoyment of a fledgling romance struck down by a moment's act of betrayal.
Knightley and McAvoy, despite occasionally slipping into Brief Encounter mode, thoroughly convince with taut, luminous performances as the lovers cursed just as passion blossoms.
Director Joe Wright and screenwriter Christopher Hampton have skilfully teased out the themes of guilt and remorse from Ian McEwan's novel, cleverly wrongfooting the viewer with devices you'd expect to see in a thriller.
It's a sophisticated, grown-up drama that also manages to touch on the horrors of war (a seven minute tracking shot of the Dunkirk evacuation is stunning) and the supercilious duplicity of (some of) the ruling classes.
But most of all it's a rivetting love story and a profoundly moving meditation on what might have been.
Go see it. You'll be sorry if you don't

Saoirse Ronan ... Briony Tallis, aged 13
Ailidh Mackay ... Singing Housemaid
Brenda Blethyn ... Grace Turner
Julia West ... Betty
James McAvoy ... Robbie Turner
Harriet Walter ... Emily Tallis
Keira Knightley ... Cecilia Tallis
Juno Temple ... Lola Quincey
Felix von Simson ... Pierrot Quincey
Charlie von Simson ... Jackson Quincey
Alfie Allen ... Danny Hardman
Patrick Kennedy ... Leon Tallis
Benedict Cumberbatch ... Paul Marshall
Peter Wight ... Police Inspector
Leander Deeny ... Police Constable

1408

The sinister schtick of hotel room 1408 is “No one lasts more than an hour”. It’s a potent warning/teasing tagline that’s also a bit of a gimme for reviewers of this slick, shlocky Stephen King adaptation, which shakes and shocks superbly for, naturally, 60 minutes before loosening its grip on the sphincter and making a bit of a mess. The climactic bullshit doesn’t disembowel the picture entirely, though, and this is still an expertly packaged pillaging of The Haunting (1963) and The Sixth Sense (1999). It also manages to tap two universal human truths: first, everyone wants to believe there’s something beyond the here-and-now – a place where wrongs can be righted, questions answered, any regrets dissolved, death destroyed, justice restored and love is triumphant. And second, everyone loves John Cusack.
The creased everyman hasn’t been stretched since 2002’s underrated Max. But though 1408 doesn’t add up to much (beyond 13), it does underline his eternal ability to provide a sure thing in an uncertain world. As the cynical scribe of books on haunted hotels, staying in a room that may actually be PURE EVIL, Cusack brings truth to the most absurd of spooky situations and character quirks (perhaps only he could get away with the cigarette-behind-the-ear wrinkle in a bloke who doesn’t smoke). And while Samuel L Jackson makes a brief, funny and surprisingly urbane appearance, this is really a one-hander: Cusack uncut – smart, sly and emotional with just four walls to bounce off.



Director Mikael Håfström (Derailed) isn’t an idiot, either. Sound and suggestion are his most potent tools and they are ably exploited as Cusack first rustles around his cursed room. It’s when the filmmaker (or the studio) loses faith and tries to up the shock and gore with more explicit effects – apparitions that look like knock-off Star Wars holograms; blood pulsing from bricks – that 1408 starts to falter. And even as the tension builds, the sneaking suspicion remains that there’s no way to escape the set-up satisfactorily: a feeling that is confirmed when an ill-advised piece of rule-bending robs the last half hour of any real resonance. Still, for Cusack’s turn and the first hour’s thrilling set up, it’s worth checking out.


John Cusack ... Mike Enslin
Paul Birchard ... Mr. Innkeeper
Margot Leicester ... Mrs. Innkeeper
Walter Lewis ... Book Store Cashier
Eric Meyers ... Man #1 at Book Signing
David Nicholson ... Man #2 at Book Signing
Holly Hayes ... Lady at Book Signing
Alexandra Silber ... Young Woman at Book Signing
Johann Urb ... Surfer Dude
Andrew Lee Potts ... Mailbox Guy
Tony Shalhoub ... Sam Farrell
Emily Harvey ... Secretary
William Armstrong ... Clay the Lawyer
Kim Thomson ... Desk Clerk
Drew Powell ... Assistant Hotel Manager

Juno

The word "quirky" has become the quick and easy way to describe films such as LITTLE MISS SUNSHINE and LARS AND THE REAL GIRL that straddle the lines between indie and studio films and comedy and drama. While JUNO fits into that same category, this distinctive dramedy is in a class all its own. Ellen Page(X-MEN: THE LAST STAND) stars as Juno, a witty teenage girl whose boredom doesn’t lead her to the mall. Instead, she makes a one-time trip into the arms of her best friend Paulie Bleeker (Michael Cera). When Juno discovers that she’s pregnant, she’s forced to grow up fast as she tries to find adoptive parents for her quickly growing child. JUNO might have a lot of strengths--Page’s award-worthy performance, a pitch-perfect soundtrack, excellent direction from Jason Reitman--but it’s the screenwriting debut of writer Cody Diablo that makes this such a winning film. Famous for her blog and her book CANDY GIRL: A YEAR IN THE LIFE OF AN UNLIKELY STRIPPER, Diablo has a unique voice and an incredible ear for dialogue. But even the nearly perfect script wouldn’t sound so good if it weren’t for the talents of these actors, particularly Page. She won raves for her first major role in HARD CANDY, but this performance proves it wasn’t a fluke. The rest of the cast, especially J.K. Simmons as Juno’s dad, is just as worthy of attention. JUNO continues Cera’s cinematic ascent after his success with the hit comedy SUPERBAD, and his ARRESTED DEVELOPMENT costar Jason Bateman uses his dry delivery to great effect as a potential parent for Juno’s baby. Songs from Kimya Dawson perfectly capture the film’s tone with the music’s sweet, smart, and funny sounds.


Ellen Page ... Juno MacGuff
Michael Cera ... Paulie Bleeker
Jennifer Garner ... Vanessa Loring
Jason Bateman ... Mark Loring
Allison Janney ... Bren MacGuff
J.K. Simmons ... Mac MacGuff
Olivia Thirlby ... Leah
Eileen Pedde ... Gerta Rauss
Rainn Wilson ... Rollo
Daniel Clark ... Steve Rendazo
Darla Vandenbossche ... Bleeker's Mom
Aman Johal ... Vijay
Valerie Tian ... Su-Chin
Emily Perkins ... Punk Receptionist
Kaaren de Zilva ... Ultrasound Technician

Alien Vs Predator


When audiences caught a glimpse of an alien skull mounted in the trophy cabinet of a Predator in the 1990 film PREDATOR 2, it seemed a franchise was about to be born. Sure enough, comic book artists immediately seized on the possibilities suggested by the brief scene, and a number of skirmishes between the deadly foes were played out on the printed page. Fans have had to endure a lengthy wait for a cinematic match-up, but writer-director Paul W.S. Anderson (EVENT HORIZON) has finally delivered the blood-splattered goods in ALIEN VS. PREDATOR. Set in the near future, a team of archaeologists lead by Charles Wiedland (Lance Henriksen, returning for more ALIEN action after appearances in the second and third films) ventures towards an inexplicable "hot zone" detected in Antarctica. Joined by Alexa Woods (Sanaa Lathan) and the requisite amount of human fodder for the otherworldly creatures to feast on, Wiedland and his cohorts discover a sizeable underground pyramid. Chaos ensues as they awake the Queen alien from her blissful slumber, causing face-hugging and chest-bursting scenes aplenty. But the ailing crew has a further quandary to grapple with in the shape of some fearsome Predators, who are using the aliens as bait for their offspring to brawl with in an ancient initiation ritual. With the human team trapped in the labyrinth-like pyramid, the battle evolves into a nail-biting three-way tussle between the archaeologists and their extraterrestrial adversaries. Fans of both the ALIEN and PREDATOR movies should find much to satiate their appetites here, and with an ending suggesting further hostilities between the pernicious coupling, this one looks set to run and run





Sanaa Lathan ... Alexa Woods
Raoul Bova ... Sebastian de Rosa
Lance Henriksen ... Charles Bishop Weyland
Ewen Bremner ... Graeme Miller
Colin Salmon ... Maxwell Stafford
Tommy Flanagan ... Mark Verheiden
Joseph Rye ... Joe Connors
Agathe De La Boulaye ... Adele Rousseau
Carsten Norgaard ... Rusten Quinn
Sam Troughton ... Thomas Parks
Petr Jákl ... Stone
Pavel Bezdek ... Bass
Kieran Bew ... Klaus
Carsten Voigt ... Mikkel
Jan Pavel Filipensky ... Boris (as Jan Filipensky)

National Treasure.

Treasure-seekers are on a quest to discover a war chest apparently hidden by America's Founding Fathers. While the whereabouts of the chest are unknown, clues have been left everywhere, including on the back of the Declaration of Independence. When Benjamin Franklin Gates hears of a plot to steal the document, he realises that he has only one option ... to get to it first!


Nicolas Cage ... Ben Gates
Diane Kruger ... Abigail Chase
Justin Bartha ... Riley Poole
Sean Bean ... Ian Howe
Jon Voight ... Patrick Gates
Harvey Keitel ... Sadusky
Christopher Plummer ... John Adams Gates
David Dayan Fisher ... Shaw
Stewart Finlay-McLennan ... Powell
Oleg Taktarov ... Shippen
Stephen A. Pope ... Phil (as Stephen Pope)
Annie Parisse ... Agent Dawes
Mark Pellegrino ... Agent Johnson
Armando Riesco ... Agent Hendricks
Erik King ... Agent Colfax

A life Less ordinary

The janitor of a large company meets the bosses daughter.... In heaven a couple are given the task of making them fall in love.

Ewan McGregor stars as a cleaning man in L.A. who takes his boss's daughter hostage after being fired and replaced by a robot. Two "angels" who are in charge of human relationships on earth, offer some unsolicited help to bring this unlikely couple together. The "angels" are so successful that the daughter soon turns on her father in order to save her captor




The cheerfully daft 'A Life Less Ordinary' reminded me of another, far less enjoyable film that came out the previous year -- 'Feeling Minnesota,' a hipster piffle featuring guns, tough guys, a scruffy male lead, and Cameron Diaz. That movie just sat on the screen waiting to die of lameness. 'A Life Less Ordinary' could easily have been just as bad. It's one of those ironic crime comedies pitched at the young and jaded ('Pulp Fiction' was the template), but it isn't the Tarantino swipe the ads lead you to expect.
This is the third collaboration between four guys from Britain: director Danny Boyle, writer John Hodge, producer Andrew Macdonald, and star Ewan McGregor. Their first effort was 1994's nasty, off-putting thriller Shallow Grave; last year they took U.K. and U.S. art-houses by storm with Trainspotting. A calculatedly shocking comedy like Trainspotting is a hard act to follow, and Boyle et al. have done the properly perverse thing: They've made a romantic comedy crammed with five movies' worth of Hollywood cheese -- lovers on the lam, kidnapping, gunplay, even angels, for God's sake. The movie is a joke on big studios (Fox paid for this one) and the mass audience. The indie bad-boys are saying, "You want lightweight escapism? We'll give you lightweight escapism." But they've done it their way.

McGregor is Robert, a janitor and aspiring "trash novelist" who gets fired -- replaced by a robot. Robert storms into the office of his boss (Ian Holm), waving a gun and demanding his job back. After a melee with a pack of security guards, he abducts the boss's daughter Celine (Diaz), who has recently disabled her dentist fiancé (Stanley Tucci) in a William Tell scene that may be a parody of Naked Lunch. Celine goes with Robert willingly; it's not like she has anything better to do.

All of this is monitored by two angels (the hilariously cast Holly Hunter and Delroy Lindo), who are assigned to play Cupids for Robert and Celine; God isn't happy with the divorce rate on Earth. The angels also pose as assassins who offer their services to Celine's dad -- he wants Celine back and Robert dead. Since the movie begins in Heaven, we know we're not meant to take it straight. Yet real feeling does develop between the mismatched lovers.

That's because McGregor and Diaz make a fine off-center couple. Diaz's sexiness is played down (except for her opening bit in a bikini, when Boyle seems to be saying "Right, let's get this out of the way early"), and McGregor spends the film in a dorky shag haircut. Yet they also have a brazenly romantic karaoke number in a club, belting out "Beyond the Sea," and you smile as you realize that Boyle is having his cake and eating it too. The scene is a goof, but it gets to the heart of the lovers' fantasies with a peppy directness beyond the reach of most Hollywood movies.

What's fresh about A Life Less Ordinary is that we get to see weary romantic clichés through the eyes of cinema's new Fab Four -- clichés mocked, celebrated and, finally, abandoned in favor of an odd kind of honesty. Celine and Robert pose side by side, talking directly to us and to each other, and in the end they turn into Claymation versions of themselves. Like everything else in the film, this is both a goof and not a goof: People are clay in the hands of God, shaped by fate .... Aah, forget it. The Claymation is just fun.

And any movie featuring Holly Hunter as a blood-spattered angel, grinning homicidally as she clings to the hood of a speeding car, is just about impossible to dislike.





Ewan McGregor ... Robert Lewis
Cameron Diaz ... Celine Naville
Holly Hunter ... O'Reilly
Delroy Lindo ... Jackson
Dan Hedaya ... Gabriel
Ian McNeice ... Mayhew
Frank Kanig ... Ted
Mel Winkler ... Francis 'Frank' Naville
Stanley Tucci ... Elliot Zweikel
Anne Cullimore Decker ... Violet Eldred Gesteten
K.K. Dodds ... Lily
Tony Shalhoub ... Al
Christopher Gorham ... Walt
Ian Holm ... Naville
Maury Chaykin ... Tod Johnson

There's something about Mary

There sure is. A stalker love story, from the people who brought you "Dumb and Dumber" and "Kingpin." And, as you know, one person's endorsement is another's indictment



A beautiful woman called Mary is courted by numerous admirers... An old friend, Ted, hires a detective to find her after thirteen years. The detective who finds her falls in love with her.. Even Mary's best friend, Tucker, lies to her to win her affections...


Ted was a geek in high school, who was going to go to the prom with one of the most popular girls in school, Mary. The prom date never happened, because Ted had a very unusual accident. Thirteen years later he realizes he is still in love with Mary, so he hires a private investigator to track her down. That investigator discovers he too may be in love with Mary, so he gives Ted some false information to keep him away from her. But soon Ted finds himself back into Mary's life, as we watch one funny scene after another



Cameron Diaz ... Mary Jensen
Matt Dillon ... Pat Healy
Ben Stiller ... Ted Stroehmann
Lee Evans ... Tucker / Norman Phipps
Chris Elliott ... Dom Woganowski
Lin Shaye ... Magda
Jeffrey Tambor ... Sully
Markie Post ... Sheila Jensen
Keith David ... Charlie Jensen
W. Earl Brown ... Warren Jensen
Sarah Silverman ... Brenda
Khandi Alexander ... Joanie
Marnie Alexenburg ... Lisa
Danny Murphy ... Boss' Brother (as Dan Murphy)
Richard Tyson ... Detective Krevoy (as Richard M. Tyson)

Indiana Jones and the Temple of Doom

Set in 1935, a professor, archaeologist, and legendary hero by the name of Indiana Jones is back in action in his newest adventure. But this time he teams up with a night club singer named Wilhelmina ...( read more )"Willie" Scott and a twelve-year-old boy named Short Round. They end up in an Indian small distressed village, where the people believe that evil spirits have taken all their children away after a sacred precious stone was stolen! They also discovered the great mysterious terror surrounding a booby-trapped temple known as the Temple of Doom! Thuggee is beginning to attempt to rise once more, believing that with the power of all five Sankara stones they can rule the world! Now, it's all up to Indiana to put an end to the Thuggee campaign, rescue the lost children, win the girl and conquer the Temple of Doom.


Harrison Ford ... Indiana Jones
Kate Capshaw ... Wilhelmina 'Willie' Scott
Jonathan Ke Quan ... Short Round (as Ke Huy Quan)
Amrish Puri ... Mola Ram
Roshan Seth ... Chattar Lal
Philip Stone ... Captain Phillip Blumburtt
Roy Chiao ... Lao Che
David Yip ... Wu Han
Ric Young ... Kao Kan
Chua Kah Joo ... Chen
Rex Ngui ... Maitre d'
Philip Tan ... Chief Henchman (as Philip Tann)
Dan Aykroyd ... Earl Weber
Dr. Akio Mitamura ... Chinese Pilot (as Akio Mitamura)
Michael Yama ... Chinese Co-Pilot

The Big Lebowski

When unemployed Dude is attacked in his aportment by two thugs who mistakenly think he is millionaire Jeff Lebowski, he decides to pay a visit to his namesake in the hope of receiving compensation.


The Coen brothers and their agreeable cast make more fun than sense with this scattered farce about a pothead bowler who is mistaken for a deadbeat philanthropist and drawn into a cluster of kidnapers...( read more ), nihilists, porn mobsters and Busby Berkeley beauties.
Jeff Bridges ... Jeffrey Lebowski - The Dude
John Goodman ... Walter Sobchak
Julianne Moore ... Maude Lebowski
Steve Buscemi ... Theodore Donald 'Donny' Kerabatsos
David Huddleston ... Jeffrey Lebowski - The Big Lebowski
Philip Seymour Hoffman ... Brandt
Tara Reid ... Bunny Lebowski
Philip Moon ... Woo, Treehorn Thug
Mark Pellegrino ... Blond Treehorn Thug
Peter Stormare ... Nihilist #1, Uli Kunkel / 'Karl Hungus'
Flea ... Nihilist #2, Kieffer
Torsten Voges ... Nihilist #3, Franz
Jimmie Dale Gilmore ... Smokey
Jack Kehler ... Marty
John Turturro ... Jesus Quintana

The Terminator

A ruthless cyborg travels to present-day Earth on a strange mission. He must kill a woman whose unborn child is destined to become a powerful enemy of the world's future leaders.



Arnold Schwarzenegger ... The Terminator
Michael Biehn ... Kyle Reese
Linda Hamilton ... Sarah Connor
Paul Winfield ... Lieutenant Ed Traxler
Lance Henriksen ... Detective Hal Vukovich
Bess Motta ... Ginger Ventura
Earl Boen ... Dr. Peter Silberman
Rick Rossovich ... Matt Buchanan
Dick Miller ... Pawnshop Clerk
Shawn Schepps ... Nancy
Bruce M. Kerner ... Desk Sergeant
Franco Columbu ... Future Terminator
Bill Paxton ... Punk Leader
Brad Rearden ... Punk
Brian Thompson ... Punk

Blade Runner The Final Cut

Visually spectacular, intensely action-packed and prophetic since its debut, Blade Runner returns in Ridley Scott's definitive Final Cut, including scenes and never-before-seen special effects.In a signature role as 21st-century detective Rick Deckard, Harrison Ford brings his masculine-yet-vulnerable presence to this stylish noir thriller. In a future of high-tech possibility soured by urban and social decay, Deckard hunts for fugitive, murderous replicants - and is drawn to a mysterious woman whose secrets may undermine his soul.






In the future, man has developed the technology to create replicants, human clones used to serve in the colonies outside Earth but with fixed lifespans. In Los Angeles, 2019, Deckard is a Blade Runner...( read more ), a cop who specialises in terminating replicants. Originally in retirement, he is forced to re-enter the force when five replicants escape from an offworld colony to Earth.


The bourne ultimatum

All he wanted was to disappear. Instead, Jason Bourne is now hunted by the people who made him what he is. Having lost his memory and the one person he loved, he is undeterred by the barrage of bullets and a new generation of highly-trained killers. Bourne has only one objective: to go back to the beginning and find out who he was. Now, in the new chapter of this espionage series, Bourne will hunt down his past in order to find a future. He must travel from Moscow, Paris, Madrid and London to Tangier and New York City as he continues his quest to find the real Jason Bourne—all the while trying to outmaneuver the scores of cops, federal officers and Interpol agents with him in their crosshairs.



Matt Damon returns as the trained assassin Jason Bourne for the latest showdown in The Bourne Ultimatum. In the follow-up to 2002’s The Bourne Identity and 2004’s The Bourne Supremacy—the smash hits ...( read more )that have earned over $500 million at the global box office—acclaimed director Paul Greengrass (United 93, The Bourne Supremacy) joins returning cast members Julia Stiles and Joan Allen and new additions David Strathairn, Paddy Considine and Edgar Ramirez. All he wanted was to disappear. Instead, Jason Bourne is now hunted by the people who made him what he is. Having lost his memory and the one person he loved, he is undeterred by the barrage of bullets and a new generation of highly-trained killers. Bourne has only one objective: to go back to the beginning and find out who he was. Now, in the new chapter of this espionage series, Bourne will hunt down his past in order to find a future. He must travel from Moscow, Paris and London to Tangier and New York City as he continues his quest to find the real Jason Bourne—all the while trying to outmaneuver the scores of cops, federal officers and Interpol agents with him in their crosshairs.

Matt Damon ... Jason Bourne
Julia Stiles ... Nicky Parsons
David Strathairn ... CIA Deputy Director Noah Vosen
Scott Glenn ... CIA Director Ezra Kramer
Paddy Considine ... Simon Ross
Edgar Ramirez ... Paz
Albert Finney ... Dr. Albert Hirsch
Joan Allen ... Pamela Landy
Tom Gallop ... Tom Cronin
Corey Johnson ... Wills
Daniel Brühl ... Martin Kreutz
Joey Ansah ... Desh Bouksani
Colin Stinton ... Neal Daniels
Dan Fredenburgh ... Jimmy
Lucy Liemann ... Lucy

Knocked up

Writer / Director Judd Apatow returns with the hit comedy Knocked up. A movie that prides itself on finding humour in one of the most awkward situations you can think of - especially when you’re a young irresponsible guy. Brought to you from the same people who made 40-Year-Old Virgin, this picture introduces us to more bewildering characters, more unbelievable situations and another hilarious story. Its easy to remember why I enjoyed 40 Year Old Virgin so much, its because the characters didn’t seem to be just empty, wise-cracking add-ons shoved in to raise a few laughs. Everyone managed to add his or her own distinct personality and value to the story and fortunately that same magic has been applied to this new film. In fact a lot of those same brilliant actors drop in on us again. Seth Rogen stars as Ben Stone, an unemployed man living off his insurance benefits for having been hit by a truck. He spends the day goofing around with his geek friends, who together, are setting up an Internet website which documents the exact moments when actresses appear nude in movies. Simply put, he's your undesirable bog standard nerd who girls wouldn't want to go near. But opposites attract, and in a moment of brilliance, he manages to rock the casbah with Alison Scott (Katherine Heigl). After she realises she’s pregnant or Knocked Up being the more appropriate term, they decide to hang out together for a while to see if they like each other enough to want to try and do something serious about their situation. To Alison, she's keeping the baby, and to Ben, he's in for the ride, if he can prove that he's serious about it. Like The 40 Year Old Virgin, Knocked Up has its fair share of geek jokes, tons of movie references that movie fans can cheer about, and a big number of cameos who are pretty cool to watch. And Ben's posse of geek buddies just about steal almost every scene they're in, despite being a little too predictable with their weed-smoking, free-loving and immature ways. Very rarely do comedies come along with a bit of heart thrown in. Knocked Up balances fun and seriousness really really well, and as a result, with its feel good ending offering plenty of hope, makes this comedy one of the best this year. Highly recommended!



Seth Rogen ... Ben Stone
Katherine Heigl ... Alison Scott
Paul Rudd ... Pete
Leslie Mann ... Debbie
Jason Segel ... Jason
Jay Baruchel ... Jay
Jonah Hill ... Jonah
Martin Starr ... Martin
Charlyne Yi ... Jodi
Maude Apatow ... Sadie
Joanna Kerns ... Alison’s Mom
Harold Ramis ... Ben's Dad
Alan Tudyk ... Jack
Kristen Wiig ... Jill
Bill Hader ... Brent

Death Sentence

Nick Hume (Kevin Bacon) is a good natured executive with a perfect life, until one horrific night he witnesses something that changes him forever.His family falls victim to a vicious attack perpetrated as a gang intiation ritual. The court system fails Hume and he is transformed by grief. He vows to track down each person invloved in the crime, setting off a police investigation and a cycle of violence that draws in his whole family and the gang who perpetrated the crime.

When a family falls victim to a vicious attack perpetrated as a gang initiation ritual, the vengeful father vows to track down each person involved in the crime in Saw director James Wan and screenwriter Ian Jeffers feature adaptation of author Brian Garfield's original novel. Aisha Tyler co-stars as the sympathetic homicide detective who questions her pledge to assist Bacon's character after suspecting that he may have turned to murder as a means of exacting his revenge



Kevin Bacon ... Nick Hume
Garrett Hedlund ... Billy Darley
Kelly Preston ... Helen Hume
Jordan Garrett ... Lucas Hume
Stuart Lafferty ... Brendan Hume
Aisha Tyler ... Detective Wallis
John Goodman ... Bones Darley
Matt O'Leary ... Joe Darley
Edi Gathegi ... Bodie
Hector Atreyu Ruiz ... Heco
Kanin J. Howell ... Baggy (as Kanin Howell)
Dennis Keiffer ... Jamie
Freddy Bouciegues ... Tommy
Leigh Whannell ... Spink
Casey Pieretti ... Dog

No country for old men

Violence and mayhem ensue after a hunter stumbles upon some dead bodies, a stash of heroin and more than $2 million in cash near the Rio Grande.


1980. Sheriff Bell has ruled his small Texas border town for years without the use of a gun, but a new brand of reckless lawlessness has taken over his town. Llewelyn Moss is an innocent Everyman with a devoted wife, Carla Jean, but when he stumbles across a drug deal gone deadly and finds two million dollars, he's determined to keep it for himself. There's only one problem. He's being pursued by one of the most amoral, evil psychopaths that the big screen has ever seen. Wearing an absurd haircut and brandishing a pressurized weapon that's used to murder cattle, Anton Chigurh creeps forward on his mission to track Moss down and return the money to its rightful owners to save his own skin. As the tension mounts, the body count begins to rise, confirming Sheriff Bell's inability to battle this new wave of modern brutality.






Tommy Lee Jones ... Sheriff Ed Tom Bell
Javier Bardem ... Anton Chigurh
Josh Brolin ... Llewelyn Moss
Woody Harrelson ... Carson Wells
Kelly Macdonald ... Carla Jean Moss
Garret Dillahunt ... Deputy Wendell
Tess Harper ... Loretta Bell
Barry Corbin ... Ellis
Stephen Root ... Man Who Hires Wells
Rodger Boyce ... El Paso Sheriff
Beth Grant ... Agnes - Carla Jean's Mom
Ana Reeder ... Poolside Woman
Kit Gwin ... Molly - Sheriff Bell's Secretary
Zach Hopkins ... Strangled Deputy
Chip Love ... Man in Ford

Nightwatch

Think the kooky comedy of Ghostbusters, the stylised special effects of the Matrix and the messed up storyline of 12 Monkeys and you’ll be some way to Nightwatch! The first part in a trilogy that is the best thing to come out of Russia since vodka The movie is based on the eternal struggle between good (Nightwatch) and evil (Daywatch). In the beginning before good and evil there was a virgin who was cursed by another human being. The curse then meant that anything that the virgin touched died, she brought damnation on her family… you get the idea. This created a vortex of evil around her, and so good and evil were born. Good and evil had a great battle which no one could win as they were too evenly matched, so they called a truce which has lasted for hundreds of years. The Nightwatch police the evil during the night and the Daywatch police over the good during the day. They are all immortal and some even have magical abilities, such as being able to morph into animals or have visions of the future, along with the usual vampires an witches (who are mainly on the Daywatch team). The immortals are invisible to normal humans unless they decide to make themselves visible. In addition to the immortals there are 'others' , there are people who can see the immortals anyway. The 'others' also have the choice to become immortal, but have to choose which side they wish to join. this choice under the truce has to be made of their own free will. There is a prophecy that a great ‘other’ would come to finally put to rest the battle and plunge the world into an era of either light or darkness. The Nightwatch and Daywatch have been waiting for this other to come to their attention and to claim them for themselves. Whilst waiting they have tolerated one another and even lived next door to each other. The story features Anton, he becomes a member of the Nightwatch when he visits a witch to try and ‘get rid of’ his wife’s unborn baby (which he thinks is another mans). This is illegal black magic and so the Nightwatch arrives to arrest the witch. Anton then find that he is actually an ‘other’ and choose the side of good. Over 12 years he works he was up to becoming a lead member of the Nightwatch and hunts vampires. Things go a little crazy from here with vampire hunts, virgins bringing about the end of the world and an encounter with a 12 year old boy who has a very blood thirsty woman after him. Anton and the Daywatch really have their hands full!



Konstantin Khabensky ... Anton Gorodetsky
Vladimir Menshov ... Geser
Valeri Zolotukhin ... Kostya's Father
Mariya Poroshina ... Svetlana
Galina Tyunina ... Olga, the sorceress
Yuri Kutsenko ... Ignat (as Gosha Kutsenko)
Aleksei Chadov ... Kostya (Anton's young vampire neighbor)
Zhanna Friske ... Alice Donnikova
Ilya Lagutenko ... Andrei
Viktor Verzhbitsky ... Zavulon
Rimma Markova ... Darya Schultz, the witch
Mariya Mironova ... Irina, Yegor's mother
Aleksei Maklakov ... Simeon
Aleksandr Samojlenko ... Ilya (Bear), mage-transformer
Dmitry Martynov ... Yegor (as Dmitri Martynov)

Shoot 'Em Up

Mr Smith (Clive Owen) an angry hard man delivers a woman's baby during a shootout, and then finds himself entrusted to protect the newborn from an army of gunmen.Mr Smith soon discovers that the infant is the target of a shadowy force that has sent a team of mysterious and endless assassins led by Hertz (Paul Giamatti), to erase all traces of the baby. Smith teams up with a prostitute (Monica Bellucci) to solve the mystery and protect the baby.












Late at night, in an unnamed U.S. city, a solitary man sits at a bus stop. A pregnant woman runs by, pursued by a man with a gun. With reluctance, the man at the bus stop rescues her and assists with the baby's delivery, while additional pursuers fire at them, including the gang's particularly nasty leader, an intuitive man named Hertz. Our hero, known only as Smith, determines to save the child and find out why Hertz wants the baby dead. At a local bordello, he tries to employ a lactating hooker to watch the child, but things quickly escalate, and this makeshift family is soon on the run. Heavy metal music calms the baby. Why? A laboratory, a gun factory, and a presidential campaign all figure in Smith's search for the child's ultimate safety


Clive Owen ... Smith
Paul Giamatti ... Hertz
Monica Bellucci ... Donna Quintano
Stephen McHattie ... Hammerson
Greg Bryk ... Lone Man
Daniel Pilon ... Senator Rutledge
Sidney Mende-Gibson ... Baby Oliver
Lucas Mende-Gibson ... Baby Oliver
Kaylyn Yellowlees ... Baby Oliver
Ramona Pringle ... Baby's Mother
Julian Richings ... Hertz's Driver
Tony Munch ... Man Who Rides Shotgun
Scott McCord ... Killer Shot in Behind
Wiley M. Pickett ... 1st Killer
Stephen R. Hart ... Club Bouncer

Deuce Bigalow: European Gigolo

For the women of Europe…the price of love just got a little cheaper.





In Deuce Bigalow: European Gigolo, Rob Schneider is seduced back to his unlikely pleasure-for-pay profession, when his former pimp T.J. Hicks (Eddie Griffin) is implicated in the murders of Europe’s greatest gigolos. Deuce must go back to work in order to clear his good friend’s name. Along the way, he must compete against the powerful European Union of prosti-dudes and court another bevy of abnormal female clients including the beautiful Eva (Hanna Verboom), who suffers from acute obsessive-compulsive disorder.



Rob Schneider ... Deuce Bigalow
Eddie Griffin ... T.J. Hicks
Jeroen Krabbé ... Gaspar Voorsboch
Til Schweiger ... Heinz Hummer
Douglas Sills ... Chadsworth Buckingham, III
Carlos Ponce ... Rodrigo
Charles Keating ... Gian-Carlo
Hanna Verboom ... Eva
Kostas Sommer ... Assapopoulos Mariolis
Bastiaan Ragas ... Anchorman
Zoe Telford ... Lily
Miranda Raison ... Svetlana
Federico Dordei ... Mahmoud
Elisabetta Canalis ... Lady in Castle
Johnny Vaughan ... Himself

Seraphim Falls

It's three years after the Civil War, and Morsman Carver (Liam Neeson) is leading a small hired posse, including Pope (Robert Baker) and Parsons (Ed Lauter), to track down Gideon (Pierce Brosnan) through the snow-covered woods of the Ruby Mountains in New Mexico. While his posse is in it for the money, Carver appears to have more personal reasons for going after Gideon--and demanding that he be taken alive. But in David Von Ancken's exciting Western, the audience is kept in the dark for most of the movie as to just why Carver is so determined to hunt Gideon down and meet him face-to-face. In fact, the script, written by Von Ancken and Abby Everett Jacques, also keeps viewers guessing about which of them might be the hero and which the villain, blurring the distinction between good and evil. Gorgeously filmed by John Toll, SERAPHIM FALLS is a stunning film to look at, enhanced by Harry Gregson-Williams's beautiful score and the vast expanse of the wide-open locations. Mixing in elements of such classic Westerns as THE SEARCHERS and UNFORGIVEN (among other Clint Eastwood films) with such survival thrillers as FIRST BLOOD and THE NAKED PREY, television director Von Ancken (OZ, NUMB3RS, COLD CASE) makes a compelling feature-film debut. Neeson and Brosnan are both outstanding in their difficult, complex roles, particularly the latter as he takes on numerous physical challenges, and Oscar winner Anjelica Huston pops up in an unusual way, playing a mysterious woman who likes to make very interesting deals.







Liam Neeson ... Carver
Pierce Brosnan ... Gideon
Michael Wincott ... Hayes
Ed Lauter ... Parsons
John Robinson ... The Kid
Robert Baker ... Pope
Jimmi Simpson ... Virgil
Nate Mooney ... Cousin Bill
James Jordan ... Evan
Kevin J. O'Connor ... Henry (as Kevin O'Connor)
Anjelica Huston ... Madame Louise Fair
Shannon Zeller ... Charlotte
Tom Noonan ... Minister / Abraham
Angie Harmon ... Rose
Xander Berkeley ... Railroad Foreman

Blazing Saddles

Where the white women at?



'Blazing Saddles' is a hoot and one of Brooks' finest comedic achievements. Cleavon Little stars as the first black sheriff in a kind of red-neck town in the cowboy days. Befriending him is the Waco kid played hilariously by Gene Wilder. The film is jam-packed with racially insensitive humor (I think it might be impossible to count how many times the 'n' word is used in the film), but it is freakin' hysterical. Written by Richard Pryor and Mel Brooks (among others), 'Blazing Saddles' boasts an ingenious script filled with lots of laughs. Mel Brooks plays both the cross-eyed mayor and an Indian chief, while Oscar nominee Madeline Kahn is great as Lily, who finds out that the myth about slave folk is true. I recommend this to anyone willing to excuse the out-dated humor. Definitely a comedic classic!



Cleavon Little ... Bart
Gene Wilder ... Jim
Slim Pickens ... Taggart
David Huddleston ... Olson Johnson
Liam Dunn ... Rev. Johnson
Mel Brooks ... Governor Lepetomane / Indian Chief
Alex Karras ... Mongo
John Hillerman ... Howard Johnson
George Furth ... Van Johnson
Jack Starrett ... Gabby Johnson (as Claude Ennis Starrett Jr.)
Harvey Korman ... Hedley Lamarr
Madeline Kahn ... Lili Von Shtupp
Carol Arthur ... Harriett Johnson
Richard Collier ... Dr. Sam Johnson
Charles McGregor ... Charlie

The Simpsons The Movie

The Simpsons Movie has truly become a worldwide phenomenon, emerging as one of the biggest blockbusters in movie history . In this hilarious smash-hit, Homer must save Marge, Bart, Lisa, Maggie and the entire planet from castrophe he himself created.


Green Day hosting a concert at Lake Springfield (Singing the Simpsons theme after the opening credits). After they finish their song, they talk about the environment. The audience becomes angry and begins to throw garbage at them polluting the lake and causing their barge to dissolve and sink, killing them. The next day at church, while they have a short memorial for Green Day, Grampa is possessed by God warns the city of a future disaster. Marge believes Grampa's prediction, and decides to work out the meaning of the message. Meanwhile, Lisa starts to talk about the environment, with no success. She encounters Colin, an Irish boy who shares the same passions as her. Homer gets a note from Marge of his chores, and one is fixing the sinkhole. Instead of fixing it, Homer puts Maggie's sandbox over it. His next chore is to fix the roof. While repairing the roof, Homer and Bart decide to have a dare contest. Homer dares Bart to climb the antenna. Bart does so, and gets stuck. Homer shakes it in order to get Bart down. Homer dares Bart to skateboard to Krusty Burger naked, which Bart object's to, saying girls will see his "doodle". After Homer threatens to call him chicken for the rest of his life, Bart agrees. Bart becomes stuck naked on the window of the building. After he is apprehended by the police, and tied to a Stop sign pole, Homer turns up and they decide to order a meal, he brings him socks and a shirt, and no pants. Inside the restuarant, Ned Flanders helps Bart out by giving him a pair of pants, and understands his feelings which begins a relationship and mutual respect between the two. Meanwhile Krusty is filming a commercial. When recording finishes Krusty orders for the pig he is using in the commercial to be slaughtered, causing it to flee to Homer who adopts him, and calls him Spider-Pig. That evening Lisa holds a conference at city hall, called "An Irritating Truth" and explains that the town lake cannot sustain anymore pollution. Mayor Quimby declares a state of emergency and orders the cleansing and protection of Lake Springfield.They clean up the lake, and announce it is idiot proof, using Cletus as an example to try to throw a rat in the lake, and fail. Soon, Marge asks Homer where "Spider-Pig's/Harry Plopper's" waste is going. Homer shows her an overflowing silo, asking how a pig can fill it up in two days, Homer replies that he helped, horrifying Marge who tells Homer to dispose of it safely. While waiting in a queue at the dump Homer is told by Lenny that Lard Lad Donuts has been shut down and that they are giving away free donuts. Homer, in his haste to get to the giveaway decides on a quicker means of disposal and dumps the silo into the lake, causing it to become heavily polluted. A nearby squirrel jumps into it and becomes severely mutated, with many eyes. Nearby, Bart and Flanders are hiking up a hill when they discover the squirrel who is immediately captured by the EPA. At the White House, the contained squirrel is brought before President Arnold Schwarzenegger by Russ Cargill, head of the EPA. He states that Springfield has become so polluted that the government must take drastic action and proposes five different solutions. The President picks plan 3 at random, choosing to not even read them, which leads to a giant glass dome being placed over Springfield. Cargill then tells the town that Springfield is now the most polluted city on the Earth and that the government has decided to contain it. The next day, Maggie falls through a sinkhole in her sandbox and emerges outside the dome, before returning. The police reveal that Homer polluted the lake and an angry mob approaches the Simpson's house and torches it. The family escape through the sink hole, which expands destroying their house. The family flee, and whilst hiding in a dilapidated motel Homer reveals that he has always kept a backup plan in the event that they are run out of town. He proposes that the entire family move to Alaska, a plan that Marge eventually agrees to. The next day the family attend a carnival where Homer enters the "Ball of Death" challenge, a spherical cage in which he must ride a motorcycle around in a full vertical circle. He wins a truck and the family move to Alaska, and begin to enjoy their new life.Back in Springfield, the townspeople attempt to break the dome. Russ Cargill tells the President that they can't keep Springfield in this state forever and presents five new solutions. Again Schwarzenegger tries to randomly choose a plan, but this time he is lead by Cargill to choose the plan to destroy Springfield. Back in Alaska, the family sees an advert presented by Tom Hanks promoting a new Grand Canyon, to be located where Springfield is. Marge and the kids decide that they must save Springfield, but Homer refuses to help the town that tried to kill him. Later that night after returning home from the local bar, Eski-Moe's, Homer discovers a video tape left on the bed, which is a pre-recorded message from Marge telling him that they have left. She is so determined to save the town that she is prepared to end her life with Homer. Homer becomes frantic and starts looking for Marge, but falls asleep in the middle of the snow. The next morning a polar bear tries to attack him but a mysterious person dressed in Native American clothing wards it off and drags Homer to her tent. When he is revived the stranger, revealed to be a woman with enormously sized breasts, tells him that he must reach an epiphany or he is doomed to spend the remainder of his days alone. He soon has a mysterious vision where he is tortured by a forest of trees and reaches an epiphany. He thanks the lady, and sets off to find the family. On a train, Marge tells the kids that they must reach Seattle and warn everyone about the plot to destroy Springfield, however, they're overheard by the NSA and are captured by Cargill.Homer meanwhile is struggling on his journey, when "Boob Lady" (the native woman) appears in the sky and points him in the right direction with her gigantic breasts. He approaches a spot where he can survey the city and finds that the EPA have set up a compound around the dome. He hears a noise and tells Lisa to stop playing her saxophone, he then realizes that they are in a nearby EPA van and uses a parked bulldozer to attempt to free them, which fails resulting in him being crushed by the wrecking ball. The van moves on and the agitated occupants are gassed to sleep. They awake to find themselves in a practically destroyed Springfield and are told that the town went crazy and destroyed everything. Cargill appears on the giant screen once again and tells the town that they are going to be killed and Springfield completely destroyed. A helicopter arrives and opens a hole at the top of the dome before lowering a bomb on a rope, Cargill remains onscreen to oversee the countdown. Outside the dome Homer knocks out the guard and locates some superglue, right next to a jetpack, in a nearby hut. He begins to climb to dome with his now sticky hands. Back inside the dome, the town are fruitlessly attempting to disarm the bomb and eventually decide on a diversion. Cletus Spuckler distracts Cargill while the rest of the town climb up the rope and escape through the hole. Homer makes it to the top of the dome and slides down the rope, knocking everyone and the bomb off of it, accidentally halving the detonation time in the process. In desperation, Homer notices a motorcycle and realizes what he must do. Meanwhile Bart is at the church, as he has decided he wants his last moments to be with Ned whom he has adopted as a father-figure. Homer shows up at the church with the bomb and eventually convinces Bart to accompany him. They motorcycle up the side of the dome and Bart throws the bomb through the hole, blowing it up and shattering the dome. Krusty announces no one got hurt, until a giant piece of the dome crushes Dr. Nick Riviera, killing him. Homer and Bart land the bike at Springfield Gorge, where they encounter Cargill wielding a shotgun. As he prepares to shoot them, Maggie crushes him with a boulder. The town praise Homer, and Collin takes Lisa for some Ice Cream, Homer takes Marge on a ride on the motorcycle, and they soon rebuild Springfield and the Simpson's house.During the credits, the Simpsons are shown sitting in the cinema and decide to leave. Then Lisa notices Maggie is going to say her first word - "Sequel"






Dan Castellaneta ... Homer / Itchy / Barney / Grampa / Stage Manager / Krusty the Clown / Mayor Quimby / Mayor's Aide / Multi-Eyed Squirrel / Panicky Man / Sideshow Mel / Mr. Teeny / EPA Official / Kissing Cop / Bear / Boy on Phone / NSA Worker / Officer / Santa's Little Helper / Squeaky-Voiced Teen (voice)
Julie Kavner ... Marge (voice)
Nancy Cartwright ... Bart / Maggie / Ralph / Nelson / Todd Flanders / TV Daughter / Woman on Phone (voice)
Yeardley Smith ... Lisa (voice)
Harry Shearer ... Scratchy / Mr. Burns / Rev. Lovejoy / Ned Flanders / Lenny / Skull / President Arnold Schwarzenegger / Kent Brockman / Principal Skinner / Dr. Hibbert / Smithers / Toll Booth Man / Guard / Otto / Kang (voice)
Hank Azaria ... Professor Frink / Comic Book Guy / Moe / Chief Wiggum / Lou / Carl / Cletus / Bumblebee Man / Male EPA Worker / Dome Depot Announcer / Kissing Cop / Carnival Barker / Counter Man / Apu / Drederick Tatum / Sea Captain / EPA Passenger / Robot / Dr. Nick (voice)
Marcia Wallace ... Mrs. Krabappel (voice)
Billie Joe Armstrong ... Himself (voice)
Tre Cool ... Himself (Green Day) (voice) (as Frank Edwin Wright III)
Mike Dirnt ... Himself (voice) (as Michael Pritchard)
Tress MacNeille ... Sweet Old Lady / Colin / Mrs. Skinner / Nelson's Mother / Pig / Cat Lady / Female EPA Worker / G.P.S. Woman / Cookie Kwan / Lindsey Naegle / TV Son / Medicine Woman / Girl on Phone (voice)
Pamela Hayden ... Milhouse / Rod Flanders (voice)
Joe Mantegna ... Fat Tony (voice)
Albert Brooks ... Russ Cargill (voice) (as A. Brooks)
Russi Taylor ... Martin (voice)

Surf's up

A "mockumentary" on how penguins were actually the inventors of surfing, including behind-the-scenes footage from the Penguin World Surfing Championship.



Surf’s Up is an animated action-comedy that delves behind the scenes of the high-octane world of competitive surfing. The film profiles teenage Rockhopper penguin Cody Maverick (Shia LaBeouf), an up-and-coming surfer, as he enters his first pro competition. Followed by a camera crew to document his experiences, Cody leaves his family and home in Shiverpool, Antarctica to travel to Pen Gu Island for the Big Z Memorial Surf Off. Along the way, Cody meets Sheboygan surfer Chicken Joe (Jon Heder), famous surf promoter Reggie Belafonte (James Woods), surf talent scout Mikey Abromowitz (Mario Cantone), and spirited lifeguard Lani Aliikai (Zooey Deschanel), all of whom recognize Cody’s passion for surfing, even if it’s a bit misguided at times. Cody believes that winning will bring him the admiration and respect he desires, but when he unexpectedly comes face-to-face with a washed-up old surfer (Jeff Bridges), Cody begins to find his own way, and discovers that a true winner isn’t always the one who comes in first.



Shia LaBeouf ... Cody Maverick (voice)
Jeff Bridges ... Big Z / Geek (voice)
Zooey Deschanel ... Lani Aliikai (voice)
Jon Heder ... Chicken Joe (voice)
James Woods ... Reggie (voice)
Diedrich Bader ... Tank Evans (voice)
Mario Cantone ... Mikey Abromowitz (voice)
Kelly Slater ... Kelly (voice)
Rob Machado ... Rob (voice)
Sal Masekela ... SPEN Announcer (voice)
Ash Brannon ... Filmmaker (voice)
Chris Buck ... Filmmaker (voice)
Brian Posehn ... Glen Maverick (voice)
Dana Belben ... Edna Maverick (voice) (as Dana L. Belben)
Reed Buck ... Arnold (voice)

Rush hour 3

When a Chinese criminal mastermind flees to Paris, there’s only one culture-clashed, crime-fighting duo for the job. Ready to raise hell in the city of lights, Chief Inspector Lee (Chan) and Detective Carter (Tucker) instead get caught in an explosive battle between the French police, the Triad gang and two gorgeous femmes fatales!With everybody kung fu- fighting to the top of the Eiffel Tower, this one-two punch of hilarious action doesn’t let up until the final, heart-stopping, au revoir!



The unlikely cop duo, continue their unique brand of crime-fighting and high-kicking comedy. This time around, LAPD Detective James Carter and Chinese Chief Inspector Lee must travel to Paris to battl...( read more )e a wing of the Chinese organized crime family, the Triads.




Chris Tucker ... Detective James Carter
Jackie Chan ... Chief Inspector Lee
Hiroyuki Sanada ... Kenji
Youki Kudoh ... Dragon Lady
Max von Sydow ... Varden Reynard
Yvan Attal ... George
Noémie Lenoir ... Genevieve
Jingchu Zhang ... Soo Yung
Tzi Ma ... Ambassador Han
Roman Polanski ... Detective Revi
Henry O ... Master Yu
Michael Chow ... Chinese Foreign Minister
M. Kentaro ... French Assassin
Andrew Quang ... Kung Fu Kid
Ludovic Paris ... French Cop #1

Life of brian

A daring satire about a blundering prophet in New Testament times, Brian Cohen, who is mistaken for the Messiah.

Brian is born in a stable on Christmas, right next to You Know Who. The wise men appear and begin to distribute gifts. The star moves further, so they take it all back and move on. This is how Brian...( read more )'s life goes. The Jews are looking for a release from the Romans, Spiritual and political decay, keep looking for signs and a group decides Brian is the Messiah. He cannot convince them he is not. He joins the Peoples' Front of Judea, one of several dozen separatist groups who actually do nothing, but really hate the Romans. While not about Jesus, it is about those who hadn't time, or interest to listen to his message. Many Political and Social comments.






Graham Chapman ... Wise Man #2 / Brian Cohen / Biggus Dickus
John Cleese ... Wise Man #1 / Reg / Jewish Official / Centurion / Deadly Dirk / Arthur

Terry Gilliam ... Man Even Further Forward / Revolutionary / Jailer / Blood & Thunder Prophet / Frank / Audience Member / Crucifee


Eric Idle ... Mr. Cheeky / Stan (Loretta) / Harry the Haggler / Culprit Woman / Warris / Intensely Dull Youth / Jailer's Assistant / Otto / Lead Singer Crucifee
Terry Jones ... Mandy Cohen / Colin / Simon the Holy Man / Bob Hoskins / Saintly Passer-by / Alarmed Crucifixion Assistant
Michael Palin ... Wise Man #3 / Mr. Big Nose / Francis / Mrs. A / Ex-Leper / Announcer / Ben / Pontius Pilate / Boring Prophet / Eddie / Shoe Follower / Nisus Wettus
Terence Bayler ... Gregory
Carol Cleveland ... Mrs. Gregory
Kenneth Colley ... Jesus
Neil Innes ... A weedy Samaritan
Charles McKeown ... False Prophet / Blind Man / Giggling Guard / Stig
John Young ... Matthias, Son of Deuteronomy of Gath
Gwen Taylor ... Mrs. Big Nose
Sue Jones-Davies ... Judith
Peter Brett

I am Legend

Robert Neville is the last man alive when the rest of the world has turned into blood thirsty vampires

Robert Neville (Will Smith) is a brilliant scientist, but even he could not contain the terrible virus that was unstoppable, incurable, and man-made. Somehow immune, Neville is now the last human survivor in what is left of New York City and maybe the world. For three years, Neville has faithfully sent out daily radio messages, desperate to find any other survivors who might be out there. But he is not alone. Mutant victims of the plague -- The Infected -- lurk in the shadows... watching Neville's every move... waiting for him to make a fatal mistake. Perhaps mankind's last, best hope, Neville is driven by only one remaining mission: to find a way to reverse the effects of the virus using his own immune blood. But he knows he is outnumbered... and quickly running out of time....






Will Smith ... Robert Neville
Alice Braga ... Anna
Charlie Tahan ... Ethan
Salli Richardson ... Zoe
Willow Smith ... Marley
Darrell Foster ... Mike - Military Escort
April Grace ... TV Personality
Dash Mihok ... Alpha Male
Joanna Numata ... Alpha Female
Samuel Glen ... Military Driver - Jay
James Michael McCauley ... Male Evacuee (as James McCauley)
Marin Ireland ... Woman Evacuee
Pedro Mojica ... Sergeant
Anthony C. Mazza ... Evacuation Cop (as Anthony Mazza)
Steve Cirbus ... Military Police

The Blues Brothers

They'll never get caught. They're on a mission from God.

After the release of Jake Blues from prison, he and brother Elwood go to visit the old home where they were raised by nuns. They learn the church stopped its support and will sell the place to the education authority, and the only way to keep the place open is if the $5000 tax on the property is paid within 11 days. The brothers want to help and decide to put their blues band back together and raise the the money by staging a big gig. As they set off on their "mission from god" they seem to make more enemies along the way. Will they manage to come up with the money in time?



The godfather part two

The Godfather Part II presents two parallel storylines. One involves Mafia chief Michael Corleone in 1958/1959 after the events of the first movie; the other is a series of flashbacks following his father, Vito Corleone from 1917 to 1925, from his youth in Sicily (1901) to the founding of the Corleone family in New York.The film begins in 1901, in the town of Corleone in Sicily, at the funeral of young Vito's father, Antonio Andolini, who has been murdered for an insult to the local Mafia lord, Don Ciccio. During the procession, Vito's older brother is murdered because he swore revenge on the Don. Vito's mother goes to Ciccio to beg for mercy, but he refuses, knowing that nine year old Vito will seek revenge later in life. The mother takes Ciccio hostage at knifepoint, allowing her son to escape, and Ciccio's men kill her. They search the town for the boy, but he is aided in his escape by the townspeople. Vito finds his way by ship to New York, and at Ellis Island an immigration agent chooses Vito's hometown of Corleone as his surname, and he is registered as "Vito Corleone".In the late 1950s, in a scene similar to the opening of the first film, Michael Corleone, Godfather of the Corleone family, deals with various business and family problems during an elaborate party at his Lake Tahoe, Nevada compound to celebrate his son's First Communion. He meets with Nevada Senator Pat Geary, who despises the Corleones, to discuss the price of the gaming licenses for the hotel/casinos the Family is buying.Michael deals with his sister Connie, who, although recently divorced, is planning to marry a man with no obvious means of support and of whom Michael disapproves. He also talks with Johnny Ola, the right hand man of Jewish gangster Hyman Roth, who is supporting Michael's move into the gambling industry. Belatedly, Michael deals with Frank "Five Angels" Pentangeli, who took over Corleone caporegime Peter Clemenza's territory after his death, and now has problems with the Rosato Brothers, who are backed by Roth. Pentangeli leaves abruptly, after telling Michael "your father did business with Hyman Roth, your father respected Hyman Roth, but your father never trusted Hyman Roth."Later that night, an assassination attempt is made on Michael, which he survives when his wife Kay notices the bedroom window drapes are inexplicably open. Afterwards, Michael tells Tom Hagen that the hit was made with the help of someone close, and that he must leave, entrusting all his power to Hagen to protect his family.The action then switches to 1917, where the adult Vito Corleone works in a New York grocery store with his friend Genco Abbandando. The neighborhood is controlled by a member of the "The Black Hand," Don Fanucci, who extorts protection payments from local businesses. One night, Vito's neighbor Clemenza asks him to hide a stash of guns for him, and later, to repay the favor, takes him to a fancy apartment where they commit their first felony together, stealing an elegant rug.The film flash-forwards to Michael's time. Michael meets with Hyman Roth in Florida and tells him that he believes Frank Pentangeli was responsible for the assassination attempt, and that Pentangeli will pay for it. Traveling to Brooklyn, Michael lets Pentangeli know that Roth was actually behind it, and that Michael has a plan to deal with Roth, but he needs Frankie to cooperate with the Rosato Brothers in order to put Roth off guard. When Pentangeli goes to meet with the Rosatos, he is told "Michael Corleone says hello," as he is attacked from behind but the attempted murder is accidentally interrupted by a policeman. Pentangeli is left for dead, and his bodyguard, Willie Cicci, is struck by a car.In Nevada, Tom Hagen is called to a brothel run by Michael's older brother Fredo, where Senator Geary is implicated in the death of a prostitute, and Tom offers to take care of the problem in return for "friendship" between the Senator and the Corleone family.Meanwhile, Michael meets Roth in Havana, Cuba, in late 1958, at the time when dictator Fulgencio Batista is soliciting American investment, and communist guerrillas are trying to bring down the government. At a birthday party for Roth, Michael mentions that there is a possibility that the rebels might win, making their business dealings in Cuba problematic. The comment prompts Roth to remark, privately, that Michael has not delivered the two million dollars to firm their partnership.Fredo, carrying the promised money, arrives in Havana and meets Michael. Michael mentions Hyman Roth and Johnny Ola to him, but Fredo says he has never met them. Michael confides to his brother that it was Roth who tried to kill him, and that he plans to try again. Michael assures Fredo that he has already made his move, and that "Hyman Roth will never see the New Year."Instead of turning over the money to Roth, Michael asks him who gave the order to have Frank Pentangeli killed. Roth avoids the question, instead speaking angrily of the murder of his old friend, Moe Greene, which Michael had orchestrated (as depicted at the end of the first film).Michael has asked Fredo, who knows Havana well, to show Senator Geary and other important officials and businessmen a good time, during which Fredo pretends to not recognize Johnny Ola. Soon after, at a sex show, Fredo comments loudly that Johnny Ola told him about the place, contradicting what he told Michael twice earlier, that he didn't know Roth or Ola. Michael now realizes that the traitor is his own brother, and dispatches his bodyguard to deal with Roth.Johnny Ola is strangled, but Roth, in a delicate state, is taken to a hospital, where Michael's enforcer is shot trying to kill him. At Batista's New Year's Eve party, at the stroke of midnight, Michael grasps Fredo tightly by the head and kisses him: "I know it was you Fredo; you broke my heart." When guerillas attack, the guests flee, but Fredo refuses to go with Michael, despite Michael's pleas that Fredo is still his brother and that it's the only way out.Michael returns to his Lake Tahoe compound, where Hagen tells him that Roth escaped Cuba after suffering a stroke and is recovering in Miami, that Michael's bodyguard is dead, and that Fredo is probably hiding in New York. Hagen also informs Michael that Kay had a miscarriage while he was away.In New York of 1917, Don Fanucci of the Black Hand is now aware of the partnership between Vito, Clemenza and Sal Tessio, and wants his share. Clemenza and Tessio agree to pay, but Vito is reluctant and asks his friends to leave everything in his hands so Fanucci will accept less and indeed, Vito manages to get Fanucci to take only one sixth of what he demanded (100 of 600 dollars). Immediately afterwards, during the neighborhood festa, Vito murders Fanucci. With Fanucci dead, Vito earns the respect of the neighborhood and begins to intercede in local disputes, operating out of the storefront of his Genco Pura Olive Oil Company (named after his friend Genco Abbandando).In Washington, D.C., a Senate committee, of which Senator Geary is a member, is conducting an investigation into the Corleone family. They question disaffected "soldier" Willie Cicci, but he cannot implicate Michael, because he never received any direct orders from him. When Michael appears before the committee, Senator Geary makes a big show of supporting Italian-Americans and then excuses himself from the proceedings. Michael makes a statement challenging the committee to produce a witness to corroborate the charges against him. The hearing ends with the Chairman promising a witness who will do exactly that.Frank Pentangeli, who did not die in the attack by the Rosato Brothers, has made a deal with the FBI, and will testify against Michael. Tom Hagen and Michael discuss the problem, observing that Roth's strategy to destroy Michael is well planned. Michael's brother Fredo has been found and persuaded to return to Nevada, and in a private meeting he explains to Michael his betrayal: upset about being passed over to head the family in favor of Michael, he wants respect and his due. He helped Roth thinking there would be something in it for him, but he swears he didn't know they wanted to kill Michael. He also tells Michael that the Senate Committee's chief counsel is Roth's man. Michael then tells Fredo: "You're nothing to me now. Not a brother, not a friend, nothing", and privately instructs Al Neri that nothing is to happen to Fredo while their mother is still alive.At the hearing in which Pentangeli is to testify, Michael arrives accompanied by Pentangeli's brother, whose presence causes Frank to recant his previous statements about Michael. When Pentangeli is pressed, he claims that he just told the FBI what they wanted to hear. With no witness to testify against Michael the committee adjourns, with Hagen, acting as Michael's lawyer, loudly demanding an apology.At a hotel room afterwards, Kay tries to leave Michael, taking their children with her. Michael at first tries to mollify her, but loses his temper and hits her violently when she reveals to him that her recent "miscarriage" was actually an abortion to avoid providing another child into Michael's criminal inheritance.While visiting Sicily, Vito is introduced to the elderly Don Ciccio as the man who imports their olive oil to America, and who wants his blessing. When Ciccio asks Vito who his father was, Vito says, "My father's name is Antonio Andolini, and this is for you!", cutting the old man's stomach open with a knife, avenging the death of his father, mother, and brother.When Carmella Corleone, Vito's widow and the mother of his children, dies, the whole Corleone family is reunited. Michael is still shunning Fredo, who is miserable, but relents when Connie implores him to. Michael and Fredo embrace, but at the same time Michael signals to his capo that Fredo's protection from harm, in effect while their mother lived, has now run out.Michael, Tom Hagen, and Rocco Lampone discuss their final dealings with Hyman Roth, who has been unsuccessfully seeking asylum from various countries, and was even refused entry to Israel as a returned Jew. Michael rejects Hagen's advice that the Corleone family's position is secure, and killing Roth and the Rosato brothers for revenge is an unnecessary risk. Later, Hagen pays a visit to Frank Pentangeli on a military base and suggests that he take his own life, in the manner of unsuccesful ancient Roman conspirators who, in return, were promised that their families would be taken care of after their suicide.With the connivance of Connie, Kay visits her children, but cannot bear to leave them and stays too long. When Michael arrives, he coldly closes the door in her face.The Godfather Part II reaches its climax in a montage of assassinations and death, reminiscent of the end of The Godfather. As he arrives at an airport to be taken into custody, Hyman Roth is killed by Rocco Lampone disguised as a journalist, who is immediately shot dead in his turn. On the military base, Frank Pentangeli is found dead, having followed Hagen's instructions and committed suicide. Finally, Fredo is murdered by Al Neri while they are fishing on Lake Tahoe - while Fredo is saying a Hail Mary to help catch a fish.The penultimate scene takes place in 1941, and the Corleone family is preparing a surprise birthday party for Vito. Sonny introduces Carlo Rizzi, Connie's future husband and betrayer of Sonny, to his family. They all talk about the recent attack on Pearl Harbor by the Japanese, and Michael shocks everybody by announcing that he has just enlisted in the United States Marines. Sonny ridicules Michael's choice, and Tom Hagen mentions how his father has great expectations for Michael. Fredo is the only one who supports his brother's decision. Sal Tessio comes in with the cake for the party, and when Vito arrives, all but Michael leave to greet him.The final scene in the film is Michael sitting by himself at Lake Tahoe, in silent contemplation.

Al Pacino ... Don Michael Corleone
Robert Duvall ... Tom Hagen
Diane Keaton ... Kay Corleone
Robert De Niro ... Vito Corleone
John Cazale ... Fredo Corleone
Talia Shire ... Connie Corleone
Lee Strasberg ... Hyman Roth
Michael V. Gazzo ... Frankie Pentangeli
G.D. Spradlin ... Senator Pat Geary
Richard Bright ... Al Neri
Gastone Moschin ... Don Fanucci (as Gaston Moschin)
Tom Rosqui ... Rocco Lampone
Bruno Kirby ... Young Peter Clemenza (as B. Kirby Jr.)
Frank Sivero ... Genco Abbandando
Francesca De Sapio ... Young Mama Corleone (as Francesca de Sapio)

Shrek The Third

“How can you be a reciever of the wedgies, when you are clearly not a wearer of the underpants?”

Shrek and his lovable crew return once again for the third instalment of the Award winning Shrek franchise. Time to journey back to that land far far away and catch up on the everyday happenings of the nation’s favourite and most unlikely family. It doesn’t stop there though as there are some new characters to meet, new places to visit and lots more trouble for them to get into.

We all know how it goes; the first movie is excellent, the second, even better, then usually the third comes along and rings out the rag for a few extra pennies with less quality and less effort put in. But I am happy to say that Shrek The Third has managed to avoid this certain pit fall and actually delivered a movie that carries the same level fun and enjoyment as its predecessors.

It’s been a fairly long wait (I mean it’s not like these Shrek movies take long to make or anything), as the second film was released in 2004, so the third movie was always going to be big. The only thing we didn’t know was what new surprises were in store for us. Well this time King Harold (John Cleese) is on his death bed, and therefore tells his son-in-law, Shrek (Mike Myers), that he wants him to be the next ruler of the land. But the jolly green ogre would rather return to his swamp home with his wife, Princess Fiona (Cameron Diaz), that’s why it comes as good news to him when he finds out there is another heir that could take the throne.

Shrek sets sail with his sidekicks Donkey (Eddie Murphy) and Puss in Boots (Antonio Banderas) in search of this alternative hier. What they find, however, is Artie (Justin Timberlake), a small picked-on high school kid who doesn't seem to be king material. Nevertheless, Shrek convinces him he's right for the position, and they set off on their return trip. Prince Charming (Rupert Everett) however has hatched a plan to use all of the fairy tale world's villains to help him storm the castle and give all of them a happy ever after ending. Could this be the end of our Shrek adventures?

The film has two new directors, Chris Miller and Raman Hui, which explains why the third movie has a slightly different pace and feel. Technology has improved since the first film so there was always going to be some enhancements. They have still managed to capture the essence of Shrek and its addictive characters and it seems they have also polished things up a bit giving the animation a fresher and more vibrant look.

People will say that this is not the best chapter in the series and hey, maybe they’re right. With the bar set so high in the second film I really wasn’t expecting them to top it anyway. What can be said about the Third installement though is that if you are a shrek lover you will have no problem at all settling back into the swamps, sniggering at donkey and letting out a huge “ahhhhhhh” every time Puss in Boots tries to be cute.




Mike Myers ... Shrek (voice)
Eddie Murphy ... Donkey (voice)
Cameron Diaz ... Princess Fiona (voice)
Antonio Banderas ... Puss in Boots (voice)
Julie Andrews ... Queen Lillian (voice)
John Cleese ... King Harold (voice)
Rupert Everett ... Prince Charming (voice)
Eric Idle ... Merlin (voice)
Justin Timberlake ... Artie (voice)
Susan Blakeslee ... Evil Queen (voice)
Cody Cameron ... Pinocchio / Three Pigs / Ogre Baby / Bohort (voice)
Larry King ... Doris (voice)
Christopher Knights ... Blind Mice / Heckler / Evil Tree #2 / Guard #2 (voice)
John Krasinski ... Lancelot (voice)
Ian McShane ... Captain Hook (voice)

The kingdom

“If there was ever a time to put our boots on Saudi sand, isn't it now?”

Jamie Foxx, Chris Cooper and Jennifer Garner head up an all star cast in this heart pounding thriller. An intense story about the fight against terrorism in the middle-east, with an intelligent plot, inspired directing and some terrific performances, The Kingdom is sure to have you on the edge of your seat.

After a devastating attack on an American compound in The Kingdom of Saudi Arabia, which results in the deaths of numerous Americans; an FBI special investigative unit led by dedicated agent Ronald Fleury (Jamie Foxx) head to Saudi Arabia in order to investigate the bombing independently of the Saudi government.

Entering the country without the American government’s permission and deeply resented by the Saudi people, Fleury and his team are initially sidelined by the Saudi Army who are investigating the bombing. But after bonding with a Saudi Police Colonel and uncovering some clues; Fleury manages to convince one of the Saudi prince’s to take the investigation away from the Army and give it to the police.

With their new friend, Saudi Colonel Faris Al Ghazi (Ashraf Barhom), Fleury and his team work to uncover the terrorist organization responsible and bring the killers to justice.

Produced by Michael Mann and directed by the fantastic Peter Berg (Friday Night Lights), The Kingdom is a thoughtful and compelling thriller that offers a more even handed perspective on the cause and effects of terrorism in the Middle East.

Controversial in parts and deeply political, the film is similar in theme to Syriana however never loses sight that it is an action film pure and simple.

A terrific thriller with something for everyone; The Kingdom comes highly recommended.


Jamie Foxx ... Ronald Fleury
Chris Cooper ... Grant Sykes
Jennifer Garner ... Janet Mayes
Jason Bateman ... Adam Leavitt
Ashraf Barhom ... Colonel Faris Al Ghazi
Ali Suliman ... Sergeant Haytham
Jeremy Piven ... Damon Schmidt
Richard Jenkins ... FBI Director James Grace
Tim McGraw ... Aaron Jackson
Kyle Chandler ... Francis Manner
Frances Fisher ... Elaine Flowers
Danny Huston ... Attorney General Gideon Young
Kelly AuCoin ... Ellis Leach
Anna Deavere Smith ... Maricella Canavesio
Minka Kelly ... Miss Ross

The Godfather


'The Godfather' is a Chilling portrait of a Sicilian family's rise and near fall from power in America, and the passage of rites from father to son. Based on the novel by Mario Puzo.

The story begins as "Don" Vito Corleone, the head of a New York Mafia "family", oversees his daughter's wedding. His beloved son Michael has just come home from the war, but does not intend to become part of his father's business. Through Michael's life the nature of the family business becomes clear. The business of the family is just like the head of the family, kind and benevolent to those who give respect, but given to ruthless violence whenever anything stands against the good of the family. Don Vito lives his life in the way of the old country, but times are changing and some don't want to follow the old ways and look out for community and "family". An up and coming rival of the Corleone family wants to start selling drugs in New York, and needs the Don's influence to further his plan. The clash of the Don's fading old world values and the new ways will demand a terrible price, especially from Michael, all for the sake of the family



Marlon Brando ... Don Vito Corleone
Al Pacino ... Michael Corleone
James Caan ... Santino 'Sonny' Corleone
Richard S. Castellano ... Peter Clemenza (as Richard Castellano)
Robert Duvall ... Tom Hagen
Sterling Hayden ... Capt. McCluskey
John Marley ... Jack Woltz
Richard Conte ... Don Emilio Barzini
Al Lettieri ... Virgil 'The Turk' Sollozzo
Diane Keaton ... Kay Adams
Abe Vigoda ... Sal Tessio
Talia Shire ... Connie Corleone Rizzi
Gianni Russo ... Carlo Rizzi
John Cazale ... Fredo Corleone
Rudy Bond ... Don Carmine Cuneo

Hot rod


An accident-prone daredevil plans to jump the Snake River on a moped in order to win over his stepfather.

Rod Kimble is a naïf, a slacker living in a small U.S. town with his mom, younger brother and step-father, whose respect he craves. He also misses his dead dad, whom he thinks was Evel Knievel's backup. With help from his brother and his slacker pals, Rod fancies himself a stunt man, so when his step-father needs an operation, Rod hatches a plan to set a school-bus-jumping record on his moped. First, he and his crew have to raise money to rent the buses and build the ramp. Trouble is, Rod's inept at his chosen career. Looming failure is complicated by the return home from college of Denise, Rod's next-door neighbor and secret heartthrob. Is public humiliation at hand?
Andy Samberg ... Rod Kimble
Jorma Taccone ... Kevin Powell
Bill Hader ... Dave
Danny R. McBride ... Rico
Isla Fisher ... Denise
Sissy Spacek ... Marie Powell
Ian McShane ... Frank Powell
Will Arnett ... Jonathan
Chris Parnell ... Barry Pasternak
Chester Tam ... Richardson
Mark Acheson ... Homeless Dude
Brittany Tiplady ... Maggie
Ken Kirzinger ... Trailer Guy
Brittney Irvin ... Cathy (as Britt Irvin)
Alana Husband ... Waitress

Resident evil extinction

This third installment in the high-grossing RESIDENT EVIL franchise is also based on the video game series and picks up where the last film ended. After being held captive and being experimented on, a biologically altered Alice (Milla Jovovich) reunites with fellow survivors in order to save the world from further catastrophe.



Milla Jovovich ... Alice
Oded Fehr ... Carlos Olivera
Ali Larter ... Claire Redfield
Iain Glen ... Dr. Isaacs
Ashanti ... Betty
Christopher Egan ... Mikey
Spencer Locke ... K-Mart
Matthew Marsden ... Slater
Linden Ashby ... Chase
Jason O'Mara ... Albert Wesker
Mike Epps ... L.J.
Joe Hursley ... Otto
John Eric Bentley ... Umbrella Tech
James Tumminia ... Lab Tech
Kirk B.R. Woller ... Scientist

Die Hard 4.0 Live Free or Die Hard

“All you gotta do is go pick up a kid in New Jersey and drive him down to D.C. How hard can that be, huh?”
The world’s unluckiest action hero (apart from 24’s Jack Baer) is back in the first Die Hard movie for twelve years. A brilliant return to form for the action franchise; NYPD Detective John McClane must fight to save America from a brutal attack. There is more action in this than the other sequels, the acting’s great, the plot is no more ridiculous than the other movies… and best of all, the villain in this film is not related to the villain from the first movie.
If you are one of the two or three people in the world that have not seen a Die Hard movie, then you are missing a treat. Die Hard, released in 1988, is without a doubt, one of the greatest action films of all time. Rather than copying other eighties action films of the decade which tended to feature a lead character with impossibly big muscles and attitude to match; Die Hard re-introduced the everyman action hero in the form of Detective John McClane.
Through the course of the first Die Hard, McClane repeatedly got beaten up as he tried to free his wife from nasty German terrorists. He lost his shoes, his shirt and pints and pints of blood. Unlike other action ‘heroes’, McClane had a thinning head of hair, a plain speaking New York attitude and wasn’t particularly muscular. McClane dispatched an entire building of terrorists and got hurt in the process. He wasn’t a superman, he was an everyman…gone were the days where ‘musclemen’ ruled the action genre and both McClane and Bruce Willis quickly became action legends.
The sequels to the first Die Hard were enjoyable but a little shaky…It’s been twelve years since the last of these Die Hard sequels (With a Vengeance) first hit the big screen but John McClane is back and this time he’s taking on disgruntled IT guy called Thomas Gabriel (Timothy Olyphant), a man determined to bring down the entire US economy.
It is not immediately clear why Gabriel wants to do this but in the fullness of time, all is revealed and it’s about as believable as the plots in the previous Die Hard movies. In the tradition of the franchise however, this film uses real stunts, very few CGI shots and therefore features some incredible action scenes. This outing also boasts not only fantastic acting from all involved but also a top notch script helped along by tweaks suggested by Indie genius and Die Hard fan Kevin Smith.
Still an NYPD Detective, McClane is ordered to pick up known hacker Matt Farrell (Justin Long) and escort him to the FBI building in Washington DC after the FBI detects that their network has been hacked. Told that this is a simple pick up and drop off, McClane goes to collect his charge however it is not long before he is forced to return to his ‘die hard’ mode and dispatch a group of heavily armed mercenaries who have been sent to kill young and geeky Farrell.
Realising that there is more to this ‘kid’ than meets the eye (that’s not a plug for the other blockbuster of 2007 btw); McClane has to protect Farrell from Gabriel’s goons and get him safely to the FBI. Along the way, the two of them have to dodge bullets, helicopters and a rather striking kung fu woman. All in all, it’s another bad day for Detective John McClane.
If you only watch one sequel this year – make sure you watch this one. Bruce Willis and Justin Long are absolutely amazing – the perfect double act. Superior to the other Die Hard sequels and as close to the original as possible in the fact that it’s almost a perfect action movie, the franchise has returned to its roots and this is Die Hard at its best. Yippee-Ki-Yay…
Bruce Willis ... John McClane
Timothy Olyphant ... Thomas Gabriel
Justin Long ... Matt Farrell
Maggie Q ... Mai
Cliff Curtis ... Bowman
Jonathan Sadowski ... Trey
Andrew Friedman ... Casper
Kevin Smith ... Warlock
Yorgo Constantine ... Russo
Cyril Raffaelli ... Rand
Chris Palermo ... Del (as Christopher Palermo)
Mary Elizabeth Winstead ... Lucy
Sung Kang ... Raj
Zeljko Ivanek ... Molina
Christina Chang ... Taylor

Highlander 3 the sorcerer


Conner MacLeod must face his greatest enemy yet... Kane the Sorcerer intends taking over the world.



The third Highlander movie takes place at 1994, which means it's a prequel of the second film. After the death of his beloved wife Heather some centuries ago, Connor MacLeod left the highlands of Scotland and wandered around the world. Finally, he got to Japan, where he met the famous sorcerer Nakano, who was an Immortal too. Soon, they became friends, and Nakano taught Conor some tricks. But one day, an old enemy, Kane, came to Japan willing to find Nakano's cave and kill him. Although he succeeded, after cutting Nakano's head the mountain collapsed and Kane was trapped. Now, centuries after, an excavation reveals Nakano's cave...



Christopher Lambert ... Connor MacLeod / Russell Nash
Mario Van Peebles ... Kane
Deborah Kara Unger ... Alex Johnson / Sarah
Mako ... Nakano
Raoul Trujillo ... Warrior #1
Jean-Pierre Perusse ... Warrior #2
Martin Neufeld ... Stenn
Frederick Y. Okimura ... Old Japanese Man
Daniel Do ... Takamura
Gabriel Kakon ... John
Louis Bertignac ... Pierre Bouchet
Michael Jayston ... Jack Donovan
Zenhu Han ... Innkeeper
Akira Inoue ... Innkeeper's Son
Darcy Laurie ... Banger 1

Superbad Unrated


Seth (HILL) and Evan (CERA) are about to head off to college and want nothing more than to hook up with the girls at High School before it’s too late. All that stands in their way is a complete lack of alcohol with which to impress at the biggest party of the year. They enlist the help of their friend Fogell, a.k.a. McLovin (Mintz-Plasse) and armed with a fake I.D. go in search of a Liquor Store that will serve them. What they end up getting in return is a rollercoaster ride of incompetent cops, irate college boys and an unforgettable finale at the big party itself.

From successful producer Judd Apatow, responsible for some of the most highly acclaimed comedies of the past few years (The 40 Year Old Virgin, Knocked Up), Superbad stars Johan Hill (Evan Almighty, Knocked Up, Click), Micheal Cera (TV’s Arrested Development), Seth Rogan (40 Year Old Virgin, Knocked Up) and newcomer Christopher Mintz-Plasse. It’s the side-splitting story of high school friends desperately trying to reverse a lifelong losing streak in one riotous night.

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Superbad Low

Superbad Med

Superbad High



Jonah Hill ... Seth
Michael Cera ... Evan
Christopher Mintz-Plasse ... Fogell
Bill Hader ... Officer Slater
Seth Rogen ... Officer Michaels
Martha MacIsaac ... Becca
Emma Stone ... Jules
Aviva ... Nicola
Joe Lo Truglio ... Francis the Driver
Kevin Corrigan ... Mark
Clement Blake ... Homeless Guy (as Clement E. Blake)
Erica Vittina Phillips ... Mindy, Liquor Store Cashier
Joe Nunez ... Liquor Store Clerk (as Joseph A. Nunez)
Dave Franco ... Greg the Soccer Player
Marcella Lentz-Pope ... Gabby

Highlander II

Connor MacLeod and Juan Villa-Lobos Ramirez are reunited as the earth's shield comes under threat.


Connor Macleod and Juan Sanchez Villa-Lobos Ramirez return in this all action sequel to 1985's Highlander. The year is 2024, and MacLeod is now a mortal old man. However the world has become a very dead planet since the creation of "the shield", an artifical ozone layer - which MacLeod supervised construction of. It turns out that MacLeod was banished from a distant past with his mentor Ramirez. MacLeod's old nemesis from the past (General Katana) travels into the future to kill Connor once an for all. MacLeod calls upon the spirit of Ramirez to help him defeat Katana, before Katana kills him. MacLeod is also aided by Louise Marcus, an environmental activist that believes the ozone layer as repaired itself and "the shield" is no longer necessary.
Sean Connery ... Juan Sánchez Villa-Lobos Ramírez
Virginia Madsen ... Louise Marcus
Christopher Lambert ... Connor MacLeod
Michael Ironside ... Gen. Katana
Allan Rich ... Allan Neyman
John C. McGinley ... David Blake
Phil Brock ... Cabbie
Rusty Schwimmer ... Drunk
Ed Trucco ... Jimmy
Steven Grives ... Hamlet (as Stephen Grives)
Jimmy Murray ... Horatio
Pete Antico ... Corda
Peter Bucossi ... Reno
Peter Bromilow ... Joe
Jeff Altman ... Doctor

American pie presents beta house

Erik Stifler joins his cousin Dwight at the University of Michigan. Erik is nursing a broken heart after being dumped by his girlfriend while Dwight has his own problems to face in the form of nerdy GEK House, a fraternity who are attempting to destroy Dwight's own hard-partying Beta House.


From Universal Studios Home Entertainment and Rogue Pictures comes a brand-new hilarious chapter in the legendary American Pie saga, American Pie Presents: Beta House. The hijinks now move from the town of Great Falls to the University of Michigan, where the infamous Beta House fraternity has been setting new standards for incredible parties and outrageous antics. Our heroes are cousins Erik and Dwight Stifler, of the American Pie series' famed Stifler family. Erik has recently been dumped by his high school girlfriend and is trying to re-invent himself while pledging Dwight's fraternity, Beta House. Meanwhile, Dwight is trying to save Beta House from an onslaught by the newly established GEK ("Geek") House, which is led by power-hungry nerd leader Edgar and his band of geek brothers and sisters. Erik's best friend Mike "Cooze" Coozeman and his new roommate Bobby also pledge Beta House and ARE planning to enjoy college to the fullest. It promises to be a semester full of partying, craziness, pranks, and sexual tension to exceed expectations... ...and it does! Erik finds a girl, Ashley, to heal his heartbreak. Cooze dates Ashley's roommate Denise -- but finds himself in a possible "Crying Game" scenario. Dwight and the other Betas fight off Geek House for social supremacy on campus. The rivalry gets so intense that the only way to settle it is through direct competition in the Greek Games, an ancient campus ritual that went so far out of control it was banned forty years ago. It turns out that even Geeks can be bullies, so the Betas have to pull together to fend off the Geeks and prove that some traditions deserve to be upheld.



Robbie Amell ... Nick Anderson
Bradford Anderson ... Jake
Christine Barger ... Margie
Shannon Beckner ... Manni
Angela Besharah ... Irene Wright
Pilar Cazares ... Peaches
Joe Eigo ... Dexter Lee
Samantha Fletcher ... Hot Girl #2
Alexandria Galante ... Hot Girl
Moshana Halbert ... Sara Coleman
Meghan Heffern ... Ashley
Ace Hicks ... Hot Brunette
Ashleigh Hubbard ... Tiffany
Jonathan Keltz ... Wesley
Eugene Levy ... Mr. Levenstein
Mei-Yin Lloyd ... Flight Attendant
Christopher McDonald ... Mr. Stifler
Nic Nac ... Bobby Coolidge
Jessica Nichols ... Hot Model
Sarah Power ... Denise
Jordan Prentice ... Rock
Italia Ricci ... Laura Johnson
Vasanth Saranga ... Bandhu Ikshan
Tyrone Savage ... Edgar Willis
Julia Schneider ... Hot Girl #1
Jake Siegel ... Cooze
Jaclyn A. Smith ... Jill
Marina Stone ... Beta House Sorority Girl
Steve Talley ... Dwight Stifler
John White ... Erik Stifler

The Matrix

Neo seeks the truth about the Matrix. Only one man has the answer, an elusive dangerous man who is known as Morpheus. A stranger called Trinity invites Neo to follow a white rabbit which guides him into a parallel world. Reality is a world run by artificially intelligent machines who control the human slaves in a simulated 20th Century....



Keanu Reeves ... Neo
Laurence Fishburne ... Morpheus
Carrie-Anne Moss ... Trinity
Hugo Weaving ... Agent Smith
Gloria Foster ... Oracle
Joe Pantoliano ... Cypher
Marcus Chong ... Tank
Julian Arahanga ... Apoc
Matt Doran ... Mouse
Belinda McClory ... Switch
Anthony Ray Parker ... Dozer
Paul Goddard ... Agent Brown
Robert Taylor ... Agent Jones
David Aston ... Rhineheart
Marc Aden ... Choi (as Marc Gray)

Transformers

When was the last time you had fun - uncomplicated, undiluted and unadulterated enjoyment? Can you remember the last time you let your inner child come to the surface to go nuts for a while? If it’s been a while or even if you’re one of those (like me) that’s never really grown up, you need to give the 10 year old inside you two and a half hours in front of the incredible spectacle that is ‘Transformers’.
If you go in to Transformers expecting intellectual theatre you’re in the wrong place. Similarly, dismissing Michael Bay’s latest offering as mere fluff is more than a little harsh too. It’s easy to be cynical when faced with the latest action blockbuster these days, as we’ve seen so much of it all before. However, Transformers is the pinnacle of everything you have seen before and augments this with scintillating eye candy that you haven’t.
Remember Terminator 2 and the T-1000? Yeah, your jaw hit the floor too. The first dinosaurs coming in to view in Jurassic Park – wow. The inhabitants of Hogwarts and Middle Earth were like nothing you’d seen. Now, giant transforming robots have brought their war to our world, and it’s awesome – F22 Raptor jets, tanks, helicopters, a giant metallic scorpion and 30ft tall bipeds with energon-swords; this is something else!
Director Michael Bay said he didn’t want to do ‘a stupid toy movie’ – he hasn’t. Although (intentionally) daft in parts, this is an adrenaline fuelled romp, an awesome assault on the senses but one that is never in danger of taking itself too seriously. The eye-popping action sequences are complemented by humorous, engaging character moments that endear both the human and CGI cast. A trinity of themes help balance the film and keep things moving along at pace; The ‘bot-centric’ scenes evoke child-like wonder and awe, the civilian scenes raise a few guilty teenage giggles, and then the military scenes are some of the most authentic and absorbing seen in a Hollywood blockbuster since ‘Black Hawk Down’ and lend a ‘grown up’ edge to proceedings.

Steven Spielberg pitched Transformers as a coming of age story starring ‘a boy and his first car’. Strong humanistic characters are a Spielberg hallmark, and these characters feature prominently in Transformers. Shia LaBeouf is instantly likeable as Sam Witwicky, average high-school kid eager for his first car and out to woo the girl. In a devilishly daft cameo, Bernie Mac sells LaBeouf a beat up 70’s Chevrolet Camaro that turns out to be robot in disguise ‘Bumblebee’, the Autobot’s advanced scout, here on Earth to find an artefact from the Transformers’ civil war-ravaged world before the antagonists of the piece (the Decepticons) can lay their evil hands on it.
LeBeouf has already been compared to a Young Tom Hanks, and on the evidence of Transformers his career is likely to attain similar longevity; expressive and engaging, he plays the likely every-boy/man role superbly, managing to strike the balance between awkward geek and all-round good guy with ease. Strikingly beautiful movie newcomer Megan Fox plays Mikaela Banes, the love interest and character foil for LaBeouf’s Sam; there’s a chemistry between the two and Fox has some subtle character moments throughout which elevate her above the usual ‘screaming female’, beloved of so many action adventures.
The light hearted and sometimes hilarious scenes featuring the Witwicky family (with memorable performances from Kevin Dunn and Julie White) are a joy to behold in a film that could have been (to its detriment) ‘all grown-up and serious’. Lest we forget, this is a kid’s toy we’re talking about here, albeit one with a rich mythology that has grown along with the Transformers fan base in the last 23 years. The writers’ appreciation of this in-place back story probably helped them to craft the accessible storyline; don’t go trying to re-tell the story that’s already there, just tell a good story with giant warring robots coming to Earth as your backdrop. It’s simple for sure, but it’s effective – this movie is out to please whether you’re five or fifty-five.
And most pleasing of all are the Transformers themselves! Industrial Light & Magic have surpassed their own incredibly high standards once more and set a new benchmark for blockbuster cinema. A tip of the hat to director Michael Bay here, known for being something of a directorial ‘hard-ass’, who rejected countless special effects renders until ILM delivered shots that looked ‘real’. The transformation sequences are incredibly intricate and look fantastic, whether they happen over the space of 15 seconds or more as in Optimus Prime’s first appearance or in a split second as featured in the frenetic battle sequences. There are tantalising glimpses of the giant mechanoids right from the off, but it’s about a third of the way in to the film when we get our first Autobot versus Decepticon smack-down between Bumblebee and rogue police squad car Barricade; a car chase, smashed-up warehouses, giant duelling robots and Shia LaBeouf removed from his jeans by a six foot Transforming CD player – amazing to watch, intentionally silly, hugely entertaining.
A generation of twenty-somethings are also delighted to hear the dulcet god-like tones of Peter Cullen as Autobot leader Optimus Prime once more; to the average movie watcher it’s a fine voice over performance but to 1980’s Transformers fan-boys, the Optimus Prime of your childhood is back from the dead (once again!) and this time he’s got incredible looks to match the awe-inspiring voice!
It is fair to say the film isn’t at its strongest when the robots are away from proceedings. The Pentagon scenes, while lent some gravitas by John Voight as Secretary of Defence Keller, are a neither as intense as the sequences with Josh Duhamel and Tyrese Gibson leading their troops in to battle, nor as amusing as the Witwicky family scenes; the characters are a little two-dimensional and are used merely to forward the plot, writers Roberto Orci and Alex Kurtzman perhaps wary of overloading the story with too many big players. Kudos though to the excellent John Turturro as shady government operative Agent Symmons, who switches effortlessly from menacingly powerful to ludicrously self-deluded in the blink of an eye.
The movie climaxes with incredible special effects set-pieces aplenty. Cynics may argue this is the pay-off for sitting through a two hour commercial for boys’ toys and General Motors vehicles; to deride Transformers as a glorified advertisement is unfair and inaccurate. It may not be deep and thought provoking cinema but nor does it pretend to be, while so many other move franchises of the last decade attempt to masquerade as something ‘cerebrally stimulating’ or ‘post-ironic’ or whatever is flavour of the month with the media darlings.
Transformers has limitations as an ‘origin’ movie – it’s quite obviously only a scene setter for the sequels to follow – but as a coming-of-age tale it’s a barn-storming tour de force full of heart and humour that takes ‘Popcorn Cinema’ to new heights. The most enjoyable two and a half hours I’ve spent in a movie theatre in years, Transformers is an enthralling experience for kids of all ages; ignore your ‘grown-up’ cynicism and let your inner child run riot like an evil transforming robot on a freeway!

Shia LaBeouf ... Sam Witwicky
Megan Fox ... Mikaela Banes
Josh Duhamel ... Captain Lennox
Tyrese Gibson ... USAF Tech Sergeant Epps
Rachael Taylor ... Maggie Madsen
Anthony Anderson ... Glen Whitmann
Jon Voight ... Defense Secretary John Keller
John Turturro ... Agent Simmons
Michael O'Neill ... Tom Banachek
Kevin Dunn ... Ron Witwicky
Julie White ... Judy Witwicky
Amaury Nolasco ... ACWO Jorge "Fig" Figueroa
Zack Ward ... First Sergeant Donnelly
Luis Echagarruga ... Ranger Team #1
Pat Mulderrig ... Ranger Team #2 (as Patrick Mulderrig)

Back to the future part 3


Stars Michael J Fox and Christopher Lloyd are joined by Oscar winner Mary Steenburgen in this rousing, full-throttle conclusion to the epic time travelling adventure trilogy from executive producer Steven Spielberg and director Robert Zemeckis.

Fulfilling a long time fantasy, Doc Brown has decided to live in the Old West of the 1880s. But when he’s in danger of meeting an untimely end, Marty travels back in time to rescue him. There’s just one problem: Doc is so smitten by schoolteacher Clara Clayton (Steenburgen) that he can’t think straight! Now, it’s up to Marty to keep Doc out of trouble, keep the DeLorean running, and keep the past, present and future on track so they can all get back to where – and when – they belong!

Filled with all of the trademark Back To The Future gadgetry, action, imagination and humour, it’s a spectacular finale to one of the most popular adventure-comedy film series of all time!



Michael J. Fox ... Marty McFly / Seamus McFly
Christopher Lloyd ... Dr. Emmett Brown
Mary Steenburgen ... Clara Clayton
Thomas F. Wilson ... Buford 'Mad Dog' Tannen / Biff Tannen
Lea Thompson ... Maggie McFly / Lorraine McFly
Elisabeth Shue ... Jennifer Parker
James Tolkan ... Chief Marshal James Strickland
Matt Clark ... Chester the Bartender
Dub Taylor ... Saloon Old-Timer #1
Harry Carey Jr. ... Saloon Old-Timer #2
Pat Buttram ... Saloon Old-Timer #3
Christopher Wynne ... Buford's Gang Member #1 / Needles' Gang Member #1
Sean Gregory Sullivan ... Buford's Gang Member #2
Mike Watson ... Buford's Gang Member #3
Marc McClure ... Dave McFly

Stardust

This summer a star falls. The chase begins.

"Stardust,” based on the best-selling graphic novel by Neil Gaiman and Charles Vess, takes audiences on an adventure that begins in a village in England and ends up in places that exist in an imaginary world. A young man named Tristan (Charlie Cox) tries to win the heart of Victoria (Sienna Miller), the beautiful but cold object of his desire, by going on a quest to retrieve a fallen star. His journey takes him to a mysterious and forbidden land beyond the walls of his village. On his odyssey, Tristan finds the star, which has transformed into a striking girl named Yvaine (Claire Danes). However, Tristan is not the only one seeking the star. A king’s (Peter O’Toole) four living sons – not to mention the ghosts of their three dead brothers – all need the star as they vie for the throne. Tristan must also overcome the evil witch, Lamia (Michelle Pfeiffer), who needs the star to make her young again. As Tristan battles to survive these threats, encountering a pirate named Captain Shakespeare (Robert De Niro) and a shady trader named Ferdy the Fence (Ricky Gervais) along the way, his quest changes. He must now win the heart of the star for himself as he discovers the meaning of true love.


In a countryside town bordering on a magical land, a young man makes a promise to his beloved that he'll retrieve a fallen star by venturing into the magical realm.


Stardust Low Res Trailer

Stardust Med Res Trailer

Stardust Hi Res Trailer






Charlie Cox ... Tristan Thorn
Ian McKellen ... Narrator (voice)
Bimbo Hart ... Young Scientist
Alastair MacIntosh ... Victorian Academic
David Kelly ... Guard
Ben Barnes ... Young Dunstan Thorn
Kate Magowan ... Slave Girl - Una
Melanie Hill ... Ditchwater Sal
Sienna Miller ... Victoria
Henry Cavill ... Humphrey
Nathaniel Parker ... Dunstan Thorn
Darby Hawker ... Grumpy Customer
Frank Ellis ... Mr. Monday
Peter O'Toole ... King
Mark Strong ... Septimus

Back to the future part 2

Brace yourself – as the most spectacular history-altering adventure of all time continues in the hit sequel that proves lightning can strike twice!Marty and Doc (Michael J Fox and Christopher Lloyd) have barely recovered from their first time-travelling adventure when they launch themselves once more into the space-time continuum. But this time around, their history-tweaking antics in the year 2015 create a frightful, alternative 1985 Hill Valley where bully Biff Tannen is rich, powerful and Marty’s dad!Now, their only chance to fix the present is by going back to 1955 all over again. But can Doc and Marty patch up the past without igniting a universe-shredding time paradox? Fire up the trusty DeLorean and find out – as the powerhouse team of executive producer Steven Spielberg and director Robert Zemeckis rev up another round of brilliantly inventive, comically super-charged time-hopping action in Back To The Future Part II!
The second part of the trilogy begins as Doc, Marty and Jennifer take the time-traveling DeLorean into the year 2015 to straighten out the future of the McFly family. But Biff Tannen steals the time machine and gives his younger self a book containing 50 years of sports statistics, which the young Biff uses to amass an enormous gambling fortune and transform idyllic Hill Valley into a living hell. To restore the present, Doc and Marty must return to the events of their previous adventure in 1955 and retrieve the book

Michael J. Fox ... Marty McFly / Marty McFly Jr / Marlene McFly
Christopher Lloyd ... Dr. Emmett Brown
Lea Thompson ... Lorraine Baines / McFly / Tannen
Thomas F. Wilson ... Biff Tannen / Griff Tannen
Elisabeth Shue ... Jennifer Parker / McFly
ames Tolkan ... Mr. Strickland
Jeffrey Weissman ... George McFly
Casey Siemaszko ... 3-D
Billy Zane ... Match
J.J. Cohen ... Skinhead
Charles Fleischer ... Terry
E. Casanova Evans ... 'Michael Jackson' Video Waiter
Jay Koch ... 'Ronald Reagan' Video Waiter
Charles Gherardi ... 'Ayatollah Khomeini' Video Waiter
Ricky Dean Logan ... Data

The Great escape


Action and tension are equally balanced in this story of one of the most remarkable incidents of World War Two, in which a group of Allied POW's in a German camp plan and execute a breakout.




Based on a true story, "The Great Escape" deals with the largest Allied escape attempt from a German POW camp during the Second World War. The first part of the film focuses on the escape efforts within the camp and the process of secretly digging an escape tunnel. The second half of the film deals with the massive effort by the German Gestapo to track down the over 70 escaped prisoners who are at this point throughout the Third Reich attempting to make their way to England and various neutral countries.



Steve McQueen ... Capt. Hilts "The Cooler King"
James Garner ... Flight Lt. Hendley "The Scrounger"
Richard Attenborough ... Squadron Leader Roger Bartlett "Big X"
James Donald ... Group Capt. Ramsey "The SBO"
Charles Bronson ... Flight Lt. Danny Velinski "The Tunnel King"
Donald Pleasence ... Flight Lt. Colin Blythe "The Forger"
James Coburn ... Flying Officer Louis Sedgwick "The Manufacturer"
Hannes Messemer ... Col. von Luger
David McCallum ... Lt. Cmdr. Eric Ashley-Pitt "Dispersal"
Gordon Jackson ... Flight Lt. Sandy MacDonald "Intelligence"
John Leyton ... Flight Lt. William Dickes "The Tunneler"
Angus Lennie ... Flying Officer Archibald Ives "The Mole"
Nigel Stock ... Flight Lt. Denys Cavendish "The Surveyor"
Robert Graf ... Werner 'The Ferret'
Jud Taylor ... Goff

Back to the future

From the Academy Award winning team of executive producer Steven Spielberg and director Robert Zemeckis comes the hilariously original, groundbreaking adventure that thrilled critics and audiences alike – and sparked one of the most successful movie trilogies ever to alter history!The year is 1985 – but not for long. Because teenager marty McFly (Michael J fox) is about to be blasted back to 1955 aboard the plutonium powered DeLorean created by eccentric genius Doc Emmet Brown (Christopher Lloyd). But when Marty accidently keeps his parents-to-be from falling in love, it triggers a time-shattering chain reaction that could vaporise his future – and leave him trapped in the past! Now, Marty’s only hope is to change history – before the clock runs out on his one-in-a-million chance to get himself Back To The Future!Powered by spectacular special effects, unforgettable songs and outrageously imaginative action, it’s an echilarating motion picture triumph you’ll want to experience time and time again!


Michael J. Fox ... Marty McFly
Christopher Lloyd ... Dr. Emmett Brown
Lea Thompson ... Lorraine Baines McFly
Crispin Glover ... George McFly
Thomas F. Wilson ... Biff Tannen
Claudia Wells ... Jennifer Parker
Marc McClure ... Dave McFly
Wendie Jo Sperber ... Linda McFly
George DiCenzo ... Sam Baines
Frances Lee McCain ... Stella Baines
James Tolkan ... Mr. Strickland
J.J. Cohen ... Skinhead (as Jeffrey Jay Cohen)
Casey Siemaszko ... 3-D
Billy Zane ... Match
Harry Waters Jr. ... Marvin Berry

Highlander



DONT LOSE YOUR HEAD.


The immortals are destined to live forever, but there can be only 'One...' From Sixteenth Century Scotland to present-day New York, the fate of mortal man hangs in the balance.


Connor Macleod was born in 1518 in the Highlands of Scotland. In 1536, after facing a mysterious, evil opponent, he survives a fatal stab wound and is banished from his village, for they believe his survival is the work of the Devil. Five years later, Macleod is met by Juan Sanchez Villa-Lobos Ramirez, a swordsman who teaches Macleod the awful truth; he is immortal, one of a race of many who can only die when the head is cut from the body. When one immortal takes the head of another, the loser's power is absorbed into the winner. Ramirez teaches Macleod the ways of the sword, until Ramirez is tragically killed by Connor's ultimate opponent, the evil Kurgan, a murderous immortal brute who lusts for the ultimate power of the immortals, "The Prize"; enough power to rule the earth forever. Connor fights his way through the centuries, until the time of the Gathering, when the few immortals who have survived the endless battles come together to fight until only one remains, and that winner will receive The Prize. The time: 1985. The place: New York City. The final fight is about to begin, and in the end, there can be only one.


Christopher Lambert ... Connor 'The Highlander' MacLeod / Russell Edwin Nash
Roxanne Hart ... Brenda J. Wyatt
Clancy Brown ... Victor Kruger / The Kurgan
Sean Connery ... Juan Sanchez Villa-Lobos Ramirez
Beatie Edney ... Heather MacLeod
Alan North ... Lieutenant Frank Moran
Jon Polito ... Det. Walter Bedsoe
Sheila Gish ... Rachel Ellenstein
Hugh Quarshie ... Sunda Kastagir
Christopher Malcolm ... Kirk Matunas
Peter Diamond ... Aman Fasil
Billy Hartman ... Dugal MacLeod
James Cosmo ... Angus MacLeod
Celia Imrie ... Kate MacLeod
Alistair Findlay ... Chief Murdoch

Ricky gervais live 3 Fame


Ricky Gervais' third live show, Fame is the fastest selling comedy tour in British history. With Ricky playing live to nearly half a million people this year including sell-out shows in New York, the success of Fame eclipses even his previous two stand-up shows, Politics and Animals.Writer, director and star of The Office and Extras, progenitor of the most downloaded series of podcasts ever and award-winning author of four volumes of Flanimals, Ricky Gervais is uniquely placed to apply his prodigious comedic talents to the world of celebrity.In this DVD filmed at London's Hammersmith Apollo, Ricky delivers, hilarious and insightful observations on the nature of Fame, and in the process displays his talent as Britain's foremost comedian to the fullest, extent yet.

This is Spinal Tap













In 1982 legendary British heavy metal band Spinal Tap attempt an American comeback tour accompanied by a fan who is also a film-maker. The resulting documentary, interspersed with powerful performances of Tap's pivotal music and profound lyrics, candidly follows a rock group heading towards crisis, culminating in the infamous affair of the eighteen-inch-high Stonehenge stage prop.


Marti DeBergi is a film-maker who decides to make a documentary, a rockumentary actually, about the world's loudest band, the British heavy metal group Spinal Tap. The movie is in fact a biting satire and spoof of the whole rock and roll scene that passes itself off as a real documentary of a real band. Hilarious behind-the-scenes footage is combined with faux-concert clips to breath life into the imaginary group.


Rob Reiner ... Marty DiBergi
Kimberly Stringer ... Heavy Metal Fan
Chazz Dominguez ... Heavy Metal Fan
Shari Hall ... Heavy Metal Fan
R.J. Parnell ... Mick Shrimpton
David Kaff ... Viv Savage
Tony Hendra ... Ian Faith
Michael McKean ... David St. Hubbins
Christopher Guest ... Nigel Tufnel
Harry Shearer ... Derek Smalls
Bruno Kirby ... Tommy Pischedda
Jean Cromie ... Ethereal Fan
Patrick Maher ... New York M.C.
Ed Begley Jr. ... John 'Stumpy' Pepys
Danny Kortchmar ... Ronnie Pudding

The Santa clause 3 The escape clause.



Tim Allen is back in the big red suit for more adventure and laughs in Disney's hilarious family comedy. Get ready for a thrilling sleigh ride as the reluctant Santa Claus faces his most chilling and hysterical challenge yet.As Christmas nears, Scott Calvin invites his in-laws (Ann-Margret and Alan Arkin) to join the festivities. The holidays take a chaotic turn when Scott discovers a way out of his "Santa Clause" and the mischievous Jack Frost (Martin Short) puts the big freeze on Christmas' big cheese! Unless Scott can save the day, it's going to be a very chilly Frostmas at the North Pole and around the world. Will Scott be able to get his job back in the St. nick of time?





Tim Allen ... Santa / Scott Calvin
Elizabeth Mitchell ... Mrs. Claus / Carol Calvin
Eric Lloyd ... Charlie Calvin
Judge Reinhold ... Dr. Neil Miller
Wendy Crewson ... Laura Miller
Spencer Breslin ... Curtis, the Head Elf
Liliana Mumy ... Lucy Miller
Martin Short ... Jack Frost
Ann-Margret ... Sylvia Newman
Alan Arkin ... Bud Newman
Abigail Breslin ... Trish
Art LaFleur ... Tooth Fairy
Aisha Tyler ... Mother Nature
Kevin Pollak ... Cupid
Jay Thomas ... Easter Bunny

Wild Wild West









Wild wild west Low Trailer

Wild wild west Med Trailer

Wild wild west High Trailer



One day in the wild, wild west, a famous scientist is found dead. Or better: Decapitated by a devilish device, as it seems. Special Agent Artemus Gordon, quite inventive himself, finds out about the man's last sight and is forced to team up with James West, a man who relys on nothing but his gun. They first suspect General "Bloodbath" McGrath to be responsible for the killing, but as he's not bright enough to invent the flying decapitation device himself, a more evil mastermind behind the scenery is soon proven to exist. Dr. Arliss Loveless, who, by the way, has kidnapped the nation's best scientists, seems to plan on taking a major part of the country as his personal property. But Dr. Loveless did not spend enough thoughts about possible intervention from two men, who may get a little distracted by the sudden appearance of beautiful Rita Escobar, daughter to one of the abducted scientists.





Will Smith ... Capt. James West
Kevin Kline ... U.S. Marshal Artemus Gordon / Pres. Ulysses S. Grant
Kenneth Branagh ... Dr. Arliss Loveless
Salma Hayek ... Rita Escobar
M. Emmet Walsh ... Coleman
Ted Levine ... General 'Bloodbath' McGrath
Frederique Van Der Wal ... Amazonia (as Frederique van der Wal)
Musetta Vander ... Munitia
Sofia Eng ... Miss Lippenrieder
Ling Bai ... Miss East (as Bai Ling)
Garcelle Beauvais ... Belle
Mike H. McGaughy ... Big reb (as Mike McGaughy)
Jerry Wills ... Other reb
Rodney A. Grant ... Hudson
Buck Taylor ... Cross-eyed reb

Road Trip

When you're in a committed relationship and have sex with another person...It's not cheating if your in different area codes.It's not cheating if you're too wasted to remember it, because if you can't remember it, it never really took place.It's not cheating if you're with two people at the same time because they cancel each other out.But it is definitely cheating if you videotape it and someone accidentally mails the tape to your girlfriend, which to this horror is exactly what happened to Josh. Discovering the mistake, Josh tows two of his college buddies and one not so eager kid who happens to own the car on a raucous 1,800 mile road trip from Ithaca, New York to Austin, Texas to save his lifelong romance. Features footage that was not shown at the cinema


Breckin Meyer ... Josh Parker
Seann William Scott ... E.L.
Amy Smart ... Beth Wagner
Paulo Costanzo ... Rubin Carver
DJ Qualls ... Kyle Edwards
Tom Green ... Barry Manilow
Rachel Blanchard ... Tiffany Henderson
Anthony Rapp ... Jacob
Fred Ward ... Earl Edwards
Andy Dick ... Motel Clerk
Ethan Suplee ... Ed
Horatio Sanz ... French Toast Guy
Rhoda Griffis ... Tour Group Mom
Marla Sucharetza ... Sperm Bank Nurse
Edmund Lyndeck ... Jack Manilow, Barry's Grandpa

Terminator 2 Judgement Day


Sarah Connor has a son, now aged ten. For her the nightmare has almost passed, that is until a second terminator is sent to end the life of the future resistance leader.




Sequel to Terminator. Skynet, the 21st century computer waging a losing war on humans sends a second terminator back in time to destroy the leader of the human resistance while he is still a boy. His mother is the only one who knows of the existence of the Terminators, human-like robots that exist only to kill and are nearly indestructible, and Sarah, the boy's mother is currently in a state mental hospital because of her 'delusions'. A second protector is sent back to the past by the Human resistance to protect John Connor, their future leader, at all costs


Arnold Schwarzenegger ... The Terminator
Linda Hamilton ... Sarah Connor
Edward Furlong ... John Connor
Robert Patrick ... T-1000
Earl Boen ... Dr. Silberman
Joe Morton ... Miles Dyson
S. Epatha Merkerson ... Tarissa Dyson
Castulo Guerra ... Enrique Salceda
Danny Cooksey ... Tim
Jenette Goldstein ... Janelle Voight
Xander Berkeley ... Todd Voight
Leslie Hamilton Gearren ... Twin Sarah
Ken Gibbel ... Douglas
Robert Winley ... Cigar-Smoking Biker
Peter Schrum ... Lloyd (as Pete Schrum)

The Flying Scotsman

The Flying Scotsman is the remarkable true story about the turbulent life of cyclist Graeme Obree, who built his own bike out of washing machine parts and rode it to gold at the world championships. Jonny Lee Miller (Trainspotting) stars as the cyclist determined to succeed against the odds, alongside Laura Fraser (Vanilla Sky), Billy Boyd (The Lord of the Rings trilogy) and Brian Cox (X-Men 2: X-Men United, Bourne). From a humble background, Graeme Obree (Miller) always had to fight for survival. As a grown man, nothing had changed and when his beloved bicycle shop went bust, Obree had neither the money nor the sponsorship necessary to realise his dream; to compete at the highest level of world cycling. But it was always clear from his passion for the sport that he was destined for greatness. He faced years of gruelling preparations, problems with funding, injuries and scandals, but with the unwavering support of his wife Anne (Fraser) and the help of his close friend and newly-appointed manager Malky (Boyd), he never gave up and against all the odds he won the World Pursuit Championship.




Flying Scotsman Lo Trailer

Flying Scotsman Med Trailer

Flying Scotsman Hi Trailer






Jonny Lee Miller ... Graeme Obree
Sean Brown ... Young Graeme Obree
Joseph Carney ... Child Gang Leader
Crawford McInally-Kier ... First Child Bully
Jan Plazalski ... Second Child Bully
Niall Macgregor ... Graeme's Father
Julie Austin ... Graeme's Mother
Morag Calder ... First Office Receptionist
Billy Boyd ... Malky
Laura Fraser ... Anne Obree
Jean Marie Coffey ... Woman at Finish Line
Christopher Anderson ... Baby Ewan
Brian Cox ... Douglas Baxter
Ron Donachie ... Scobie
Morven Christie ... Katie

vacancy

A nerve-shredding and relentless chiller, Vacancy stars KATE BECKINSALE (Click, Underworld, Aviator) and LUKE WILSON (My Super Ex-Girlfriend, Blades of Glory, Anchorman) as a bickering couple whose relationship is on the brink of collapse when their car breaks down in the middle of nowhere. With little choice but to stay at a sinister and desolate motel, they check into a room and start watching some seemingly innocent horror movies. However, the grim reality soon dawns on them that they are in fact gruesome snuff movies that were filmed in the very room they are staying in!Panicking, the couple discovers they are trapped in the room and their every move is being watched as hidden cameras focus on them. It soon dawns on them that unless they escape they will become the next victims. Packed with spine-chilling scares, Vacancy will keep you on the edge of your seat from start to finish.




Kate Beckinsale ... Amy Fox
Luke Wilson ... David Fox
Frank Whaley ... Mason
Ethan Embry ... Mechanic
Scott G. Anderson ... Killer
Mark Casella ... Truck Driver
David Doty ... Highway Patrol
Norm Compton ... Snuff Victim
Caryn Mower ... Snuff Victim
Meegan Godfrey ... Snuff Victim (as Meegan E. Godfrey)
Kym Stys ... Snuff Victim
Andrew Fiscella ... Snuff Victim
Dale Waddington Horowitz ... Snuff Victim
Ernest Misko ... Snuff Victim (as Ernie Misko)
Bryan Ross ... Snuff Victim

Fracture

“If you look close enough, you'll find everyone has a weak spot”
Ryan Gosling constantly impresses me. He is a complete representation of new leading man talent. Fresh faced, young, and relentlessly hardworking, I struggle to think of any picture he’s done that I didn’t enjoy. What I do notice looking back at some of his earlier work is that he prefers a more challenging role than the traditional hero or nice guy, and what could be more challenging than battling the flesh eater himself…Anthony Hopkins.
Going into this with the subjective view that it would merely be a courtroom drama I was quite surprised as it progressed. Hopkins reverts back to the dry and intelligent persona that captured people’s attention in films like Silence of the Lambs and Meet Joe Black, except this time he’s the craftsman of a very articulate jigsaw puzzle that unveils itself throughout the movie, keeping us audience members guessing till the very end.
Intelligent man and husband Ted Crawford ( Anthony Hopkins) is a successful engineer who, over time, has discovered that his wife is cheating on him with another man. After a quick confrontation where he tells her he loves her, up comes the gun and CLICK, his wife is dead, so everything normal so far, but wait…
After hearing that Ted has signed a confession and has freely admitted to killing his wife, Willy Beachum ( Ryan Gosling) jumps onboard as prosecutor, thinking that this will be an open and shut case and hoping that it will give him another little notch on his belt to impress the new company that is showing interest in him.
Willy Beachum: “I'm not going to play any games with you” Ted Crawford: “I'm afraid you have to old sport”
Things take an unexpected turn when police discover that the gun Ted was holding when arrested has never ever been fired and Ted now claims to have signed the confession under duress. Willy finds himself getting drawn into a battle that proves to be a far more complicated affair, with Ted out smarting him at every step and his shiny new job looking further and further out of reach.
You know those movies that hold your attention so tightly that a train could run through the room and all you would do is raise the volume? Well this is one of them. From the offset the chemistry between the two is absorbing and the mystery of this clever plan is even more engrossing. It’s one of those movies where each actor has been used to play to their own personal and particular strengths. For Ryan it would be the subtle naivety and arrogance of youth while for Hopkins, it would have to be his magnetic on-screen presence.
What I’d also like to do is give a quick mention to the set design team and Director of photography (Listen to me, talking like I know them) as I thought that each shot was beautifully well staged. A quick look around Ted’s Southern California luxury home in the movie and you’ll see what I mean. Showing the immaculate and perfect living area of this man did a great job of personifying how precise and careful he must be and I also think it added a great deal of depth to Ted’s complex character.
At the end of the movie I felt satisfied that the often branded but rarely justified tag - psychological thriller – had actually been earned. It won’t be long before other movies follow suit and try to pull off something just as clever - don’t miss out!

Wealthy, brilliant, and meticulous Ted Crawford, a structural engineer in Los Angeles, shoots his wife and entraps her lover. He signs a confession; at the arraignment, he asserts his rights to represent himself and asks the court to move immediately to trial. The prosecutor is Willy Beachum, a hotshot who's soon to join a fancy civil-law firm, told by everyone it's an open and shut case. Crawford sees Beachum's weakness, the hairline fracture of his character: Willy's a winner. The engineer sets in motion a clockwork crime with all the objects moving in ways he predicts.


Anthony Hopkins ... Theodore 'Ted' Crawford
Ryan Gosling ... DDA William 'Willy' Beachum
David Strathairn ... DA Joe Lobruto
Rosamund Pike ... Nikki Gardner
Embeth Davidtz ... Jennifer Crawford
Billy Burke ... Lt. Robert Nunally
Cliff Curtis ... Detective Flores
Fiona Shaw ... Judge Robinson
Bob Gunton ... Judge Gardner
Josh Stamberg ... Norman Foster
Xander Berkeley ... Judge Moran
Zoe Kazan ... Mona
Judith Scott ... Resident
Gary Cervantes ... Ciro (as Carlos Cervantes)
Petrea Burchard ... Dr. Marion Kang

Starship Troopers

Set on the future earth, Johnny rico is a young student dating a girl named Carmen. When Carmen decides to join the military in order to become a class citizen (citizenship is only achieved through serving your country), Johnny follows and joins as well. He soon realizes that he joined for the wrong reasons but just as he is about to quit, an asteroid that originated from the orbit of planet "klendathu" hits Buenos Aires (his home town) and kills his family. Johnny and his fellow troopers set out to destroy the planet's inhabitants: a type of deadly and very large scaled space bugs. Through a seemingly ordinary action flick, director paul verhoeven creates a subtle anti-war theme, that shows us a fascist and military world far more frightening than WW2's Germany, Italy or Russia, the kind of world that is actually functioning.

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The new millennium brings man face-to-face with the deadliest enemy of all... an intelligent race of alien bugs. Young freedom fighter Johnny Rico and his comrades join the elite cadet flying school where you need to be tough to survive. When Buenos Aires, Johnny's home town, is destroyed by the bugs, an all-out intergalactic war begins...



Casper Van Dien ... Johnny Rico
Dina Meyer ... Dizzy Flores
Denise Richards ... Carmen Ibanez
Jake Busey ... Private Ace Levy
Neil Patrick Harris ... Colonel Carl Jenkins
Clancy Brown ... Career Sergeant Zim
Seth Gilliam ... Private Sugar Watkins
Patrick Muldoon ... Zander Barcalow
Michael Ironside ... Lieutenant Jean Rasczak
Rue McClanahan ... Biology Teacher
Marshall Bell ... General Owen
Eric Bruskotter ... Sergeant Breckinridge
Matt Levin ... Kitten Smith
Blake Lindsley ... Katrina McIntire
Anthony Ruivivar ... Shujumi (as Anthony Michael Ruivivar)

Snatch



Turkish and Tommy, unlicensed boxing promoters, become unwillingly involved with a underground criminal called Brick Top. When they are persuaded to stage rigged bare knuckle fights things don't go exactly to plan...




Turkish and his close friend/accomplice Tommy get pulled into the world of match fixing by the notorious Brick Top. Things get complicated when the boxer they had lined up gets the shit kicked out of him by Pitt, a 'pikey' ( slang for an Irish Gypsy)- who comes into the equation after Turkish, an unlicensed boxing promoter wants to buy a caravan off the Irish Gypsies. They then try to convince Pitt not only to fight for them, but to lose for them too. Whilst all this is going on, a huge diamond heist takes place, and a fistful of motley characters enter the story, including 'Cousin Avi', 'Boris The Blade', 'Franky Four Fingers' and 'Bullet Tooth Tony'. Things go from bad to worse as it all becomes about the money, the guns, and the damned dog!






Jason Statham ... Turkish
Stephen Graham ... Tommy
Alan Ford ... Brick Top Polford
Brad Pitt ... Mickey O'Neil
Dennis Farina ... Abraham 'Cousin Avi' Denovitz
Rade Serbedzija ... Boris 'The Blade' Yurinov (as Rade Serbedgia)
Robbie Gee ... Vincent
Lennie James ... Sol
Vinnie Jones ... Bullet Tooth Tony
Benicio Del Toro ... Franky Four Fingers
Mike Reid ... Doug 'The Head' Denovitz
Jason Flemyng ... Darren
Andy Beckwith ... Errol
William Beck ... Neil
Ewen Bremner ... Mullet

Moliere

This essential piece of cinema for romantics everywhere follows the fictionalised footsteps of what may have inspired one of 'Frances lltetary greats, Moliere, to pen his infamous masterpiece `Tartuffe'. Rotting away in prison and in a mountain of debt Moliere's only hope of freedom is to help the buffoonish Mr Jourdain seduce a beautiful young widow behind his wife's bath. Disguised as a priest, he moves in with the Jourdain family to begin a calamitous, hilarious and ultimately romantic set of adventures.

In 1658, playwright/actor Molière, having been given a theater in the capital by the King, is back in Paris after touring the kingdom of France with his company of players. One day, a young lady asks him to follow her to the deathbed of her mother... Thirteen years earlier, Molière already runs a troupe but goes broke and is thrown to prison. Fortunately (?) his debt is covered by Monsieur Jourdain, a rich man who wants him to help him rehearse a one-act play he has written with a view to seducing a beautiful bright young widow, Célimène. As Jourdain is married to Elmire, and is the "respectable" father of two daughters his design must remain secret so Molière is introduced into the house as Tartuffe, an austere priest...
Romain Duris ... Jean-Baptiste Poquelin
Fabrice Luchini ... M. Jourdain
Laura Morante ... Elmire Jourdain
Edouard Baer ... Dorante
Ludivine Sagnier ... Célimène
Fanny Valette ... Henriette Jourdain
Mélanie Dos Santos ... Louison Jourdain enfant
Gonzague Requillart ... Valère
Gilian Petrovski ... Thomas
Sophie-Charlotte Husson ...Madeleine Béjart
Arié Elmaleh ... Le maître de danse
Eric Berger ... Le maître de peinture
Anne Suarez ... Catherine de Brie
Annelise Hesme ... Marquise du Parc
Luc Tremblais ... Gros-René

Fight club

Do you remember 1999? No, really. The onset of the Millennium? The angst? The trepidation? The feeling that, at the stroke of midnight on December 31st, your toaster might run amok and eat your sister or that the world would fall apart at the seams, that it would quite literally be Apocalypse Now?
Remember all that? Now try thinking of a film that summed up that fear, the fear of an entire disenchanted generation, and gave you a channel through which you could vent your rising panic… No, it’s not The Matrix. It’s Fight Club.
Beautifully shot, blisteringly edited with pitch perfect performances and some of the most deliciously quotable dialogue of any movie, ever. Fight Club remains the jewel in David Fincher’s gaudy crown.
To paraphrase Tyler Durden, Fight Club doesn’t offer salvation, or redemption instead it places an emphasis on self-help in the most literal sense. It’s a cinematic kick up the ass for anyone with a dead-end job and the distinct feeling that life may well be passing them by. It’s cool, it’s stylish, it caused a tabloid media frenzy and it’s got Meat Loaf with bitch-t*ts!
Most of all it has an important idea at its very centre: The idea that, no matter what happens to you, no matter how low you get as a human being you can deal with it. Now that’s one hell of a comforting thought at 11.59pm on December 31st 1999 when the toaster is eyeing up your sister and ominous clouds are gathering above your house…
In this movie Edward Norton is the narrator who suffers from a lack of sleep. He tries different ways to cure this, but he does not succeed. He does get some sleep, but his conditions rebounds back into it's original state when he meets a lovely young woman, whose name is Marla. He finds out that she and he both have a lot in common and they spend a lot of time together. While touring, he meets an enigmatic young man named Tyler and after a short conversation both become fast friends. Both like to relieve their inner tensions by hitting each other. Soon word gets around about their fights, and lots of young people also get interested. Then a club is formed, which the narrator and Tyler call 'Fight Club'. Both start spending a lot of time and both also make lots of money. Then one day the narrator finds out that Tyler has been using him. You must really watch this movie and find out why the narrator feels this way about his friend, Tyler.
Edward Norton ... The Narrator
Brad Pitt ... Tyler Durden
Helena Bonham Carter ... Marla Singer
Meat Loaf ... Robert 'Bob' Paulson (as Meat Loaf Aday)
Zach Grenier ... Richard Chesler Richmond Arquette ... Intern
David Andrews ... Thomas
George Maguire ... Group Leader
Eugenie Bondurant ... Weeping Woman
Christina Cabot ... Group Leader
Sydney 'Big Dawg' Colston ... Speaker
Rachel Singer ... Chloe
Christie Cronenweth ... Airline Attendant
Tim De Zarn ... Inspector Bird
Ezra Buzzington ... Inspector Dent

Armageddon

NASA's executive director discovers that the Earth has only eighteen days before it is obliterated by a meteor the size of Texas. He has only one option - to drop a handful of rougheck oil drillers onto the asteroid and get them to drop a nuclear warhead into its core...



A huge Comet is headed for earth. As it does not consist of one big piece, but of a cloud of rather small pieces plus a main rock the size of Texas, little impacts are recorded long before the big one is scheduled for collision with earth. Harry S. Stamper and his drill team are selected to land on the main comet as they are the only ones who can work the special drill Harry developed. Their mission is to drill 800 ft. into the comet to place a nuclear explosive device. The explosion of the bomb will break the comet in two, and the two pieces will pass earth on both sides. This task has to be accomplished before a certain "dead" line, or the comet parts will not fly by, but hit earth

Bruce Willis ... Harry S. Stamper
Billy Bob Thornton ... Dan Truman, NASA Administrator
Ben Affleck ... A.J. Frost
Liv Tyler ... Grace Stamper Will Patton ... Charles 'Chick' Chapple
Steve Buscemi ... Rockhound
William Fichtner ... Colonel William Sharp, Shuttle Freedom Pilot
Owen Wilson ... Oscar Choi, Geologist
Michael Clarke Duncan ... Jayotis 'Bear' Kurleenbear
Peter Stormare ... Lev Andropov, Russian Cosmonaut
Ken Hudson Campbell ... Max Lennert (as Ken Campbell)
Jessica Steen ... Jennifer Watts, Shuttle Freedom Co-Pilot
Keith David ... Lt. General Kimsey
Chris Ellis ... Walter Clark
Jason Isaacs ... Dr. Ronald Quincy, Research

The Good German

Who knows what American journalist Jake Geismer (George Clooney) expected to find in postwar Berlin? Peace, maybe. Or at least a story. But Certainly not Lena (Cate Blanchett), his beautiful, embittered one-time love. And not the trail of secrecy and deception that leads from Lena to the scheming young corporal (Tobey Maguire) who`s her new lover... and to a murder no one seems interested in solving. Except Jake. Steven Soderbergh directs three of today`s top talents in this zigzag thriller that`s both an atmospheric homage to 1940s filmmaking and a deft modern film noir.


Jack Thompson ... Congressman Breimer
John Roeder ... General
George Clooney ... Capt. Jacob 'Jake' Geismer
Tobey Maguire ... Patrick Tully
Cate Blanchett ... Lena Brandt
Dominic Comperatore ... Levi
Dave Power ... Lieutenant Schaeffer
Tony Curran ... Danny
Ravil Isyanov ... General Sikorsky
J. Paul Boehmer ... British Press Aide
Igor Korosec ... Russian Soldier
Boris Kievsky ... Russian Soldier
Vladimir Kulikov ... Russian Soldier
Yevgeniy Narovlyanskiy ... Russian Soldier
Aleksandr Sountsov ... Russian Soldier

Casino

This Martin Scorsese film depicts the Janus-like quality of Las Vegas--it has a glittering, glamorous face, as well as a brutal, cruel one. Ace Rothstein and Nicky Santoro, mobsters who move to Las Vegas to make their mark, live and work in this paradoxical world. Seen through their eyes, each as a foil to the other, the details of mob involvement in the casinos of the 1970's and '80's are revealed. Ace is the smooth operator of the Tangiers casino, while Nicky is his boyhood friend and tough strongman, robbing and shaking down the locals. However, they each have a tragic flaw--Ace falls in love with a hustler, Ginger, and Nicky falls into an ever-deepening spiral of drugs and violence.








Robert De Niro stars as a Jewish front man for the Las Vegas Mob. Sharon Stone stars as his wife who jinxes the operation. Based on the real-life story of Frank 'Lefty' Rosenthal and Tony 'The Ant' Spilotro. Based on the book by Nicholas Pileggi.



Robert De Niro ... Sam 'Ace' Rothstein
Sharon Stone ... Ginger McKenna
Joe Pesci ... Nicky Santoro
James Woods ... Lester Diamond

Frank Vincent ... Frank Marino

Pasquale Cajano ... Remo Gaggi
Kevin Pollak ... Phillip Green
Don Rickles ... Billy Sherbert

Vinny Vella ... Artie Piscano
Alan King ... Andy Stone

L.Q. Jones ... Pat Webb

Dick Smothers ... Senator

Joseph Rigano ... Vincent Borelli

John Bloom ... Don Ward

Melissa Prophet ... Jennifer Santoro

Private fears in public places

Nominated for eight Cesar awards in its native France, PRIVATE FEARS IN PUBLIC PLACES is an intelligent, adult look at loneliness in the twenty-first century. Directed by French master Alain Resnais (LAST YEAR AT MARIENBAD, HIROSHIMA, MON AMOUR), the film examines the interrelated lives of six main characters who are trying desperately but failing at making real, long-lasting connections. Charlotte (a bewitching Sabine Azema) is a Bible-reading real estate agent who takes care of Lionel's (Pierre Arditi) vile, ailing father at night. Thierry (Andre Dussollier), a coworker of Charlotte's, is showing apartments to Nicole (Laura Morante) and Dan (Lambert Wilson), an engaged couple who can't agree on anything. And Gaelle (Isabelle Carre), who lives with Thierry, her older brother, is looking for love through the personal ads but instead keeps coming home alone. Based on the play by Alan Ayckbourn, PRIVATE FEARS IN PUBLIC PLACES is beautifully shot by Eric Gautier, particularly the scenes in the colourful bar where Lionel works and Dan drinks away his frustrations. Scenes are linked together by falling snow, adding a chilling cold to the pervasive loneliness. The acting is uniformly excellent, with especially good turns from Azema, Arditi, and Morante, who won the Francesco Pasinetti Best Actress award at the 2006 Venice Film Festival, which also awarded octogenarian Resnais the Silver Lion as Best Director. Resnais eschews modern technology in this carefully stylised world; the characters don't spend their time endlessly on computers and cell phones, and Charlotte even gives Thierry a videotape to watch, one that has been taped over many times yet still retains some of its previous recordings, as if parts of the past can never be erased.





Seven lonely lives in Paris: a middle-aged estate agent who thinks a colleague is sending messages in video tapes she loans him; his co-worker whose Bible is close at hand in times of stress; her late-night charge, who's an angry, nasty bedridden old man; his son, a patient bartender; the bartender's best patron, an ex-soldier who's lost his moorings while his fiancée looks for a large flat for them; and, the estate agent's much younger sister, who answers ads in the personal and waits in cafés with a red flower pinned on her jacket. Will any connect? Can open hearts trump fears?








Sabine Azéma ... Charlotte

Lambert Wilson ... Dan

André Dussollier ... Thierry

Pierre Arditi ... Lionel

Laura Morante ... Nicole

Isabelle Carré ... Gaëlle

Claude Rich ... Arthur (voice)

Françoise Gillard ... Speakerine TV

Anne Kessler ... Présentatrice émission TV

Roger Mollien ... Soldat poète émission TV

Florence Muller ... Critique d'art émission TV

Michel Vuillermoz ... Architecte émission TV

bridge to terabithia



“Just close your eyes and keep your mind wide open.”
Based on the book by Katherine Paterson and made by some of the people responsible for Lord of the Rings: Fellowship of the Ring and Chronicles of Narnia: Lion, the Witch and the Wardrobe; Bridge to Terabithia tells the story of Jess and Leslie, two children who escape the painful reality of their lives and retreat to a magical world of their imagination – the Kingdom of Terabithia.
Before being forced to face the realities of life, most if not all children live much of their time in their own imaginations. Every day is an adventure and life is never dull. In Bridge to Terabithia, two kids – one rich, one poor become friends and retreat to their magical Terabithia to find relief from the problems they face at home and school.
Jess Aarons (Josh Hutcherson) is the only boy in a family of five children. Wanting desperately to have the approval of his father (Robert Patrick), instead, he is constantly put down by his Dad who shows effection to his daughters but seems oblivious to his son’s longing for attention. At school Jess is the victim of constant bullying and has no friends to turn to for support. At home, he’s largely ignored by his parents, caught up in their own struggle to make ends meet. A gifted artist, Jess spends his time drawing in his sketchbook.
When Leslie ( AnnaSophia Robb), his neighbour and new girl at school turns up, Jess finds a companion at last. The daughter of two well-off writers and a gifted writer herself, Leslie is very much the outsider at school and as one outsider to another, the two of them become best friends. Leslie opens Jess’s eyes to the power of imagination and the two of them swing across a stream on an old rope and journey deep into the woods near their homes to create a world to escape their troubles.
Leslie and Jess create a fantasy forest filled with strange peoples and creatures. Naming it Terabithia, the two friends rule as king and queen, battling the giants, ogres and armies of the ‘Dark Master’, mythical versions of their school enemies.
Director Gabor Csupo reveals his artistic roots as he shows the forest creatures coming to life and morphing into the mythical Terabithia animals of the children’s imagination. With the right mix of live action and subtle CGI, he has created some of the most wonderful imagery ever committed to film.
A remarkable movie with terrific acting from the two young leads, a brilliant soundtrack and wonderful cinematography; Bridge to Terabithia is a deep and moving story of friendship and companionship; of isolation and childhood.
Like a strange mix of My Girl and The Mighty, Bridge to Terabithia perfectly captures what it’s like to be a child and also features some deep and poignient scenes that are sure to move all but the coldest heart. A special film and an original story that will stay with you forever. Perfect for a great night in. Add to your list now.


A little imagination can sometimes go a long way. The story of young and artistically talented Jesse Aarons, who is sharing concerns and money problems with his family. He's having trouble at school with the bullies and there is a bully like troll who charges the kids a dollar to go and pee. He is fighting for the attention of his father, against his baby sister. Life for young Jesse isn't looking up, that is until the adventurous, imaginative and non-conformist Leslie Burke arrives in town. Together they form a bond and Jesse's life shall never, again, be the same. Adventures and amazement in other worlds center around these two kindred spirits, and for once, for Jesse, life isn't so bad after all. If your mind is wide enough then let your imagination take you over the Bridge to Terabithia.
Josh Hutcherson ... Jesse Aarons
AnnaSophia Robb ... Leslie Burke
Zooey Deschanel ... Ms. Edmonds
Robert Patrick ... Jesse Aarons senior
Bailee Madison ... May Belle Aarons
Kate Butler ... Mary Aarons
Devon Wood ... Brenda Aarons
Emma Fenton ... Ellie Aarons
Grace Brannigan ... Joyce Aarons
Latham Gaines ... Bill Burke
Judy McIntosh ... Judy Burke
Patricia Aldersley ... Grandma Burke
Lauren Clinton ... Janice Avery
Isabelle Rose Kircher ... Carla
Cameron Wakefield ... Scott Hoager

One flew over the cuckoo's nest




McMurphy, a man with several assault convictions to his name, finds himself in jail once again. This time, the charge is statutory rape when it turns out that his girlfriend had lied about being eighteen, and was, in fact, fifteen (or, as McMurphy puts it, "fifteen going on thirty-five"). Rather than spend his time in jail, he convinces the guards that he's crazy enough to need psychiatric care and is sent to a hospital. He fits in frighteningly well, and his different point of view actually begins to cause some of the patients to progress. Nurse Ratched becomes his personal cross to bear as his resistance to the hospital routine gets on her nerves.






Randle Patrick McMurphy (Nicholson), a criminal who has been sentenced to a fairly short prison term, decides to have himself declared insane so he'll be transferred to a mental institution, where he expects to serve the rest of his term in (comparative) comfort and luxury.His ward in the mental institution is run by an unyielding tyrant, Nurse Ratched (Fletcher), who has cowed the patientsmost of whom are there by choiceinto dejected institutionalized submission. McMurphy becomes ensnared in a number of power games with Nurse Ratched for the hearts and minds of the patients. All the time, however, the question is just how sane any of the players in the ward actually are.Throughout his short stay at the hospital, McMurphy forms deep friendships with two of his fellow patients: Billy Bibbit (Dourif), a suicidal, stuttering manchild whom Ratched has humiliated and dominated into a quivering mess; and "Chief" Bromden (Sampson), a 6'5" muscular Native American who has schizophrenia. Recognized by the patients in the ward as deaf, and unable to speak, they ignore him but also respect him for his enormous size. In the former, McMurphy sees a younger brother figure whom he wants to teach to have fun, while the latter is his only real confidant, as they both understand what it is like to be treated into submission.McMurphy initially insults Chief when he enters the ward, but attempts to use his size as an advantage (for example, in playing basketball, for which his height is favourable). Later, both are suspended, along with patient Charlie Cheswick (Lassick), for being involved in a fight with the male nurses, and are sent to a detention area. Cheswick is sent first to undergo shock therapy, while McMurphy and Chief wait on the bench. During this time, McMurphy offers Chief a piece of gum, and Chief verbally thanks him. A surprised McMurphy realizes that Chief can speak and has actually been faking his situation at the ward the whole time. This leads McMurphy to allow Chief in on his escape plan because of his hidden wisdom. Ending this scene, a more defiant McMurphy emerges from the detention area to an awaiting Nurse Ratched.One night, December 10, 1963, McMurphy sneaks into the nurse's station and calls his girlfriend to bring booze and assist in his escape. She brings a girlfriend, and both enter the ward. The patients drink, while Billy flirts with McMurphy's girlfriend.Nurse Ratched commands the nurses to clean up the patients and conduct a head count. When they discover that one patient is missing, Nurse Ratched threatens to tell Billy's mother and he begs her not to. When she explains that he should have thought of the consequences, he breaks down into tears. When left alone momentarily, he commits suicide. After McMurphy sees what the ward has done to his friend, he explodes into a violent rage, strangling Nurse Ratched until she is near death. She survives, but McMurphy is taken away yet again for punishment-a lobotomy operation.Chief, unwilling to leave McMurphy behind, suffocates his vegetable-like friend with a pillow. "I'm not goin' without you, Mac. I wouldn't leave you this way. You're coming with me." He lifts a heavy marble hydrotherapy fountain and, hurling it through a barred window, escapes to Canada.

Jack Nicholson ... Randle Patrick McMurphy
Louise Fletcher ... Nurse Mildred Ratched
William Redfield ... Harding
Michael Berryman ... Ellis
Peter Brocco ... Colonel Matterson
Dean R. Brooks ... Dr. John Spivey
Alonzo Brown ... Miller
Scatman Crothers ... Orderly Turkle
Mwako Cumbuka ... Attendant Warren
Danny DeVito ... Martini
William Duell ... Jim Sefelt
Josip Elic ... Bancini
Lan Fendors ... Nurse Itsu
Nathan George ... Attendant Washington
Ken Kenny ... Beans Garfield

Flood

When the rising water levels combine with a deadly tidal wave, the Thames Barrier is powerless to defeat a flood of biblical proportions. With the lives of millions in the balance, a group of experts are called upon to deliver London from total devestation.

Timely yet terrifying, The Flood predicts the unthinkable. When a raging storm coincides with high seas it unleashes a colossal tidal surge, which travels mercilessly down England's East Coast and into the Thames Estuary. Overwhelming the Barrier, torrents of water pour into the city. The lives of millions of Londoners are at stake. Top marine engineers and barrier experts Rob, his ex-wife Sam and his father Leonard Morrison, have only a few hours to save the city from total devastation. A real probability in a real location. It is not a question of if, but when London floods.

Robert Carlyle ... Rob
Jessalyn Gilsig ... Sam
Tom Courtenay ... Leonard Morrison
Joanne Whalley ... Patricia Nash
David Suchet ... DPM Campbell
Nigel Planer ... Keith Hoskins
Ralph Brown
Gottfried John ... Arthur Mages
Tom Hardy ... Zak
Pip Torrens ... Army Liaison Officer
Susan Wooldridge
David Hayman
Martin Ball ... Wyatt Poppy Miller ... Nikki Fuller Peter Wight ... Johnson

Shadowboxer



Feeling Protected Is Very Seductive
Plot Outline:When Rose, a female assassin, is diagnosed with terminal cancer; she decides to carry out one final killing, assisted by lover and also stepson, Mickey.

“Feeling protected is very seductive”


When professional assassin Rose (Helen Mirren) is diagnosed with terminal cancer, she decides to carry on working with her partner and lover Mikey (Cuba Gooding Jr.). When on one routine assignment, Rose has second thoughts when she discovers that their target - the wife of a gangster (Stephen Dorff), is pregnant. Rose and Mikey spare the woman’s life and hide her away, raising the child in seclusion. But the past has a way of catching up with people.
“It’s always an adventure with Rose”
Shadowboxer is a cool movie; a cross between Pulp Fiction, Leon and Bully. Stylish, brutal and sexually charged. Coming from the producer of the controversial Monster’s Ball and The Woodsman, it comes as no surprise that Lee Daniels directoral debut has an element of controversy to it. The relationship between Rose and Mikey being the most disturbing given that Mikey is Rose’s partner, lover and (ahem) stepson. There is also quite a bit of full frontal nudity and violence that got past the censors. None of this detract from the main plot of the two leads sparing a woman and then looking after her and her baby.
Although our two leads are vile assassins, killing people for money; Daniels uses clever cinematography to contrast the calm, tranquil scenes featuring Helen Mirren and Cuba Gooding Jr. with the grey and gritty scenes featuring the film’s villain Stephen Dorff. Luc Besson did a similar thing in his film Leon, and this works well in getting the audience on the side of our ‘good’ assassins (if there is such a thing).
“You don’t have to make me promise, I always do whatever you say Rose”
Helen Mirren puts in yet another perfect performance as Rose, a woman who has ended so many lives, now wishes to save the lives of two innocents. Cuba Gooding Jr. puts in his best performance since Men Of Honour and hopefully this film is a sign that our ‘Boat Trip’ and ‘Rat Race’ star is back on form doing the character pieces that he is so good at. The supporting cast members include R&B megastar Macy Gray in a scene stealing performance, Joseph Gordon-Levitt (one of the aliens from Third Rock From The Sun) as a corrupt young doctor and Mo’Nique as his rather large boned girlfriend.
The story initially focuses on Rose but then moves Mikey to the forfront. When Rose decides that the two of them will be saving the life of the pregnant wife (played magnificently by Vanessa Ferlito - CSI: New York); Mikey tries to change her mind and wants them to do the job for which they have been paid. Over time, Mikey begins to see the child as his own, this begins to effect his work (he finds it harder to kill people); and when the mob eventually find out (as they always do in these movies), he risks his life to save them… Leon-style.
All in all Shadowboxer is a great first film from director Lee Daniels. A hard hitting movie with some real edge of your seat moments, this will keep you watching until the very end.
Cuba Gooding Jr. ... Mikey
Helen Mirren ... Rose
Vanessa Ferlito ... Vicki
Macy Gray ... Neisha
Joseph Gordon-Levitt ... Dr. Don
Mo'Nique ... Precious
Stephen Dorff ... Clayton Mayfield
Matt Higgins ... Eddie
Tom Pasch ... Andrew Ryan
Eric Speise ... Anthony - Age 3
Cullen Flynn Clancy ... Anthony - age 7 (as Cullen Clancy)
Marilyn Yoblick ... Real Estate Agent
Darnell Williams ... Mikey's Father
Marvina Vinique ... Mikey's Mother (as Marvina Vinque)
John Panzarella ... Man in Hotel (as Johnny Panzarella)

American Gangster

Nobody used to notice Frank Lucas (Denzel Washington), the quiet driver to one of the inner city's leading black crime bosses. But when his boss suddenly dies, Frank exploits the opening in the power structure to build his own empire and create his own version of the American Dream. Through ingenuity and a strict business ethic, he comes to rule the inner-city drug trade, flooding the streets with a purer product at a better price. Lucas outplays all of the leading crime syndicates and becomes not only one of the city's mainline corrupters, but part of its circle of legit civic superstars.Richie Roberts (Russell Crowe) is an outcast cop close enough to the streets to feel a shift of control in the drug underworld. Roberts believes someone is climbing the rungs above the known Mafia families and starts to suspect that a black power player has come from nowhere to dominate the scene. Both Lucas and Roberts share a rigorous ethical code that sets them apart from their own colleagues, making them lone figures on opposite sides of the law. The destinies of these two men will become intertwined as they approach a confrontation where only one of them can come out on top.




Denzel Washington ... Frank Lucas
Russell Crowe ... Richie Roberts
Chiwetel Ejiofor ... Huey Lucas
Josh Brolin ... Detective Trupo
Lymari Nadal ... Eva
Ted Levine ... Lou Toback
Roger Guenveur Smith ... Nate
John Hawkes ... Freddie Spearman
RZA ... Moses Jones
Yul Vazquez ... Alphonse Abruzzo
Malcolm Goodwin ... Jimmy Zee
Ruby Dee ... Mama Lucas
Ruben Santiago-Hudson ... Doc
Carla Gugino ... Laurie Roberts
Skyler Fortgang ... Michael Roberts




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premonition

Sandra Bullock (CRASH, MISS CONGENIALITY) stars as a housewife troubled by a tragic premonition in Mennan Yapo's thriller. Linda Hanson's life revolves around her beloved daughters (Shyann McClure and Courtney Taylor Burness) and her husband, Jim (Julian McMahon, CHARMED). The familiar, picture-perfect terrain of her existence is abruptly shattered when she is informed that Jim has died in a gruesome car accident, and Linda spends the rest of the day in shock. When she awakes the next morning to find Jim calmly eating breakfast in the kitchen, however, she is even more disturbed. As the week progresses, Linda wakes up to find Jim alive again or dead again in an increasingly complex pattern that she struggles to make sense of. Linda realizes she's in the midst of a premonition and decides she must try to save Jim, but when she finds out he might have been cheating on her, her resolve is seriously tested. PREMONITION should appeal to fans of Christopher Nolan's MEMENTO and M. Night Shyamalan's THE SIXTH SENSE, as it too presents an intriguing puzzle for the audience to solve. Despite a few plot holes, the film provides an interesting take on the mutability of time. The notion of a mysterious unknown beneath the mundanity of everyday life is attractive, and the exploration of time as twistable-rather than linear-is fascinating. Nia Long (ALFIE) plays Linda's best friend, and Amber Valetta (HITCH) plays the other woman in Jim's life.



Sandra Bullock ... Linda Quinn Hanson
Julian McMahon ... Jim Hanson
Shyann McClure ... Megan Hanson
Courtney Taylor Burness ... Bridgette Hanson
Nia Long ... Annie
Irene Ziegler ... Mrs. Quinn
Kate Nelligan ... Joanne
Marc Macaulay ... Sheriff Reilly
Amber Valletta ... Claire
Peter Stormare ... Dr. Norman Roth
Jude Ciccolella ... Father Kennedy
E.J. Stapleton ... Model Home Salesman
Mark Famiglietti ... Doug Caruthers
Laurel Whitsett ... School Aide
Kristin Ketterer ... Receptionist

The patriot

Before they were soldiers, they were family. Before they were legends, they were heros. Before there was a nation, there was a fight for freedom
Benjamin Martin is a South Carolina planter who is still haunted by his notoriously brutal past as a soldier in the French and Indian War. When the American Revolution comes, he chooses not to fight for the Continental Army because he wants to protect his family. But when the British Colonel Tavington threatens their welfare and kills one of his sons, he chooses to enlist. Martin becomes the leader of a makeshift militia, which consists of peasants, slaves, a minister, and assorted other irregulars. During the war Martin and his men discover that they will pay a steep personal price for their rebellion. But thanks to their courage and bravery, they are also destined to pay a pivotal role in turning the tide against the Redcoats

Ashamed of his savagery during the French and Indian War, Benjamin Martin decided he would sit out the American Revolution, while his oldest son Gabriel enlisted minutes after South Carolina joined the fight. He changes his mind when his house is burned down and one of his children is killed by the savage Green Dragoon commander Colonel Tavington. Quickly realizing that traditional 18th century warfare tactics won't work, Martin organizes militiamen into a guerilla unit to harass Cornwallis' army long enough to allow the French to arrive.
Mel Gibson ... Benjamin Martin
Heath Ledger ... Gabriel Martin
Joely Richardson ... Charlotte Selton
Jason Isaacs ... Col. William Tavington
Chris Cooper ... Col. Harry Burwell
Tchéky Karyo ... Jean Villeneuve
Rene Auberjonois ... Reverend Oliver
Lisa Brenner ... Anne Howard
Tom Wilkinson ... Gen. Lord Charles Cornwallis
Donal Logue ... Dan Scott
Leon Rippy ... John Billings
Adam Baldwin ... Capt. Wilkins
Jay Arlen Jones ... Occam
Joey D. Vieira ... Peter Howard
Gregory Smith ... Thomas Martin

are we done yet

Newlyweds Nick (Ice Cube) and Suzanne (Long) decide to move to the suburbs to provide a better life for their two kids. But their idea of a dream home is disturbed by a contractor (McGinley) with a bizarre approach to business.








Are We Done Yet? is the hilarious follow-up to the 2005 family comedy Are We There Yet? Picking up from where the last story left off, Nick Person (ice Cube) brings his new wife Suzanne (Nia Long) and her two kids to live with him in his bachelor pad apartment. It soon becomes obvious there isn't enough space for them all.The Persons family leave city life for the wide open country and into their dream home. But when things start to fall apart around them, Nick tries to do-it-himself and ends up in over his head. It doesn't get any better when he hires wacky contractor Chuck (John C. McGinley), whose unorthodox methods only make the destruction worse. The Persons wonder if they'll ever call this house a home.

Ice Cube ... Nick Persons
Nia Long ... Suzanne Persons
John C. McGinley ... Chuck Mitchell, Jr.
Aleisha Allen ... Lindsey Persons
Philip Daniel Bolden ... Kevin Persons
Jonathan Katz ... Mr. Rooney
Linda Kash ... Mrs. Rooney
Alexander Kalugin ... Russian Contractor
Dan Joffre ... Billy Pulu
Pedro Miguel Arce ... Georgie Pulu
Tahj Mowry ... Danny Pulu
Jacob Vargas ... Mike the Plumber
Brenda Prieur ... Grandma Pulu
Hayes MacArthur ... Jimmy the Bartender
Colin Strange ... Persons' Twins

Fantastic four Rise of the silver surfer





After defeating Von Doom, the Fantastic Four can really enjoy life more. All four are now comfortable with their new powers. The Thing and Johnny Storm now get along with each other, and Sue Storm is now planning to be Mrs. Fantastic. Galactus, an evil creature in space, has decided that Earth is it's new target, and sends the Silver Surfer to destroy it. Reed Richards and his team must now work together to capture this surfer, and even must now team up with one individual who they didn't expect to help.











The movie opens out in space as a strange alien planet slowly fades away and implodes. A mysterious blue entity leaves the planet prior to its destruction, and is next seen flying through the atmosphere over Earth. At the same time, a number of strange circumstances unfold (the China Sea freezes over and the Sphinx is covered with snow).A news reporter states that the FAA was forced to ground all flights as a result of these events. Reed Richards (Ioan Gruffud) watches the news from the airport and is disgusted because the news is more focused on his upcoming wedding to Sue Storm (Jessica Alba) than the strange events.The Fantastic Four board the plane now cleared for flight. Ben Grimm (Michael Chiklis) is obviously uncomfortable crammed into a Coach seat. Johnny Storm (Chris Evans) suggests that the team get an endorsement and form their own private airline. He then leaves to fly himself back home as the Human Torch.Back at the Baxter Building (the team's headquarters), Sue and Reed discuss the details for their upcoming wedding. Johnny shows off his prototype new uniforms to the team (they are loaded with company logos and product placement). Johnny tries to snoop on Reed's latest product while Reed explains that the global disturbances are being caused by a similar tyoeof cosmic radiation that originally gave the Fantastic Four their powers.Johnny insists on throwing Reed a bachelor party. Reed is opposed to the idea, until Johnny blackmails him with the threat of telling Sue that Reed is spending more time researching disturbances than taking care of his end of the planning.The mysterious entity passes over the nation of Latveria, and its residual energy frees Dr. Victor Von Doom (Julain McMahon) from his imprisonment.Johnny takes Reed and Ben to a nightclub for Reed's bachelor party. Reed and Ben are obviously uncomfortable (Reed because of his shyness, Ben because of his Thing powers).A military force led by General Hagar (Andre Braugher) arrives at the Baxter Building to see Reed. Sue takes them to the club where they see Reed dancing (making full use of his Mr. Fantastic abilities) and Reed is embarassed.Ben explains to Sue the history Reed has with General Hagar: Hagar had designed a new defense system several years ago, while Reed testified that the technology it called for was unreliable. General Hagar is concerned about the anomolies occurring worldwide, and shows the team sattelite photos of the mysterious entity. The generals' assistant, Captain Frankie Raye shows the team photos of craters that have been appearing in the same spots as the entities appearance. Hagar asks for a way to track the mysterious entity, but Reed turns him down because his wedding is in a few days. Johnny flirts with Captain Raye as they leave, but she shoots him down.Later on, Ben finds out that Reed has decided to build the tracking system for the general anyway. Ben (and Johnny, who flies in when Reed is building) both agree to keep quiet.The next day is the date of Sue and Reed's wedding! Hundreds of guests file in (including a cameo by Fantastic Four creator Stan Lee).Sue discusses her future with Alicia Masters (Kerry Washington), Ben's blind girlfriend. Susan realizes that she has a zit on her forehead, but is able to conceal it with her Invisible Woman abilities.Reed finishes the satellite tracking system less than an hour before the wedding begins. He is happy to have finished the project, but once Ben points out that he is about to be married, Reed goes limp with shock.Johnny comes in and has a brief discussion with Ben about his relationship with Alicia, at which point Ben almost breaks Johnny's skull out of anger and embaressment.Victor Von Doom begins to track the mysterious entity, trying to figure out the power that brought him back to life.As Reed & Sue stand before the minister, Reed's Palm Pilot goes off telling him that the sattelite tracker has come online. Sue is outraged that he lied to her. The entity then passes through New York City, causing a massive power outage and sending one of the news choppers covering the wedding flying towards the rooftop.Sue uses her force field ability to block the chopper from hitting the guests. Ben jumps in and rips off the tail of the helicopter to prevent anyone from getting cut to pieces by the blades. As the entity passes overhead, Johnny shouts "Flame ON!" and gives chase.The Human Torch follows the mysterious thing through the city and watches it pass through a building- thus getting his first look at The Silver Surfer (Doug Jones). Torch and Surfer begin an Ariel chase across half the country, but the Surfer ends it by grabbing Johnny by the throat and levitating him to the stratosphere, then sending Johnny flying back down to earth. Johnny is barely able to re-ignite his flame in time to stop crashing.In space, the Silver Surfer contacts his master and awaits further orders.Johnny describes the Silver Surfer to the team, who are skeptical at first. General Hagar orders Reed to find another way to track the Surfer.Sue confronts Reed, worried that the two of them can never have a normal life if they continue to act as part-time superheroes. Sue is unsure if they can ever actually raise a family together.Johnny, still dazed from his encounter with the Surfer, tries to fly but ends up falling off the building. Sue runs outside to check on him but when she touches his forehead Sue suddenly bursts into flames! Johnny shouts "Flame ON" but he only succeeds in turning invisible. Reed sees what has happened and runs outside. He suggests that Sue touch Johnny again, and they revert to their normal powers- though Sue is now naked after burning off her clothes.Reed does a physical on them both and sees that Johnny's molecules are in a state of flux, and that he may switch powers with any of them just by touch. Ben immediately takes advantage of this and grabs Johnny's shoulder, turning him into the Thing! Johnny is appalled by his new appearance and grabs Ben, changing them both back.Sue is still watching the news when she is joined by Reed. Reed announces that he has decided to give up being a hero once they are married. She is estatic, but Johnny overhears them and is angered.Victor Von Doom calculates the next appearance of the Silver Surfer. He confronts the cosmic entity, suggesting a partnership between the two of them. The Surfer ignores Doom's idea and blasts him with a burst of cosmic energy. Doom is angry, but then notices that the energy is restoring his normal organic appearance.Johnny tells Ben about Reed & Sue's plan to leave. Ben is mad but decides that something like this is something that they can't argue with.Reed points out that the Silver Surfer's energy has been tracked to several other planets, which are now lifeless husks. They realize that 8 days after the Surfer's appearance on any world, that planet dies. Reed gets the idea to track the Surfer using the coordinates of the craters he leaves behind.En route the the newest spot (in London), Johnny confronts Reed & Sue about their decision and they argue.The Surfer's passing through causes a Ferris wheel to be damage, adn many civilians are in danger. The Fantastic Four quickly rush to save them, with JOhnny trying to chase the Surfer again. But Johnny accidentally collides with Reed and they switch powers. Ben & Sue almost let the Ferris wheel collapse before Reed gets the idea to use Human Torch's power to weld it back into place. Reed sets back down and quickly reclaims his rightful power from Johnny, angry that Johnny's recklessness almost killed a lot of people-including Sue.General Hagar is outraged at the Fantastic Four's failure. He has decided to get extra help: Victor Von Doom. Ben, outraged that their old foe is still alive, attacks. Reed convinces Ben to back off, and asks what Victor has to contribute.Victor shows a recording of his previous encounter with the Silver Surfer. They observe that the Surfer's energy attack originated from his board, and thorize that if they can divide him from the board the Surfer will be vulnerable.Johnny and Ben spend the night at a bar, discussing the turn of events. Johnny asks Ben what he wants to do if the world is indeed coming to an end. Ben admits that part of him would want to go down fighting, but he mostly would want to spend his last moments with Alicia. Johnny agrees, apparently jealous that Ben has someone so special to him.Reed has surrounded himself with databases, working around the clock to find the solution without Victor's help. Sue comes in and reassures him, ordering Reed to relax. Sue mentions that Reed's pulse must be overexerted, and the word "pulse" inspires Reed: he can create an energy pulse generated by a power field to divide the Surfer from his board. Reed requests some equipment from General Hagar to build the power field.Sue confronts Victor about his intentions and his return. Meanwhile, Johnny flirts with Frankie again but she blows him off as a reckless jokester.The Fantastic Four arrive at the newest coordinates and begin to set up the pulse generators. Ben has a humorous confrontation with a bear when setting up his section of the generator.Susan is setting up her generator when the Silver Surfer appears in front of her. Sue approaches the Surfer, asking him why he is working to destroy the planet. The Surfer claims that he has no choice; that he is not the destroyer but merely a beacon.General Harding spots the Surfer and opens fire. Silver Surfer merely swats down the missiles with his cosmic powers. Reed activates the pulse system, knocking the Surfer off his board (and in the process turning his body from bright silver to a dull, tarnished gray).General Harding brings the Surfer and the board to a hideout in Siberia for further study. He places the Fantastic Four under "house arrest" until they are finished studying. Sue decides to go out and confront the Surfer. She asks him who the real destroyer is, and the Surfer responds (showing her an image) that the true destroyer is his master, a vast cosmic entity known by many names and forms which his people refer to as Galactus. The Silver Surfer explains that his service spares his homeworld from the destroyer. Surfer explains that he is compassionate towards Sue because she reminds him of his beloved.Out in space, a vast cloud is shown moving towards Earth. The destroyer is drawing closer.Victor is permitted to do tests on the board. He uses a special device to fee the board from its confinement and bond with it. General Hager tries to stop him, but Doom blasts him with his new cosmic energy and vaporises the general.The Fantastic Four escape from confinement, also freeing the Silver Surfer. Frankie is reluctant to let them leave, but Johnny pleads with her and he manages to convince her.As they get outside, Reed summons his new invention- the FantastiCar, a flying hovercraft for the team. Reed, Sue, Ben and the Surfer climb in (Johnny flies along beside them). The Silver Surfer confesses his real name- Norrin radd. He agrees to try and help them.The Fantastic Four track Victor to Southeast China, and attack. They are able to lure him over the land, but must abandon the FantastiCar after he attacks it. Norrin confronts Doom, and Sue saves his life by intercepting an attack. Seeing no other option, Johnny suggests that all of the other team members transfer their powers to him. They argue, but Norrin points out that they have no other choice- Galactus has arrived.Reed tells Johnny to aim for the remote emitter Doom is using to connect himself to the board. Ben, remembering his thought of going down fighting, takes control of a giant crane and uses it to attack Doom. The combined efforts of the team's powers is successful and Doom crashes into the ocean, sinking out of sight.Norrin re-connects with his board, and infuses Sue with a small part of his cosmic energy, restoring her to life. The Silver Surfer tells Reed to treasure every moment with Sue, and flies off to face the cosmic entity. He is joined midway by Johnny, who uses the last of his combined powers to give the Silver Surfer a boost into the cosmic storm.In the heart of the cloud, Silver Surfer tells Galactus that he will no longer be a servent. Norrin Radd charges up a massive amount of cosmic energy and then releases a huge blast, stopping the cosmic entity by apparently destroying them both.The Fantastic Four, including the revived Sue, are thrilled to see that the destruction of the planet has stopped but saddened by the loss of the Surfer. Johnny accidentally comes into contact with Ben, but is shocked to see that nothing happened. To everyone's relief, Johnny's second encounter with the Surfer has restored his powers to normal.Sue reveals that she has decided against her past ideas and does not want to break up the team, since they just saved the world together. Reed agrees that they cannot run away from their responsibilities and that people do not have to be "Normal" to have a family. Reed also has an idea regarding the prospect of a wedding.Sue and Reed decide to hold a Shinto-style wedding while they are still in China. They must rush through the ceremony when Reed's pager alerts them of new danger. Sue tosses the bouquet to the women in the audience (including Frankie, who apparently has decided to pursue a relationship with Johnny). When it looks as if Frankie might catch the bouquet, Johnny "accidentally" sneezes and burns up the flowers.The Fantastic Four boards their newly restored Fantasticar and speeds off to another adventure!!!



Ioan Gruffudd ... Reed Richards
Jessica Alba ... Sue Storm
Chris Evans ... Johnny Storm
Michael Chiklis ... Ben Grimm
Julian McMahon ... Victor Von Doom
Kerry Washington ... Alicia Masters
Andre Braugher ... General Hager
Laurence Fishburne ... The Silver Surfer (voice)
Doug Jones ... Silver Surfer
Beau Garrett ... Captain Raye
Brian Posehn ... Wedding Minister
Zach Grenier ... Mr. Sherman / Rafke
Dawn Chubai ... Anchorwoman Chris Gailus ... Anchorman
Kevin McNulty ... Baxter Building Doorman

never talk to strangers

Criminal psychiatrist, Sarah Taylor, throws herself headlong into a passionate affair with a stranger whilst working on a serial rapist's case. Her life is thrown into chaos when a stalker invades her life...






Sarah Taylor, a police psychologist, meets a mysterious and seductive young man, Tony Ramirez, and falls in love with him. As a cause of this relationship she changes her personality when she begins to receive anonymous telefon calls.

Rebecca De Mornay ... Dr. Sarah Taylor
Antonio Banderas ... Tony Ramirez
Dennis Miller ... Cliff Raddison
Len Cariou ... Henry Taylor
Harry Dean Stanton ... Max Cheski
Eugene Lipinski ... Dudakoff
Martha Burns ... Maura
Beau Starr ... Grogan
Phillip Jarrett ... Spatz
Tim Kelleher ... Wabash
Emma Corosky ... Young Sarah
Susan Coyne ... Alison
Joseph R. Gannascoli ... Carnival Attendant
Reg Dreger ... Flight Attendant
Frances Hyland ... Mrs. Slotnick

The Pursuit of Happyness


Uplifting, heartwarming and inspired by a true story, Hollywood superstar Will Smith plays Chris Gardner, a bright and talented single father, struggling to make ends meet until he lands a prestigious internship that enables him to pursue his dreams.With tremendous supporting performances from Thandie Newton and Jaden Smith (Will's son). 'THE PURSUIT OF HAPPYNESS' is a truly inspiring film.




In 1981, in San Francisco, the smart salesman and family man Chris Gardner invested the family savings in Ostelo National bone-density scanners, an apparatus twice more expensive than x-ray with practically the same resolution. The white elephant financially breaks the family, bringing troubles to the relationship with his wife that leaves him and moves to New York. Without money and wife, but totally committed with his son Christopher, Chris sees the chance to fight for a stockbroker internship position at Dean Witter, disputing for one career in the end of six months training period without any salary with other twenty candidates. Meanwhile, homeless, he has all sorts of difficulties with his son.




Will Smith ... Chris Gardner
Jaden Smith ... Christopher (as Jaden Christopher Syre Smith)
Thandie Newton ... Linda
Brian Howe ... Jay Twistle
James Karen ... Martin Frohm
Dan Castellaneta ... Alan Frakesh
Kurt Fuller ... Walter Ribbon
Takayo Fischer ... Mrs. Chu
Kevin West ... World's Greatest Dad
George Cheung ... Chinese Maintenance Worker (as George K. Cheung)
David Michael Silverman ... Doctor at First Hospital
Domenic Bove ... Tim Ribbon
Geoff Callan ... Ferrari Owner
Joyful Raven ... Hippie Girl
Scott Klace ... Tim Brophy

Ratatouille

A rat named Remy dreams of becoming a great French chef despite his family's wishes and the obvious problem of being a rat in a decidedly rodent-phobic profession. When fate places Remy in the sewers of Paris, he finds himself ideally situated beneath a restaurant made famous by his culinary hero, Auguste Gusteau. Despite the apparent dangers of being an unlikely - and certainly unwanted - visitor in the kitchen of a fine French restaurant, Remy's passion for cooking soon sets into motion a hilarious and exciting rat race that turns the culinary world of Paris upside down.








Remy is a rat, constantly risking life in an expensive French restaurant because of his love of good food, as well as a desire to become a chef. Yet, obviously, this is a rather tough dream for a rat. But opportunity knocks when a young boy, who desperately needs to keep his job at the restaurant, despite his lack of cooking abilities, discovers and partners the young Remy. Its up to the two of them to avoid the insane head chef, bring the rest of Remy's family up to his standards, win his partner a girl, and, of course, produce the finest Ratatouille in all of France



A rat named Remy dreams of becoming a great French chef despite his family's wishes and the obvious problem of being a rat in a decidedly rodent-phobic profession. When fate places Remy in the sewers of Paris, he finds himself ideally situated beneath a restaurant made famous by his culinary hero, Auguste Gusteau. Despite the apparent dangers of being an unlikely - and certainly unwanted - visitor in the kitchen of a fine French restaurant, Remy's passion for cooking soon sets into motion a hilarious and exciting rat race that turns the culinary world of Paris upside down.

Patton Oswalt ... Remy (voice)
Ian Holm ... Skinner (voice)
Lou Romano ... Linguini (voice)
Brian Dennehy ... Django (voice)
Peter Sohn ... Emile (voice)
Peter O'Toole ... Anton Ego (voice)
Brad Garrett ... Gusteau (voice)
Janeane Garofalo ... Colette (voice)
Will Arnett ... Horst (voice)
Julius Callahan ... Lalo / Francois (voice)
James Remar ... Larousse (voice)
John Ratzenberger ... Mustafa (voice)
Teddy Newton ... Lawyer (Talon Labarthe) (voice)
Tony Fucile ... Pompidou / Health Inspector (voice)
Jake Steinfeld ... Git (Lab Rat) (voice)

coyote ugly


When Violet leaves home to persue a career in music things don't go exactly to plan, she suffers from stage fright and this hinders her singing ability. She then ends up working in a bar called Coyote Ugly...




A sexy romantic comedy featuring a spectacular soundtrack, "Coyote Ugly" is the story of one girl's wild adventure in the big city. Graced with a velvet voice, 21-year-old Violet Sanford heads to New York to pursue her dream of becoming a songwriter, only to find her aspirations sidelined by the accolades and notoriety she receives at her "day" job as a bar maid at Coyote Ugly. A new nightclub with a twist, Coyote Ugly is the hottest spot in town, featuring a team of sexy, enterprising young women who tantalize customers and the media alike with their outrageous antics



Piper Perabo ... Violet Sanford
Adam Garcia ... Kevin O'Donnell
John Goodman ... Bill
Maria Bello ... Lil
Izabella Miko ... Cammie
Tyra Banks ... Zoe
Bridget Moynahan ... Rachel
Melanie Lynskey ... Gloria
Del Pentecost ... Lou
Michael Weston ... Danny
LeAnn Rimes ... Herself
Jeremy Rowley ... William Morris Receptionist
Ellen Cleghorne ... Music Publishing Receptionist
John Fugelsang ... Richie the Booker
Bud Cort ... Romero




This DVDRIP was requested here and The KLAXXON produces.

Flyboys



From the producer of Independence Day starring James Franco (Spider-Man 3), and Jean Reno (Da Vinci Code) Flyboys soars to new cinematic heights with spectacular special effects and thrilling, edge-of-your-seat aerial dogfights. Inspired by the true story of the legendary Lafayette Escadrille, this action-packed epic tells the tale of America's first fighter pillots.These courageous young men distinguish themselves in a manner that none before them had dared, becoming true heroes who experience triumph, tragedy, love, and loss amid the chaos of World War I. Hang on for the ride of your life!


The adventures of the Lafayette Escadrille, young Americans who volunteered for the French military before the U.S. entered World War I, and became the country's first fighter pilots.

James Franco ... Blaine Rawlings
Scott Hazell ... Cinema Usher
Mac McDonald ... Sheriff Detweiller
Philip Winchester ... William Jensen
Todd Boyce ... Mr. Jensen
Karen Ford ... Mrs. Jensen
Ruth Bradley ... Laura
Abdul Salis ... Eugene Skinner
Tim Pigott-Smith ... Mr. Lowry
Tyler Labine ... Briggs Lowry
Gail Downey ... Mrs. Lowry
David Ellison ... Eddie Beagle
Jean Reno ... Capt. Thenault
Augustin Legrand ... L.T. Giroux
Keith McErlean ... Vernon Toddman

The fifth element

Two hundred and fifty years in the future, life as we know it is threatened by the arrival of Evil. Only the fifth element can stop the Evil from extinguishing life, as it tries to do every five thousand years. She is helped by ex-soldier, current-cab-driver, Korben Dallas, who is, in turn, helped by Prince/Arsenio clone, Ruby Rhod. Unfortunately, Evil is being assisted by Mr. Zorg, who seeks to profit from the chaos that Evil will bring, and his alien mercenaries.



In the year 2257, a planet sized sphere of supreme evil is approaching the earth at relentless speed, threatening to exterminate every living organism unless four ancient stones, representing the elements of earth, wind, fire and water are united with the mysterious “fifth element”.From Luc Besson, the acclaimed director of Leon and Nikita comes a film that turns science fiction inside out. Starring Bruce Willis, Gary Oldman and Milla Jovovich, The Fifth Element takes you on an adrenalin-filled journey to a new dimension of sumptuous visuals, stunt packed set pieces and spectacular explosions.

Bruce Willis ... Korben Dallas
Gary Oldman ... Jean-Baptiste Emanuel Zorg
Ian Holm ... Father Vito Cornelius
Milla Jovovich ... Leeloo
Chris Tucker ... Ruby Rhod
Luke Perry ... Billy
Brion James ... General Munro
Tommy 'Tiny' Lister ... President Lindberg (as Tommy 'Tiny' Lister Jr.)
Lee Evans ... Fog Charlie Creed-Miles ... David (as Charlie Creed Miles) Tricky ... Right Arm John Neville ... General Staedert
John Bluthal ... Professor Pacoli
Mathieu Kassovitz ... Mugger Christopher Fairbank ... Mactilburgh

edmond


A man in a suit at a Manhattan firm leaves work on Friday; he looks unhappy. He stops at a fortune teller's for a Tarot reading: "You are not where you belong," she tells him. That evening he quits his marriage and walks the streets of New York, passing from a classy bar to a gentleman's club, then to a high-class bordello, a mugging, a pawnshop, and a diner where someone does listen. He shares his insights with her and later with others. Violence, disappointment, and musings entwine as Edmond loses his moorings while believing he's found them. Where does he belong?

William H. Macy ... Edmond
Frances Bay ... Fortune Teller
Rebecca Pidgeon ... Wife
Joe Mantegna ... Man in Bar
Denise Richards ... B-Girl
Wendy Thompson ... Cocktail Waitress
Vincent Guastaferro ... Club Manager
Ling Bai ... Peep Show Girl
Matt Landers ... Bystander
Dulé Hill ... Sharper Russell Hornsby ... Shill
Aldis Hodge ... Leafleeter
Debi Mazar ... Matron
Mena Suvari ... Whore
Jeffrey Combs ... Desk Clerk

We've all seen him: the crazy guy on the street corner whose mutterings, just shy of intelligent commentary, make us wonder how he ended up this way. Edmond Burke (William H. Macy, THANK YOU FOR SMOKING) descends into that alienated, downtrodden territory in one night in this urgent, thought-provoking drama based on a David Mamet play.

taking liberties


Taking Liberties
Written and directed by Chris Atkins, Taking Liberties is a shocking documentary in the tradition of Bowling for Columbine. A film that examines how our freedoms and ‘liberties’ introduced into British law by Winston Churchill in 1950 are being threatened like never before due to the increased security measures introduced by New Labour both before and after 9-11. This makes for a gripping DVD that could affect how you vote in the next election.
Back in 1997, when Tony Blair came to power, he could do no wrong. ‘Teflon Tony’ rode high in the polls after leading New Labour to a landslide victory at a general election that was to cripple the Tory party for the best part of a decade. But in 2007, Tony Blair left office with some of the lowest opinion poll ratings of a Prime Minister in modern times.
Tony Blair will have even fewer fans if people watch this well researched documentary from filmmaker Chris Atkins. Through the course of this film, it is revealed that over the last ten years, the British government has taken away many of the civil rights and liberties that have been enshrined in the constitution of this country for much of the past 800 years and passed into law by Winston Churchill in the fifties.
Atkins gathers together a range of victims of the new anti-terror laws introduced both before and since 9-11. He shows how the authorities have misused the new powers granted to them and how the government now threatens everything from trial by jury to freedom of speech. Interviewing a diverse group of people – from students who are held after peacefully protesting on a roadside to grandmothers who are held after getting too close to an American base; through to a vicar who is arrested for holding a service at an airport. In the course of 90 minutes, Atkins reveals that many of the rights that we take for granted are threatened like never before.
Keeping everything fast, funny and furious – almost trademarked Michael Moore; Atkins keeps this documentary accessible for both those interested in politics and for those who just want an interesting film to watch at home. The result is a compelling but highly disturbing documentary that is sure to change how you see the Britain of today.
From a British perspective, this is quite possibly one of the most important films that you will ever see and, unlike the controversy that surrounds Al Gore’s excellent environmental movie An Inconvenient Truth (of which I am a fan), it is completely and unquestionably truthful in its statements – which makes it all the more worrying.
If you’re British, this is one of those films that could change how you see the world forever. Add to your list now.
Ashley Jensen ... Narrator
David Morrissey ... Narrator
taking liberties,

Wild things

Sam Lombardo is a high school consular living in Blue Bay in South Florida, whose life is turned upside down. Kelly Van Ryan, the sexy and seductive daughter of billionaire Sandra Van Ryan, one of Blue Bay's powerful and elite members of the community who has a crush of Sam accuses Sam of raping her. It gets even worse for Sam, when troubled bad girl Suzie Toller also steps forward and claims that Sam also raped her. With Sam's career ruined, loosing his respect from his students and the community and believing both Kelly and Suzie have framed him. Sam hires freelance lawyer Ken Bowden to defend him in court. Investigating the case, police detective Ray Duquette becomes suspicious and he suspects a conspiracy behind it involving Sam, Kelly and Susie and finds nothing is what it seems.









Sam Lombardo is a well-respected Florida high school guidance councelor who gets his life turned upside down when two students, spoiled rich-girl Kelly Van Ryan, and trailer-trash bad-girl Suzie Toller, bring rape charges against him in which local police detective Ray Duquette investigates the allegations. But not everything is what it appears to be and the big question arises: who is deceiving who?

Behind the rich facades of Blue Bay, Florida lurks a scandalous tale of revenge, sex and murder...

Matt Dillon ... Sam Lombardo
Kevin Bacon ... Sgt. Ray Duquette
Neve Campbell ... Suzie Marie Toller
Theresa Russell ... Sandra Van Ryan
Denise Richards ... Kelly Lanier Van Ryan
Daphne Rubin-Vega ... Det. Gloria Perez
Robert Wagner ... Tom Baxter
Bill Murray ... Kenneth Bowden Carrie Snodgress ... Ruby
Jeff Perry ... District Attorney Bryce Hunter

Cory Pendergast ... Jimmy 'Jimbo' Leach
Marc Macaulay ... Walter
Toi Svane Stepp ... Nicole Beach (as Toi Svane)
Dennis Neal ... Art Maddox
Eduardo Yáñez ... Frankie Condo

Dead silence




Every town has it's own ghost story, and a local folktale around Ravens Fair is about a ventriloquist named Mary Shaw. After she went mad in the 1940s, she was accused of kidnapping a young boy who yelled out in one of her performances that she was a fraud. Because of this she was hunted down by townspeople who in the ultimate act of revenge, cut out her tongue and then killed her. They buried her along with her "children," a handmade collection of vaudeville dolls, and assumed they had silenced her forever. However, Ravens Fair has been plagued by mysterious deaths around them after Mary Shaws collection has returned from their graves and have come to seek revenge on people that killed her and their families. Far from the pall of their cursed hometown, newlyweds Jamie and Lisa Ashen thought they had established a fresh start, until Jamie's wife is grotesquely killed in their apartment. Jamie returns to Ravens Fair for the funeral, intent on unraveling the mystery of Lisa's death. Once reunited with his ill father, Edward, and his father's new young bride, Ella, Jamie must dig into the town's bloody past to find out who killed his wife and why. All the while, he is doggedly pursued by a detective who doesn't believe a word he says. As he uncovers the legend of Mary Shaw, he will unlock the story of her curse and the truth behind the threat from a rhyme in his childhood: if you see Mary Shaw and scream, she'll take your tongue. And the last thing you will hear before you die...is your own voice speaking back to you.









Old ladies, ventriloquist dummies, decrepit small-towns, and dolls are all exploited for their full creepy potential in DEAD SILENCE, a relatively innocent but thoroughly scary horror feature from the makers of SAW. After a heavily stylised black-and-white opening credit sequence that shows the story's central ghost, Mary Shaw, constructing her beloved ventriloquist dolls back in her heyday, the film transports viewers to the present. As newlyweds Jamie (Ryan Kwanten) and Lisa Ashen potter lovingly about their apartment far from their hometown of Raven's Fair, it is clear that something bad is about to happen. This dread is only further cemented when a knock on the door leads the lovebirds to discover an unmarked box containing a worn but eerily lifelike ventriloquist's dummy. When Jamie goes out to pick up some takeout, he returns to find his wife's mangled body (minus her tongue) propped up like the dummy seemingly responsible for her death. With detective Jim Lipton (Donnie Wahlberg) on his heels, and a very guilty dummy in his passenger seat, grieving Jamie returns to Raven's Fair with the hunch that his wife's death is linked to the town's murdered ventriloquist, Mary Shaw. Once grand, Raven's Fair is now in a state of decay, and many of its inhabitants have died mysterious and brutal deaths in the years since Jamie was last home. Jamie arrives at his wealthy father's home, only to find a young new bride (Amber Valetta) by his side. No one wants to talk about Mary Shaw, let alone whisper her name. If Jamie is going to get to the bottom of the Mary Shaw legend, he'll have to face the town's past on his own. Arriving in the midst of the gore/torture trend (SAW, HOSTEL), DEAD SILENCE comes as a breath of fresh air. It's nice to see that a horror movie can still use gore with discretion and deliver a fright through old-fashioned scare tactics and a premise as simple as a ghost story.




Dead Silence trailer




factory girl



A beautiful, wealthy young party girl drops out of Radcliffe in 1965 and heads to New York to become Holly Golightly. When she meets a hungry young, artist named Andy Warhol, he promises to make her the star she always wanted to be. And like a super nova she explodes on the New York scene only to find herself slowly lose grip on reality...


In the 1960s, no star burned brighter than original “It” girl Edie Sedgwick (Miller). Factory Girl follows Edie’s meteoric rise from art student to the top of the New York fashion scene. As the muse ...( read more )of pop artist Andy Warhol (Pearce), Edie paid a steep price for fame. An intoxicating journey through pop-culture history, Factory Girl takes us inside Warhol’s legendary studio, where the worlds of art, film, fashion and celebrity all collided.

Sienna Miller ... Edie Sedgwick
Guy Pearce ... Andy Warhol
Hayden Christensen ... Musician
Jimmy Fallon ... Chuck Wein
Jack Huston ... Gerard Malanga
Armin Amiri ... Ondine
Tara Summers ... Brigid Polk
Mena Suvari ... Richie Berlin
Shawn Hatosy ... Syd Pepperman
Beth Grant ... Julia Warhol
James Naughton ... Fuzzy Sedgwick
Edward Herrmann ... James Townsend
Illeana Douglas ... Diana Vreeland
Mary Elizabeth Winstead ... Ingrid Superstar
Don Novello ... Mort Silvers

straightheads

Dan Reed’s Straightheads is the Straw Dogs for the next generation. A film that follows the tragic experience of two individuals and explores the repercussions as they take revenge on those who have wronged them.
Gillian Anderson plays Alice, a single woman who asks her home security installer Adam (Danny Dyer) to go to a business party with her. While at the party the two of them hit it off and realise that they are attracted to one another.
On the return trip from the party, they are involved in an accident; they hit a deer and are forced to stop. While they are in the process of removing the carcass from the road, they are approached by a group of men who launch into an unprovoked attack on Adam and then subject Alice to a brutal sexual assault.
The next morning Alice and Adam awake in the woods, and start to recover from their ordeal. Alice finds an item that was dropped during her assault by one of her attackers, it is a way of tracking him down and it is at this point that she decides that she is not going to stop until she has taken her revenge on the men that did this to the two of them
Gillian Anderson’s performance as Alice is a far cry away from the cynical Scully of the X-Files, after the assault her eyes are cold and almost dead; Anderson’s character becomes focused on revenge and nothing will stop her. In a change of role, Danny Dyer does not play a gung-ho character, but almost acts as Alice’s moral anchor by constantly questioning her actions even though he has been so horrendously scarred during his assault that he may lose an eye.
The balance of the two characters tips slowly as the film progresses, from what almost starts out in a Macbeth style where Alice is constantly trying to push the timid Adam to follow in her murderous footsteps, she later begins to recoil from the anger that she has awoken in him and then begins to questions her own actions. All which lead towards an inevitable bloody conclusion
Where as in the film Straw Dogs the tension builds slowly through to the violent third act, Straightheads on the other hand begins with the violence and then trawls through the emotional aftermath. Straightheads is a stylishly cold film, and really hits home hard as the characters are not cops, or super humans, but ordinary every day people. It poses the question, what would you do? How far would you go?
What other people say:
”Brutal… disturbing…horrifying”Film Review
”A Savage Brit Thriller”Nuts
”More X Rated than X-Files, has all the pornographic ingredients of a first rate cult thriller. The Times
”Anderson is Excellent”LondonLite
Dyer and Anderson are strong and convincing in this disturbing, raw and revengeful film.Blagmagazine
”Seductive and Chilling”Sight and Sound
”Nerve-wracking and relentless, this is the ultimate in high tension cinema!”Bizarre
”A must see”Clash
”Stylish”Evening Standard
”Intriguing”Sunday Mirror
”Truly eye watering” The Sun

















Gillian Anderson ... Alice
Danny Dyer ... Adam


rest of cast listed alphabetically:


Ralph Brown
Kate Bunten ... Young Alice
Antony Byrne ... Misha
Anthony Calf ... Heffer
Francesca Fowler

Gugu Mbatha-Raw
Adam Rayner

Steven Robertson

Ewan Stewart

goodfellas

Based on the book 'Wiseguy' by Nicholas Pileggi, 'Goodfellas' follows the career of an ambitious school boy who joins the Mob and becomes a member of the inner sanctum. Full of his own success, he kills the wrong guy and begins to deal in drugs.

Robert De Niro ... James 'Jimmy' Conway
Ray Liotta ... Henry Hill
Joe Pesci ... Tommy DeVito
Lorraine Bracco ... Karen Hill
Paul Sorvino ... Paul Cicero
Frank Sivero ... Frankie Carbone
Tony Darrow ... Sonny Bunz
Mike Starr ... Frenchy
Frank Vincent ... Billy Batts
Chuck Low ... Morris 'Morrie' Kessler
Frank DiLeo ... Tuddy Cicero
Henny Youngman ... Himself
Gina Mastrogiacomo ... Janice Rossi
Catherine Scorsese ... Tommy's Mother Charles Scorsese ... Vinnie

Miss Potter

A remarkable film about the extraordinary life of British children’s writer Beatrix Potter; Miss Potter is an absolute diamond of a movie – a perfect picture starring Renee Zellwegger and Ewan McGreggor in their first film together since Down With Love. Beatrix Potter (Renee Zellwegger) has always dreamt of being a published author. Throughout her childhood, Beatrix would captivate her brother and her family with her elaborate stories featuring rabbits, mice and ducks. Now in her thirties, Beatrix remains unmarried – much to the concern of her parents. Rather than go out for the usual search for a husband, Beatrix has written a book about the adventures of her first animal character ‘Peter Rabbit’ and is seeking to get this published. Travelling to several London publishers along with a chaperone in the form of her London based housekeeper; Beatrix is unable to find anyone who will take a chance in publishing her work. That is until she finds herself in the office of the ‘Warne Brothers’; two brothers looking to bring their younger brother Norman (Ewan McGreggor) into the family business. Seeking a small project that will occupy their sibling’s time, the brothers agree to publish Beatrix’s book and assign their brother the task of printing and selling Miss Potter’s book to local bookshops. As his first project, Norman wants to find success in order to prove himself and his abilities. Working closely with Beatrix, the two of them produce an illustrated children’s book to Beatrix’s taste that is truly unlike anything published before. Bright and refreshing, Beatrix’s book finds instant success, selling out in bookshops across the country. It is the start of a very successful collaborative partnership between Beatrix and Norman with Beatrix writing the stories and preparing the initial artwork and Norman finding ways to get this produced to her taste and selling in to the nation’s bookstores. As Beatrix and Norman work together, they grow closer, Norman introduces her to the rest of the family and Beatrix spends time with both Norman and his sister Millie (Emily Watson). The two of them fall in love, but find that Beatrix’s family are less than pleased to discover that their privileged daughter has fallen for a common tradesman. Her family actively discourage the two from having a relationship. Set in the early 20th Century, the filmmakers have perfectly conveyed the feel of old London in this wonderful picture – taking great care to maintain the accuracy of the time in every scene. Potter was known as a bit of a shy eccentric – an oddity, an unmarried woman at the age of thirty and the filmmakers have embraced this, showing Beatrix talking to her imaginary friends as she draws them on the page and the mischievous characters play up, running through their world. When Norman comes along, it is clear that Beatrix has found her soul mate but the story doesn’t end there. Tipped for both BAFTA® and Academy Award® glory, Miss Potter is high class entertainment and recommended viewing due to the sheer strength of the performances and the quality of the writing. Zellwegger especially masters the English accent in flawless performance for which she deserves an Oscar®. A wonderful film filled with incredible performances, an amazing true story and complimented with magical special effect animations that look and feel like Potter’s originals. This has to be one of the greatest family orientated, romantic dramas that has ever been produced











Renée Zellweger ... Beatrix Potter
Ewan McGregor ... Norman Warne
Emily Watson ... Millie Warne
Barbara Flynn ... Helen Potter
Bill Paterson ... Rupert Potter
Matyelok Gibbs ... Miss Wiggin
Lloyd Owen ... William Heelis
Anton Lesser ... Harold Warne
David Bamber ... Fruing Warne
Patricia Kerrigan ... Fiona
Judith Barker ... Hilda
Chris Middleton ... Saunders
Lucy Boynton ... Young Beatrix (10)
Oliver Jenkins ... Young Bertram (4)
Richard Mulholland ... Ashton Clifford

The royle family the complete first series




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The Royle is a British sitcom about a family going through everyday life in the Royle family house......


Sue Johnston ... Barbara Royle / ... (21 episodes, 1998-2006)
Caroline Aherne ... Denise Best / ... (21 episodes, 1998-2006)
Ricky Tomlinson ... Jim Royle / ... (21 episodes, 1998-2006)
Craig Cash ... Dave Best / ... (21 episodes, 1998-2006)
Ralf Little ... Antony Royle / ... (21 episodes, 1998-2006)
Liz Smith ... Norma Speakman (12 episodes, 1998-2006)
Doreen Keogh ... Mary Carroll (9 episodes, 1998-2006)
Jessica Hynes ... Cheryl Carroll (9 episodes, 1998-2006)

Dirty Sanchez The movie

I see Welsh people.One of the most vile, foul mouthed, insane and generally disgusting films you are ever likely to see. Expect stupid stunts such as super gluing one’s nose and mouth shut… pain (dressing up in a bunny suit to be shot by pellet guns), bad language and bottom jokes. Plus… full frontal male nudity… and lots of things that are completely insane.First came Jackass – the American TV show following a bunch of skater / frat boys about who perform stupid stunts and inflict pain on one another, a British version was to be expected… well, it’s happened… kind of. Dirty Sanchez follows a group of Welsh lads around as they do basically the same thing… except in a more extreme, vile and generally male genitalia related way. The movie takes the Dirty Sanchez boys to the next level. The basic ‘plot’ is this… the boys are told by Satan to travel the world and prove that the seven deadly sins exist. Therefore they do just that, starting in Britain, then Russia and then on around the world. The boys set each other up, pull pranks and generally cause trouble pushing the envelope and doing all the things that they can’t do on TV. They can be funny however… I mean twisted but funny…in one scene, they convince one of the gang that he’s in line to break the Guinness book of records for the number of times to be shot by paintballs at close range (102 in this imaginary category); in another scene, they try to guess who the woman is out of a bunch of man-boys. Ahem. Yes. Stupid and true. But apart from the moments in between scenes that allow you to connect with the characters… well, as much as you want to connect with these chaps; most of the time, you’ll find yourself cringing and at times wretching as they do things that would sicken the average person on the street. I mean – they use liposuction to remove fat from one of their bodies and then another guy drinks it… All in all, a film for anyone who loves Jackass or guys doing sickening things to one another; it’s juvenile, stupid and slightly insane… but strangely compelling at the same time. A sort of Sin Cities (the Bravo TV show) crossed with an extreme version of Jackass…all with Welsh people. I can’t say that this film is going to be everyone’s cup of tea – in fact, please do not rent this if you are easily offended, have an aversion to full frontal male nudity or do not wish to see disgusting young men perform stupid tricks on each other.
The film was originally shown to the BBFC in an unfinished version. They recommended that a sequence featuring a man sucking excrement from the anus of a live rabbit would need to be removed before the film could be classified '18'. This cut was requested on the grounds of an infringement of the Cinematograph Films (Animals) Act 1937. When the finished version was submitted, this sequence had been deleted and the film was passed '18' without further cuts.
I have just had the privilege of watching the advanced screening of Dirty Sanchez The Movie. The sustained fear for the Dirty Sanchez boys' safety yet amazement of the pure insanity of these boys on all the peoples faces in the cinema says it all.I am not a squeamish type. Like most people, I love watching a gruesome scary movie with the comfort of knowing it is not real in the back of my mind. However the stunts on this are not far from the horror in "Hostel", but without that comfort.What I meant when I said "connected" is that you will find when watching this movie on the silver screen, everyone not only has the same reactions (covering their eyes with their hands), but also the freedom to scream, shout "oh my god" out loud and laugh like a hyena on happy gas without anyone caring. Because they are doing the same thing!If I was to summarise this movie in one sentence. It would be: It is an amazing experience!
Matthew Pritchard
Lee Dainton
Mike Locke
Dan Joyce
M yke Hawke Pierce ... Hawke
Keith Richards ... Satan
Elizabeth Tan ... Sakura
Kasumi Kitano ... Hitomi

Goodbye bafana


Joseph Fiennes, Dennis Haysbert and Diane Kruger star in this terrific film about the remarkable and unlikely ‘friendship’ that grew between Nelson Mandela and James Gregory, the Prison Guard given the job of both spying and guarding the future South African President. Based on the book written by Gregory himself, Goodbye Bafana is a glimpse into South Africa’s dark history.James Gregory (Joseph Fiennes), was a former farm boy whose best friend Bafana was a ‘Kaffir’ in South Africa. Away from other white people, the two boys played together through their childhood and Gregory learnt the Kaffir language and customs. The friends parted ways when Gregory was a teenager and never met again. Gregory eventually found himself working for the South African Prison Service where he witnessed many atrocities against black people but said and did nothing. He did have the remarkable job however of guarding Nelson Mandela for almost twenty years. By the time the film begins, Gregory has been posted to Robben Island, a penal colony with his wife Gloria (Diane Kruger) and his young family. Gloria sees this new posting as a great opportunity for advancement and works behind the scenes in her job as a hair stylist to get her husband moved up the ranks and brought to the attention of his superiors. Like most white South Africans of the time, she is completely oblivious and uninterested in the plight of the black population. As one of the only white people who can speak the local African language, James Gregory is promoted to the position of ‘Chief Censor’ and give him the official job of checking, censoring and editing letters sent through to the inmates – with inmates only allowed a letter or a visit once every six months. Secretly however, he is given a direct line to a Major in the security services and instructed to spy on ANC leader and political prisoner Nelson Mandela. Initially as a loyal officer, Gregory doesn’t have a problem with his new role and takes to the position with real zeal. Over time however, he becomes increasingly disillusioned with the system in South Africa and increasingly frustrated with his racist superiors and fellow officers as he spends more and more time with Mandela and gets a glimpse of the great man. A fantastic film that transports the audience back to the dark days of Apartheid, Goodbye Bafana features brilliant performances from both Fiennes and Haysbert. Mandela comes across as exactly as you would expect and Fiennes also does a brilliant job of expressing Gregory’s guilt at passing information that led to the murder of innocent people while Krueger puts in yet another solid performance as someone completely oblivious to the unfair nature of her own county.



Joseph Fiennes ... James Gregory
Dennis Haysbert ... Nelson Mandela
Diane Kruger ... Gloria Gregory
Shiloh Henderson ... Brett Gregory
Patrick Lyster ... Maj Pieter Jordaan
Faith Ndukwana ... Winnie Mandela
rest of cast listed alphabetically:
Mehboob Bawa ... Ahmed Kathrada
Adrian Galley ... Brigadier Kemp
Warrick Grier ... Vann Niekerk
Leslie Mongezi ... Walter Sisulu
Sizwe Msutu ... Cyril Ramaphosa
Terry Pheto ... Zindzi Mandela
Matthew Roberts ... National security agent
iulia Troiano ... Voice Italian Version
Eduan van Jaarsveldt ... Sgt Chris Brits

Hot Fuzz

Nicholas Angel (Simon Pegg) is undoubtedly London's finest constable. His arrest record far surpasses that of any other officer, and he continues to undergo training to better his skills. This makes his fellow constables look bad, so they have him forcibly promoted and transferred to Sandford, a country village with the lowest crime rate in the country.Sandford is as quiet as it is advertised, which depresses Nick. On his first night in the village, he kicks underage drinkers out of the local pub, then arresting them for disorderly conduct in the streets. One of his arrestees turns out to be his new partner, Danny Butterman (Nick Frost), a doughy, affable chap whose father, Frank (Jim Broadbent) is the village's chief of police. Nick meets his fellow constables who, with the exception of the smug Andys (Paddy Considine and Rafe Spall), are affable but neither adept at nor much interested in investigative police work. The only other people who seem interested in law and order are the Neighborhood Watch Association, a group of long-time residents who care deeply about maintaining Sandford's reputation as the nation's best village and are concerned about the arrival of street performers and other riffraff. Danny, however, pesters Nick for details of his career in London, which Danny is certain was filled with the kind of blazing action he has seen in American action films like "Point Break" and "Bad Boys II."For a few days, Nick's most exciting moments are chasing a runaway swan and then a shoplifter, and confiscating the arsenal a local farmer has collected over the years, including a rusty sea mine. He also pulls over for speeding the local solicitor and his much younger girlfriend. The two of them are on their way to perform in their "homage" to Shakespeare, a dreadful updating of "Romeo and Juliet." After the performance, the two would-be thespians are brutally murdered by a dark-cloaked figure with a hatchet. Their bodies are then strewn about in the road where Nick and Danny had pulled them over for speeding and their car wrecked to make their deaths appear to be a gory traffic accident. The other police officers are content with explanation, despite Nick's concerns about the lack of skid marks at the scene.Shortly thereafter, a grotesque businessman is assaulted by the dark-cloaked figure. His death is made to look like the result of an accidental gas explosion. Nick can't shake the feeling that the two deaths are connected and begins to suspect Simon Skinner (Timothy Dalton), the local supermarket owner who has a penchant for sprinkling his common conversation with violent language. Skinner clearly disliked the recently deceased businessman and seems to know intimate details of the actors' final moments. When a nosy local journalist is horrifically murdered by the dark-cloaked figure, Nick finally persuades Frank to let him treat the incident as a murder. Nick's investigation leads nowhere and threatens his relationship with Danny, with whom he was becoming good friends. Nick goes to the local flower shop to buy a peace lily for Danny as a birthday present. He is surprised to see the shop's proprietor, renowned for her horticultural skills, leaving town. She tells him that she has sold her shop to a land developer who happens to have connections to Skinner. When Nick briefly goes outside to his car, the dark cloaked figure stabs the woman to death with her garden shears. Nick gives chase but cannot catch up to the villain, who was wounded in the escape. Convinced that he has evidence against Skinner, Nick takes the police force to confront him. But Skinner has no wound and his store's surveillance tapes establish that he was on the premises all day.Nick is prepared to give up when it occurs to him that instead of a single murderer, several dark-cloaked murderers might be working together. This theory is confirmed when he is attacked in his hotel room by one of Skinner's employees, who is wearing a dark cloak. Nick defeats him and then impersonates him when Skinner radios to see if Nick has been killed. Nick traces Skinner to a castle outside of the village. There he finds the Neighborhood Watch Association, clad in the dark cloaks, chanting ritualistically. The NWA reveals that they have all been behind the murders, with their motive being civic pride. Anything that could strip Sandford of its status as the nation's best village is violently opposed: The solicitor and his girlfriend were murdered because their terrible acting brought ill repute to Sandford's theatre company, the businessman was murdered for owning a tacky home, the journalist for poor spelling, and the horticulturalist for even thinking about moving away. Nick tries to arrest them but Frank and Danny appear in support of the NWA. They chase Nick through the grounds of the castle, where he finds the remains of other people the NWA has killed. The NWA surrounds Nick, and Danny steps forward and stabs him. Danny takes Nick's body away in the boot of his car.At a safe distance, he lets the quite-alive Nick go -- they had faked Nick's death using ketchup packets. Danny refuses to believe his father and the NWA are responsible for murder and persuades Nick to take his car and return to London. In London, Nick sees a collection of action film videos and, inspired, returns to Sandford to put an end to the NWA. He takes the arsenal from the police evidence room and confronts many of the NWA members in the town square. They are equally as well armed as he is, and he vanquishes them only through the timely assistance of Danny.In the local pub (whose owners are also NWA members), Frank and the other constables, in full riot gear, surround Nick and Danny. But Nick is able to persuade the constables that he is in the right. Frustrated, Frank runs away. Nick and the other officers go to the supermarket to apprehend Skinner, but when his employees put up a spirited fight, Skinner is able to escape with Frank. Danny and Nick give pursuit in their police car, and in the process find the runaway swan. Skinner and Frank are forced to abandon their car, and Nick and Danny give chase on foot. Nick and Skinner fight in a scale replica of the village, and Nick wins when Skinner falls and impales his chin on model of the village church, though this doesn't kill him. Frank tries to flee in Nick and Danny's car, but crashes into a tree when the swan attacks him.Nick's former London superiors arrive in Sandford to congratulate him and ask him to return, as London has become crime ridden in his absence. Nick refuses because he has made such good friends and finally learned to enjoy life in Sandford. However, at the station, the last remaining member of the NWA tries to kill him. Danny takes the full brunt of the gun blast, and in the ensuing chase, the sea mine is detonated, destroying the station house.But no one is killed. Danny and Nick continue to patrol the streets of Sandford together with Marcus and Mike from "Bad Boys" as their role models.

Simon Pegg ... Nicholas Angel
Martin Freeman ... Met Sergeant
Bill Nighy ... Met Chief Inspector
Robert Popper ... "Not" Janine
Joe Cornish ... Bob
Chris Waitt ... Dave
Eric Mason ... Bernard Cooper
Billie Whitelaw ... Joyce Cooper
Nick Frost ... PC Danny Butterman
Peter Wight ... Roy Porter
Julia Deakin ... Mary Porter
Tom Strode Walton ... Underage Drinker #1
Troy Woollan ... Underage Drinker #2
Rory Lowings ... Underage Drinker #3
Bill Bailey ... Sergeant Turner